read herbert edward sir (27 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Good condition. With remainder mark. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. Softcover 1985 edition. Text and covers in very good condition. Binding firm. Text free from markings and clean. {392 pages}.

paperback. Zustand: Good. The binding and page edge are tanned. The copy shows minor external wear, but is in otherwise clean condition.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Gut. Different cover. Ex-library, stock card pocket and label on flyleaf; a few small scuffs and dents. - 392 S., zahlr., teils farb. Abb., 21 cm Reihe World of Art / Kurzbeschreibung: Presents reproductions and text discussing paintings by famous 20th century artists. / Lese- und Alterungsspuren. Einband berieben, nachgedunkelt und etwas fleckig. Schnitt bestaubt. Sonst ordentliches und gutes Exemplar (Kst.Ge.) Kst.Ge. Sprache: Englisch Gewicht in Gramm: 770.

Zustand: Good. 1963. First Edition. 406 pages. No dust jacket. This is an ex-Library book. Green cloth with gilt lettering. Library copy, with expected inserts, stamps and inscriptions. Pages are lightly tanned at the edges, with light foxing. Binding has remained firm. Boards have slight shelf with bumping to corners. Spine ends are a little crushed with light tanning. Slight forward lean to text block.

Reprint. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 190 pages. Includes index. First published 1931. Subjects; Art, Philosophy. Design. Aesthetics. Read, Herbert Edward Sir (1893-1968). 3 Kg.

Zustand: New. In.

First Edition. A fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 150 pages; Description: 150 p. ; 21 cm. Subjects: Anarchism. 3 Kg.

Hardcover with Dust Jacket. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition, First Printing. A legendary literary 'duel' between two giants of 20th-century thought. Through a series of incisive letters, Dahlberg and Read clash over the merits and moral failings of the giants of Modernism, including Joyce, Eliot, and Lawrence, in a style that is as eloquent as it is combative. KEY FEATURES +++ Binding: Original black cloth over the spine with gilt titles set against light blue boards. +++ Content: A sharp, epistolary exchange debating the ethical and aesthetic foundations of modern literature, specifically targeting the 'idols' of the era. +++ Associated Names: Features extended critiques of James Joyce, D.H. Lawrence, Henry James, Robert Graves, T.S. Eliot, and Ezra Pound. +++ Imprint: Published by Horizon Press, the New York house known for supporting avant-garde and high-intellect prose. +++ Specs: 8.5 inches tall / [10], 11-222 pages. CONDITION: Near Fine/Very Good -- The book is tight and square with clean text and light, even age-toning. The boards show Minimal shelf handling wear. The dust jacket is price-clipped and modestly age-toned, featuring a small closed tear on the lower front edge, but remains presents well in a protective sleeve. HISTORICAL SIGNIFICANCE -- Edward Dahlberg, often called the 'Job of American Letters,' was famous for his uncompromising, archaic prose style and his refusal to bow to the literary fashions of his time. In Herbert Read, the distinguished British anarchist, poet, and critic, he found a formidable intellectual sparring partner. This 1961 exchange is considered one of the last great 'public' arguments over the moral duty of the artist. The book matters because it captures the 'post-Modernist' reckoning. While the world was enshrining Joyce and Eliot as untouchable masters, Dahlberg and Read were examining the 'sacred truth' of whether their works actually served the human spirit or merely the ego. It remains a vital text for anyone studying the intersection of ethics and aesthetics. SUBJECTS: Literary Criticism, Modernism, Ethics in Literature, James Joyce, T.S. Eliot, Edward Dahlberg, Sir Herbert Read, Literary Criticism, Epistolary, Philosophy. BIBLIOGRAPHIC REFERENCE: Billings, Harold. 'A Bibliography of Edward Dahlberg' (A14).

2nd Edition, 3rd Printing. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Minor staining to boards. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 188 pages; Description: 188 p. : illus. ; 22 cm. Subjects: Decorative arts -- Industrial design -- Art industries and trade. 3 Kg.

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression. Edition; 2nd ed. Series; A.W. Mellon lectures in the fine arts ; 1954. Physical description; xxxi, 152 p., 224 p. of plates : ill. Notes; Held at National Gallery of Art, Washington. First published in England in Faber, 1956. Subject; Sculpture. 3 Kg.

Zustand: Good. 8vo. 152 pp. Hard cover. Good. Brown cloth covered boards. Boards discolored at edges. Three inch tear at foot of spine. No Dust Jacket. Penciled underlining and notations in Peter Selz's hand on some pages. Color and B&W plates. Book well worn to spine. Signed by Peter Selz on first page in Chicago and dated October 1950.From the Collection of the Art Historian Peter Selz.

First Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 278 p. : illus ; 23 cm. Notes; Includes bibliographical references and index. Subjects; Art, Modern 20th century. Modernism (Art). Artists. Art, Modern 20th century. Art, Modern Philosophy. Art, Modern History and criticism. Aesthetics. Genre; Illustrated. 1 Kg.

Hardcover. Zustand: Very Good. Cloth bound (hardcover) (no dj), 172 p. : ill. (some in colour). Very good, light age-toning cloth and pages.

Zustand: Good. 8vo. 328 pp. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear to wraps. Color and B&W plates.ISBN: 0571055591 9780571055593.

Zustand: Poor. Soiled covers, worn edges and inscription to inner front cover otherwise clean and unmarked.

orig. cloth Rubbed. Light binding corner bumps. Good., dustwrapper. 22x14cm, 382 pp., Name inked on flyleaf. In a rubbed & torn dustwrapper. Contents: Part One: The Main Theme: The Notion of Organic Form: Coleridge; A Complex Delight: Wordsworth; The True Voice of Feeling: Keats; Inscape and Gestalt: Hopkins; The Figure of Grammar: Whitman and Lawrence; The Isolation of the Image: T.E. Hulme; Ideas in Action: Ezra Pound; A Point of Intensity: T. S. Eliot; Conclusion; Part Two: Essays Ancillary to the Main Theme: Coleridge as Critic; Wordsworth's Philosophical Faith; In Defence of Shelley; Byron; Appendix (p. [321]-364): "Concerning the relation of the plastic arts to nature", 1807, by Friedrich Wilhelm Joseph von Schelling; translated by Michael Bullock. Rubbed. Light binding corner bumps. Good., dustwrapper.

Zustand des Schutzumschlags: dj. Revised Edition. Octavo (22.5cm); orange cloth-covered boards with titling stamped in black on spine; dustjacket; xii,[2],3-177,[3]pp; illus. Inscribed by author on front endpaper: "For my Friend, Sol. Affectionately, Edward / Jan 5, '70 N.Y.C.". Designed by Stefan Salter. Light rubbing to board edges with pencilled notes to front pastedown, else Near Fine. Dustwrapper, unclipped (priced $4.75), lightly tanned, with trace soil, 0.5" tear to lower front spine fold, tiny chip to front upper corner, and tiny tears to extremities; Very Good. First published as Sing O Barren and Do These Bones Live, this new edition includes illustrations by Kearns throughout and a preface by Sir Herbert Read. [85862]. Signed.