raphael raffaello (77 Ergebnisse)

Payne Dresden & Leipzig 1855 [Blatt vor allem an den Rändern teils stockfleckig.].

Pictorial wrappers. Small marginal nick to first leaf. Fine. On pp. 65-9, 70-84, 85-95, 96-104 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 44 (1975):3-4. Stockholm 1975. 4to. Pp. 65-122 + [iv] pp. Illustrated. "Didrik av Bern on the Nordic countries" and "Mucius Scaevola and Marcus Curtius on a stone relief from Norra Smedjegatan" both in Swedish with Summaries in German.

Pictorial wrappers, fineal two leaves and rear wrapper dog-eared. On pp. 135-39, 140-44, 145-56, 157-69 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 56 (1987):4. Stockholm 1987. 4to. Pp. 135-82. Illustrated.

Stipple engraving, from Biographical Magazine, fine delicate portrait with biographical information in letterpress below.

No Binding. Zustand: Very Good. A fine engraved biographical portrait in the style of a miniature. Mounted/matted and ready to frame. Attractive, decorative and unusual.

(Exhibition catalogue.). Stabbed as issued. London, Victoria and Albert Museum, 1974. 8:o. 12 pp. (last leaf blank).

No Binding. Zustand: Very Good. Engraved By Holl (illustrator). A splendid antique engraved portrait, ca. 1870. Mounted and ready to frame.This is an excellent opportunity to purchase an antique portrait of this eminent personage.

Dek. förlagsband i fint skick. Proveniens: Ulf Cederlöf (1948-2021), förste intendent för grafik och handteckningar på Nationalmuseum. Stockholm 1992. 4:o. 102 sid. inkl. utvikbar bildbilaga. Rikt illustrerad med 113 fotografier och reproduktioner av pennteckningar, laveringar och teckningar i kol och rödkrita, varav 25 i färg. Med en bibliografi över den viktigare Rafael-litteraturen. Utgiven i samband med en utställning 1992 på Nationalmuseum, Stockholm. Innehåll: "Introduktion", "Introduction to the exhibition", "Föregångare och samtida" (Umbrien och Toskana), "Rafael" (Umbrien: Oddi-altaret, omkr 1503-1505, Florens: Madonnabilder, Rom, de första stora uppdragen: Stanza della Segnatura och Agosto Chigis kapell 1508-1511, Rom: Stanza d'Eliodoro 1511-1514), "Medarbetare" (Rafaels verkstad: Loggiorna, omkring 1518-1519, Giovanni da Udine, Giulio Romano, Giovanni Francesco Penni, Polidoro da Caravaggio, Baldassare Preuzzi, Perino del Vaga). Med en avslutande Rafaelbibliografi (8 s). (Nationalmusei utställningskatalog, 549).

Sewn as issued, printed wrappers, neat inscription by the author. Very fine. Stockholm, Almqvist & Wiksell, 1960. 8vo. 48 pp. + plates. "The ideas brought forward in this paper [.] may be regarded as an attempt to solve some of the problems connected with one of the most debated pictures in the history of art, Raphael's 'The School of Athens'." (Acta universitatis Stockholmiensis / Stockholm studies in History of Art, 4.).

Pictorial wrappers, fine. Washington, National Gallery of Art, 1983. 4to. 208 pp. Richly illustrated, partly in colour (118 figs. in text, 19 plates). Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., January 9-May 8, 1983, in commemoration of the 500th anniversary of Raphael's birth. - - - Contents: "Raphaels Prestige" (Early American Artists and Collectors, Later American Collectors, Notes to Part I), "Raphael's Creativity as Shown by His Paintings in America" (Formation, Florence, Rome, Notes to Part II), "List of Objects in the Exhibition" (103 entries).

