rathbone robert (19 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Rathbone, Aaron; Brenneman-Slay, Cararayne (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. No Dust Jacket (writing, engineers, scientists) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Vintage studio still photograph from the 1938 film. Archie Mayo's 1938 film depicts the adventures of Marco Polo, starring Garry Cooper, Sigrid Gurie, and Basil Rathbone. Shot on location in California. 8 x 10 inches. Very Good plus with a few faint creases (see image). Manuscript pencil notation to the verso.

Eight vintage black-and-white still photographs from the 1976 UK re-release of the 1936 US film. Distributor (Canada) rubber-stamps on the versos. Nominated for two Academy Awards (1937), and based on Robert Hitchens' novel, about Domini (Marlene Dietrich), an heiress who visits the North African desert for spiritual renewal. There she meets Boris (Charles Boyer), who has recently escaped from a Trappist monastery. Their friendship ripens into love, but he conceals his past from her. A story set in North Africa, shot on location in California and Arizona. 8 x 10 inches. Near Fine.

"W.H.V. collection , 2009. 1 volume format DVD bon Format : DVD.

Zustand: Good. french édition - zone 2 Europe -en bon état. Envoi rapide et soigné dans enveloppe à bulles depuis France. 18x14x1cm. 2017. DVD. Chaque maison cache un secret les murs ont des oreilles mais la bouche cousue. Il faut poser longtemps la joue contre leur sein comme un docteur fiévreux pour les entendre respirer. A Dun-le-Palestel dans la Creuse la maison de famille du narrateur en a si gros sur le c?ur et tant à dire qu'on va la confesser pièce après pièce l'écouter se raconter souvenirs dérangés vérités arrangées les choses et les gens tels qu'ils furent les échos et les ombres qu'il en reste. Elle finira bien par lâcher cequ'elle sait. Elle sait l'histoire d'un père qui lui avait choisi de se taire. Good.

Soft cover. Zustand: Good. 1st Edition. vii, 104 p. illus. 23 cm. ; LCCN: 66-25632 ; LC: PE1478; Dewey: 808.0666 OCLC: 712207 ; purple and green paper wrappers ; stamp on inside front cover ; slight wear ; "It isn't that engineers and scientists can't write; they just prefer to carry on a peaceful coexistence with the English language " ; G. Book.

Paperback. Zustand: Very Good. Rathbone, Aaron; Brenneman-Slay, Cararayne (illustrator).

Zustand: Fair. Acceptable condition. Former Library book. 2nd edition. Rebound as hardcover. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Zustand: BUONO USATO. INGLESE Brossura editoriale con copertina flessibile illustrata, lisa ai margini e al dorso. Mancante di sovracoperta. Le pagine ambrate sono in buone condizioni e corredate da formule, tabelle e grafici in nero nel testo con didascalie, i tagli tendenti al seppia con velature. Numero pagine 104.

Cloth. Zustand: Very Good. Not Stated (illustrator). First edition. A 1949 British annual of international furniture and decorative art, with numerous photographs throughout. A first edition of this 1949 annual in the publisher's original cloth binding. The Studio Yearbook of Decorative Art was first issued in 1906, as an annual review of the finest examples of contemporary architecture and applied art. It was published under that title until 1925, when it changed its name to Decorative Art, with the subtitle of The Studio Yearbook. This annual encompasses new houses and apartments, interior design including cocktail bars, furniture and furnishings, tableware, decorative ceramics, metalware, glassware and textiles. Profusely illustrated throughout with black and white photographs, and some colour photographs, with an introduction by Robert W. Symonds. 14 pages of advertisements to the rear. In the publisher's original cloth binding. Externally fairly smart, though faded, particularly to the spine and rear board. Remnants of tape to the pastedowns. Internally, firmly bound. Pages are bright and clean except for a touch of age toning to the page perimeters. Very Good. book.

Vintage publicity photograph of Robert Cummings and Sigrid Gurie from the 1939 film, with a 1939 date stamp, a provenance stamp, and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Sigrid Gurie stars as the wife of Basil Rathbone, an unscrupulous business man imprisoned in a South American penal colony for bank fraud, who travels to Rio de Janeiro to arrange for his escape, only to fall in love with American engineer, Robert Cummings. Crazed, Rathbone escapes, and seeks to kill Cummings. 8 x 10 inches. Near Fine. Grant US. Lyons, Death on the Cheap US. Spicer US.

Cloth. Zustand: Very Good. Not Stated (illustrator). First edition. A profusely illustrated British annual of international furniture and decoration for the years 1943 to 1948. A first edition of this 1943-48 annual in the publisher's original cloth binding, with blind stamping to the front board. The Studio Yearbook of Decorative Art was first issued in 1906, as an annual review of the finest examples of contemporary architecture and applied art. It was published under that title until 1925, when it changed its name to Decorative Art, with the subtitle of The Studio Yearbook. This annual focuses on town and country houses, interior design, furniture and furnishings, lighting, tableware, decorative ceramics, silverware, and glassware. With an introduction by Robert W. Symonds. 16 pages of advertisements to the rear. In the publisher's original cloth binding. Externally bright and smart, apart from a couple of small marks to the boards. Internally, firmly bound. Pages are bright and clean, except for a touch of age toning to the page perimeters, and remnants of tape to the paste downs and end papers. Very Good. book.

