ridolfi luca (20 Ergebnisse)

Hardcover. Zustand: Very Good. In stock ready to dispatch from the UK.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: NEW.

Paperback. Zustand: Brand New. 1st reprint edition. 325 pages. 10.04x7.09x0.63 inches. In Stock.

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Zustand: New. 2007. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 194 pages. 9.25x6.00x0.50 inches. In Stock.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Gebunden. Zustand: New.

Zustand: NEW.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. pp. xii + 313 154 Illus.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Randomness is ubiquitous in nature. Random drivers are generally considered a source of disorder in environmental systems. However, the interaction between noise and nonlinear dynamics may lead to the emergence of a number of ordered behaviors (in time and space) that would not exist in the absence of noise. This counterintuitive effect of randomness may play a crucial role in environmental processes. For example, seemingly 'random' background events in the atmosphere can grow into larger instabilities that have great effects on weather patterns. This book presents the basics of the theory of stochastic calculus and its application to the study of noise-induced phenomena in environmental systems. It will be an invaluable reference text for ecologists, geoscientists and environmental engineers interested in the study of stochastic environmental dynamics.

Hardcover. Zustand: Brand New. 313 pages. 10.25x7.50x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Randomness is ubiquitous in nature. Random drivers are generally considered a source of disorder in environmental systems. However, the interaction between noise and nonlinear dynamics may lead to the emergence of a number of ordered behaviors (in time and space) that would not exist in the absence of noise. This counterintuitive effect of randomness may play a crucial role in environmental processes. For example, seemingly 'random' background events in the atmosphere can grow into larger instabilities that have great effects on weather patterns. This book presents the basics of the theory of stochastic calculus and its application to the study of noise-induced phenomena in environmental systems. It will be an invaluable reference text for ecologists, geoscientists and environmental engineers interested in the study of stochastic environmental dynamics.

Zustand: NEW.

4to, pp.164, [4 (errata, blanks)]; woodcut printer's device on title, woodcut initials and head-pieces; title lightly soiled with short tear (neatly repaired verso, with no loss); a very good copy in late nineteenth-century roan-backed boards with marbled sides and vellum tips, flat spine filleted in gilt, lettered directly in gilt; joints very lightly rubbed; seventeenth-century ownership inscription 'Stephani Blancii' to title, numerous marginalia in the same hand to over 120 pp.(see below).The third edition (first 1557) of a remarkable Renaissance philosophical dialogue on the nature of love which marked the culmination of the divisive questione d'amore hotly debated in sixteenth-century literature, our copy extensively annotated by a seventeenth-century collector of musical books and manuscripts. The controversy pitted proponents of 'love by hearsay' in which the 'unseen beloved' is the object of pure love, in keeping with the traditions of courtly love against those who, in the wake of a long philosophical and medical tradition, understood love as a sentiment arising from visual stimuli. The characters in Ridolfi's dialogue put their conflicting ideas forward to an imaginary lady, Aretefila ('lover of virtue'). They marshal Italian poets, including Petrarch, Boccaccio, Dante, Bembo, the classical Ovid, and the Provençal troubadours; they question evidence from history and literature; they submit a new classification of love from divine down to virtuous, then human, then 'plebeian', and even 'feral', gradually and inexorably leading to the conclusion which Ridolfi endorses: hearsay loves tend to be literary not real. We cannot love what we do not know; we cannot seek a particular form of beauty if we do not have the stimulus of its presence. The early owner of this book, Stephanus Blancius (of Bologna?), appears to have been a collector and student of musical books and manuscripts, as witnessed by the occurrences of his ownership inscription (e.g. in S.Clark ed., Citation and Authority in Medieval and Renaissance Musical Culture (2005)). His numerous annotations show a deep engagement with the philosophical question of the nature of love. The debates on earthly and spiritual love extended to music as well as poetry: one of the most important controversies was set out by Johannes Tinctoris in 1477, when he, adhering to the same philosophical, medical, and scientific premises which Ridolfi embraced, stated that pleasure in listening is not brought about by heavenly bodies, but by earthly instruments, with the cooperation of nature. Blancius's study of Ridolfi would have lent itself to a reading in musical terms. Baudrier IX, 286; EDIT16 47603. Language: Italian.