Gr.-8°, kart. Zustand: Gut. 122 S., zahlr. Abb. Gebraucht: Einband leicht gebräunt, ansonsten guter Zustand. Sommario: Breta per Raffaello - Carlo Bertelli / L'allestimento della nuova sala di Raffaello - Vittorio Gregotti / Catalogo delle opere esposte 1 / Giuseppe Bossi e Raffaello - Simonetta Bedoni / Catalogo delle opere esposte 2 / Bibliografia. Sprache: Italienisch Gewicht in Gramm: 550.

Stipple engraving, from Knight's "Portraits".

Hard Cover. Zustand: Very Good binding. Limited Edition. Limited Edition of Le Stanze di Raffaello, with text on the life and work of Raphael in Italian and English, and eighteen loose plates laid in at the rear. This copy numbered 1637 of 2000. Quarter paper vellum over tan paper covered boards, with gilt lettering. Binding designed to accommodate the loose plates at the rear. Very Good. 238 pp. Folio. Very Good binding.

PAP. Zustand: Very Good. Paperback, light tan near upper edge of cover, otherwise in very good condition, 24.0x22.0cm, 214pp.

0. Sprache: Deutschu.

0. Minimal fleckig, SONDERPREIS! Sprache: Deutschu.

Zustand: Very good.

Hardcover. Zustand: Good. Portfolio (11 ½" x 14 ½"). Contains thirteen loose plates: one mounted letterpress plate: "Key to Raphael's Hours" and 12 mounted sepia toned reproductive photographs of the famous set of 12 allegorical engravings (circa 1803-06) after Raphael's Six Hours of the Day and Six Hours of the Night. The portfolio is bound in contemporary red cloth over beveled boards, title lettered in gold on spine, interior silk moire endpapers and flaps. Wear and dust soiling to the edges of the boards, a few small tears and fraying to the flaps, the letterpress plate is moderately toned, good overall, with all 12 photographic plates in very good condition. As noted by printmaker James Brust: "The twelve images represent the first six phases of the day and night respectively. Each has an allegorical figure of a beautiful woman, draped in a gown and holding an object or animal, floating gracefully across a dark background. A narrow strip along the bottom of each plate shows various animals with symbolic meaning, also against a dark background." An attractive, scarce set of 12 sepia toned photographs (5 ¾" x 8 ¾") mounted on thick cardboard plates (11" x 14"). *OCLC* records three copies of only one similar portfolio published in New York by "Stroefer & Kirchner, 1870s.".

LARGE FOLIO, paper size approximately 28x22 inches- Extremely rare set of fifteen of sixteen engraved prints in the actual size of the heads in Raphael's cartoons for the Sistine Chapel tapestry series "The Acts of the Apostles". The prints were engraved by Antoine Cardon after drawings made by Nicolas Joseph Ruyssen. Being the calligraphic title page, engraved portrait of Raphael and 14 of 15 large engraved plates from the details of paintings of the Acts of the Apostles, some bound in the original boards and 5 loose- PLUS 11 duplicates. Engravings on wove paper some watermarked 'J Whatman 1794'. Some fraying to the loose plates and occasional spotting. Some of the original flimsies adhering to the versos not affecting the image. A very detailed catalogue description of this scarce work by the rare bookseller Robin Halwas can be found online. His descriptive list of plates is below - plate 10 in the list is missing. List of prints- [1] foreground figure (male), from the Death of Ananias, dated 15 October 1798 (matrice- plate mark 580 × 445 mm) [2] foreground figure (female), from the Death of Ananias, dated 15 October 1798 (matrice 565 × 435 mm) [3] an Apostle, from the Charge to Peter, dated 15 October 1798 (matrice 575 × 445 mm) [4] Peter, from the Miraculous Draught of Fishes, dated 1 January 1800 (matrice 575 × 470 mm) [5] figure (male), from the Death of Ananias, dated October 1801 (matrice 560 × 435 mm) [6] an Athenian, from Paul preaching at Athens, dated 15 October 1798 (matrice 570 × 440 mm) [7] subsidiary head (female), from the Healing of the Lame Man, dated 1 January 1800 (matrice 595 × 485 mm) [8] a child, from the Healing of the Lame Man, dated 1 January 1800 (matrice 600 × 490 mm) [9] John, from The Charge to Peter, dated 1 January 1800 (matrice 575 × 470 mm) [10] two children, from the Sacrifice at Lystra, dated 15 October 1798 (matrice 490 × 590 mm) [11] two Apostles, from the Charge to Peter, dated October 15, 1798 (matrice 510 × 595 mm) [12] two background figures (female and male), from the Healing of the Lame Man, dated 1 January 1800 (matrice 620 × 500 mm) [13] subsidiary figure (female), from the Healing of the Lame Man, dated 1 January 1800 (matrice 620 × 490 mm) [14] two background figures (male), from the Healing of the Lame Man, dated 10 August 1801 (matrice 690 × 515 mm) [15] three background figures, from the Sacrifice at Lystra, dated 10 August 1801 (matrice 530 × 630 mm) A VERY POWERFUL COLLECTION OF ENGRAVINGS AFTER RAPHAEL- 15 plus 11 duplicates.