Vintage portrait photograph of Basil Rathbone in character, from the 1939 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Sigrid Gurie stars as the wife of Basil Rathbone, an unscrupulous business man imprisoned in a South American penal colony for bank fraud, who travels to Rio de Janeiro to arrange for his escape, only to fall in love with American engineer, Robert Cummings. Crazed, Rathbone escapes and seeks to kill Cummings. 8 x 10 inches. Very Good plus, with a small closed tear to the bottom right. Grant US. Lyons, Death on the Cheap US. Spicer US.

Draft script for the 1941 film. Copy belonging to studio secretary Marion Pecht, with her name in manuscript pencil at the top right corner of the front wrapper. File copy, rubber-stamped on the front wrapper. Housed in a custom black cloth clamshell box. From the Richard Manney collection of horror film scripts. The 1941 version of "The Black Cat" is neither a remake of Edgar G. Ulmer's 1934 Karloff-Lugosi film of the same name, nor does it bear much relation to the Edgar Allan Poe story (though, in fairness, neither did the 1934 version). It is more of a horror-comedy affair than its predecessor, with Broderick Crawford and Hugh Herbert in the lead, Bela Lugosi reappearing (now in the more minor role of "Eduardo"), and Basil Rathbone ably handling the part of the shady Mr. Hartley. Shot by the legendary Stanley Cortez of "Magnificent Ambersons" fame. (Hal Erickson, Rovi) Gray titled wrappers, rubber-stamped copy No. 6856, dated February 15, 1941. 117 leaves, with last page of text numbered 117. Mimeograph duplication. Pages Near Fine, wrapper Very Good plus, bound with three gold brads. Weaver, Universal Horrors.

Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page, likely as used or issued. First, an early Draft script, under the working title "Sherlock Holmes vs. Lord Haw-Haw," by screenwriter John Bright, noted as "Contract File Copy" on front wrapper. Carbon typescript, preceded by a four page ribbon copy typescript outline, dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page, in manuscript pencil. Several annotations throughout, of Bright's name, page numbers, strikes, question mark, and dates (ranging from 3/10/42 to 3/27/42), in manuscript pencil and ink. Second is a Draft script, under the working title "Sherlock Holmes #1," by screenwriter Lynn Riggs, dated April 2, 1942. Annotations in red and graphite manuscript pencil on front wrapper, some illegible, citing Arthur Conan Doyle and the story upon which script is based, and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin, with annotations in manuscript pencil and ink throughout, primarily amending page numbers, scene numbers, and character names, as well as striking the "#1" on title page title and adding "Saves London," amending title to "Sherlock Holmes Saves London," another early working title. Third is a Draft script, under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'," credited as "A Free Adaptation" by Robert Andrews, and credits for screenwriters Lynn Riggs and John Bright, dated May 4, 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107, likely a stenographer. Lastly, the post-production Dialogue and Contitnuity script, here under the working title "Sherlock Holmes and the Voice of Fear," dated July 28, 1942. Annotation on front wrapper, in manuscript pencil, striking "Fear" in title, adding "Terror," amending title to it's release title. Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes," by Sir Arthur Conan Doyle, and loosely, on the real-life exploits of Lord Haw-Haw, (several broadcasters, but most notably) William Joyce, a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946, the last person executed for treason in the UK. The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" (1939), directed by Alfred L. Werker, and followed by "Sherlock Holmes and the Secret Weapon" (1942), directed by Roy William Neill. Watson and Holmes, transplanted from their usual Victorian setting, and from the WWI setting of the original story, are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror," apparently from Nazi Germany, warning of acts of terror moments before their occurrence. 3/10/42 script, "Sherlock Holmes vs. Lord Haw-Haw": Gray titled wrappers, with credits for screenwriter John Bright. Title page present, with credits for screenwriter John Bright. 126 leaves, with last page of text numbered 121. Carbon typescript, rectos only. Pages Near Fine, wrapper Very Good plus with some chipping, creasing, and closed tears at extremities, primarily to front wrapper, bound with three gold brads. April 2, 1942 script, "Sherlock Holmes #1": Gray titled wrappers, dated April 2, 1942, with credits for screenwriter Lynn Riggs. Title page integral with first page, with credits for screenwriter Lynn Riggs. 127 leaves, with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine, wrapper Very Good plus, with some creasing and small closed tears to extremities on front wrapper, bound with three gold brads. May 4, 1942 script, "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'": Gray titled wrappers, dated May 4, 1942, with credits for adaptation by Robert Andrews, author Sir Arthur Conan Doyle, and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves, with last page of text numbered 113. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 5/8/42 and 5/14/42. Pages Near Fine, wrapper Very Good, with some chipping, creasing and closed tears to extremities, bound with three gold brads. July 28, 1942 Dialogue and Contiuity post-production script: Title self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper, dated July 28, 1942. 117 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

Vintage reference photograph from the 1936 film, showing director Richard Boleslawski and a camera crew capturing a scene with Marlene Dietrich and Charles Boyer. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. Based on Robert Hichens' 1904 novel, about an heiress who visits the North African desert, where she befriends a man who has recently escaped from a Trappist monastery. Nominated for two Academy Awards. Shot on location in California and Arizona. 9.5 x 7.5 inches. Near Fine.