Sprache: Englisch
Verlag: Kim Taylor Reece (edition First Edition), 2002
ISBN 10: 0966039580 ISBN 13: 9780966039580
Anbieter: BooksRun, Philadelphia, PA, USA
Erstausgabe
Hardcover. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Anbieter: Birkitt's Books, SARASOTA, FL, USA
Signiert
hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Inscribed by Kim Taylor Reece on the half-title page. Jacket has minor shelf wear, binding tight, pages clean and unmarked. A master of archival photograph, Kim Taylor Reece accomplished this goal by researching the hula for twenty years in Hawaii's Bernice Pauahi Bishop Museum, studying the images of photographers who came before him to gain a sense of the historic dance form. To learn the origins of hula, he delved into the rich fabric of Polynesia and discovered that whil the precise genesis of the hula remains in doubt, Bora Bora and the Marquesas are likely origins since it is believed the first Polynesian to reach Hawaii came from those islands. Today, some form of the dance may be found in almost every island group in the Pacific although the hula of Hawaii is the most widely known. It is a visual story in dance, chant and music of landmarks and ancestors, of spirits and gods and things of nature, the big, broad ocean and islands faraway. When pious missionaries arrived in Hawaii in 1820 , they knew none of that; they saw only an erotic dance performed by young men and women wearing only grass skirts or kapa material. They immediately banned the "heathen" and "lascivious" hula and tried to drive it out of the culture. The first phographers on the scene tried, with little success, to record these "pagan" dances in tintype and glass plate and those early images are preserved at the Bishop Museum where Kim Taylor Reece began his study of the hula in 1979. "In all the old photographs you see- and I have looked at hundreds- the dancers are static, posed, stiff as a board," he says. The cameras and the film the photographers used were too slow to capture dancers in motion." With the advance of cameras, high speed films, new printing methods and fine grain paper, Kim Taylor Reece began to experiment with his own technique to recapture and express that early 19th century look in a contemporary format. "I try to make everything seem timeless in my photography," he says. He uses only very grainy black and white film and slows the exposure down to create a slight blurring of motion-all of which emulates and improves upon the archival nature of early photographs. In this way, the final images are a blend of talents, the dancer and photographer and - in a real sense- Hawai'i, itself. Signed by Photographer.
Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Signiert
Hardcover. Zustand: Good. No Jacket. Dust jacket missing. SIGNED by the photographer. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.
Sprache: Englisch
Verlag: Kim Taylor Reece Productions, Sacred Falls, Hi, U. S. A., 1997
ISBN 10: 0966039599 ISBN 13: 9780966039597
Anbieter: Renaissance Books, ANZAAB / ILAB, Dunedin, Neuseeland
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Still unopened in publisher's shinkwrap. Two copies available. ; Folio.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.