Reason joseph (4 Ergebnisse)
Verlag: Washington, Dissertation, 1958, 1958
- Softcover
Anbieter: Antiquariaat De Keerkring, Malden, NiederlandeAntiquariaat De Keerkring
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Washington, Dissertation, 1958. Paperbound. 104 p.
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 109,81
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Hardcover. Zustand: Brand New. 754 pages. 11.00x8.50x11.00 inches. In Stock.
- Softcover
Anbieter: Redins antikvariat, Enköping, SchwedenRedins antikvariat
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Diss. Washington 1958. 103 pages. Softcover. Stamped.[#137552].
Verlag: Real Life Magazine New York, NY, 1983
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 11/12 of Real Life Magazine, edited by Thomas Lawson. Contents include: "Group Material," an interview by Peter Hall; "Radical Culture," by Mundy McLaughlin; "Past Present Future," by Julie Ault; "P…articles, 1980-83," by Tim Rollins; "Kiss of Death," by Doug Ashford; "Paintings by Adolf Hitler," reprinted from LIFE, October 30, 1939; "The Secret Agent," an interview with Jacki Ochs by Robin Winters; "Repression and Resistance at the University of El Salvador, 1968-83," by Coosje van Bruggen; "Komar and Melamid," an interview by Thomas Lawson; "Epic Images and Contemporary History," by Joseph Nechvatal; "Alcohol and Advertising," by Elizabeth Winter; "Brie Popcorn," an interview with the directors of Nature Morte Gallery by Rex Reason; "Born in Flames," by Carole Spearin McCauley; "A Conversation with Lawrence Weiner," by Robert C. Morgan and "A Blinding Light," by Judith Kirschner. Reference : No. 7.7 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 195, 291. Very Good. Light soiling of covers, rubbing of spine edge, and very mild bumping of top right corner of publication. Light yellowing of pages. Contents clean and unmarked.