Zustand: Molto buono (Very Good). 0. In 4to (mm. 215x151). Pp. 100, [2: errata]. Manca l'ultima carta bianca. Segnatura: A-N4. Titolo entro bordura architettonica con al centro la marca tipografica. Pergamena floscia moderna con titolo manoscritto al dorso. Leggera brunitura uniforme, margini superiore ed inferiore del titolo e dell'ultima carta abilmente rinforzati, tre piccoli fori nel foglio d'errata, uno dei quali lede leggermente una lettera di testo, per il resto ottima copia.RARA PRIMA EDIZIONE (una seconda ed una terza emissione apparvero nel 1558 e nel 1560).Nel volgere di una ventina di anni (dagli anni trenta agl'anni cinquanta del Cinquecento), nell' ?italianissima? Lione lo studio delle lingue ed in particolare dell'italiano letterario era divenuto un importante elemento di distinzione sociale e mondana, soprattutto nel mondo femminile (cfr. J. Balsamo, L'italianisme lyonnais et l'illustration de la langue française, in: ?Lyon et l'illustration de la langue française à la Renaissance?, Lyon, 2003, pp. 211-229).In questo contesto l'editore Guillaume Rouillé, servendosi dell'aiuto di vari collaboratori, tra i quali spicca il letterato Luca Antonio Ridolfi, riprese con maggior professionalità e competenza il programma editoriale, cominciato da Jean De Tournes e Maurice Scève, di pubblicare i maggiori autori toscani in lingua originale, finendo spesso per dedicare le sue edizioni ad una gentildonna in vista della società lionese (cfr. N. Zemon Davis, Publisher Guillaume Rouillé, Businessman and Humanist, in: ?Editing Sixteenth Century Texts. Papers given at the Editorial Conference University of Toronto?, a cura di R.J. Schoeck, Toronto, 1966, pp. 72-112).Il Ridolfi, che collaborò con il Rouillé anche all'edizione del Petrarca (1550) e pubblicò presso lo stesso editore il dialogo l'Aretefila (1560), contribuì con una Vita di M. Giovanni Boccaccio brevemente descritta e con il Raccoglimento di tutte le sentenze a quella che viene considerata come la prima edizione stampata in Francia del Decameron in lingua italiana, la quale uscì dai torchi del Rouillé in formato tascabile nel 1555 (cfr. E. Giudici, Luc'Antonio Ridolfi et la Renaissance Franco-Italienne, in: ?Quaderni di Filologia e Lingue Romanze?, n.s. 1, Roma, 1985, pp. 115-150).«Guillaume Rouillé s'attache à fournir des éditions des trois grands auteurs italiens, Dante (La Commedia, 1551), Pétrarque (Il Petrarca con nuove e brevi dichiarationi, 1550) et Boccace (Il Decamerone, 1555), grâce au concours de l'humaniste Lucantonio Ridolfi. Il met aussi à la disposition du public en 1550 le célèbre ouvrage de Baldassarre Castiglione, Il Cortegiano. Lucantonio Ridolfi publie également chez Guillaume Rouillé des dialogues qui mettent en scène une société franco-italienne, riche de débats. Tel est le cas de celui qui oppose una Français (Claude de Herberay) et un Florentin (Alessandro degli Uberti) discutant du Decamerone de Boccacce et de questions linguistiques à propos des trois auteurs canoniques, Dante, Pétrarque et Boccacce, et qu'il rapporte dans le Ragionamento havuto in Lione, da Claudio de Herberè gentil'huomo franzese, et da Alessandro degli Uberti gentil'huomo fiorentino, sopra alcuni luoghi del Cento novelle di Boccaccio (1557) ou celui qui relate une discussion portant sur l'origine de l'amour, yeux ou oreille, dans l'Aretefila (1560), où sont aussi évoqués les poètes lyonnais Maurice Scève et Pontus de Tyard» (M. Huchon, Louise Labbé. Une créature de papier, Genève, 2006, p. 42).Come si deduce chiaramente anche dal titolo, il Ragionamento si propone come un commento all'edizione rovilliana del Decamerone, a cui si richiama pagina per pagina. «Le text est anonyme, mais il est sûrement de Ridolfi, ainsi qu'en témoigne une lettre de son ami Alfonso Cambi. Herberé est un Français féru d'italien, qui a été inspiré par un séjour de deux ans dans le cercle de Marguerite de Berry, où tous cultivent le toscan. Herberé cherche à perfectionner son italien à l'aide du Décaméron, et se met à interrog. Book.