Folio 20x14 inches, half period calf over boards, spine repaired. Folding engraved double page title page with surrounding cartouches of the Vatican- illustrated with 52 fine copper engraved plates, many with decorative engraved borders. Plates after Raphael engraved by L. Cunego, G. Petrini, G. Carattoni, G. Morghen, A. Mochetti, G. Bossi, F. Cecchini, et al. Some spotting to the title and minor marginal spotting but generally a clean copy, with good impressions, on thick 18th century laid paper. Engravings of Raphael's fabulous Biblical paintings. (Bibliography - Brunet 1110). Armorial bookplate of Thomas Broadwood with this initials and crest at the top of the title. Raffaello Sanzio da Urbino (14831520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. He was known to have been a big influence on the work of WILLIAM BLAKE (1757-1827) - which can be clearly seen in these fine engravings.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

0. *** Schönes, breitrandiges Exemplar in guter Erhaltung. Sprache: Deutschu.

Charles Clement Bervic after Raphael (Raffaello Sanzio or Santi) (illustrator). "'"RAPHAEL PINX."; "S. JEAN - BAPTISTE"'Religious depiction of the young Saint John the Baptist standing in the desert with halo, staff, and scroll, set before a rocky landscape. Finely engraved black-and-white old master print after Raphael.Made by Wicar after Charles Clement Bervic after Raphael (Raffaello Sanzio or Santi).Medium: Stipple engraving on wove (vellin) paper. Watermark: (illegable) N.H L?.Sheet size: 20.5 x 26.2 cm (8.07 x 10.31 inch). Image size: 17 x 21.6 cm. (6.69 x 8.5 inch).SAINT JOHN THE BAPTIST, DESERT, RAPHAEL, WICAR, BERVIC, RELIGIOUS PRINT, OLD MASTER PRINT, FRENCH ENGRAVING, 1791 | PCO-A56-31BACKGROUND INFORMATIONSource: unknown, to be determined.Biography artist: Raphael (1483-1520) was an Italian High Renaissance painter and architect, born in Urbino and active in Florence and Rome. Celebrated for his clarity of composition and idealized beauty, he is considered one of the greatest artists of Western art history. Charles Clement Bervic (1756-1822) was a French engraver and printmaker from Paris, renowned for his highly refined burin technique. He trained within the academic tradition and became one of the leading reproductive engravers of his time, producing works after major Old Master paintings." Condition: good, given age. Light foxing, creasing, and soiling. Paper loss at bottom left, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Very Good. Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 125x175 (mm), 4.92x6.89 (Inches), Black & White, 0.

Zustand: Very Good. Northern Italy.Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 90x129 (mm), 3.54x5.08 (Inches), Black & White, 0.

Zustand: Very Good. Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 127x170 (mm), 5.00x6.69 (Inches), Black & White, 0.

Zustand: Very Good. Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 60x112 (mm), 2.36x4.41 (Inches), Black & White, 0.

Zustand: Very Good. Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 78x119 (mm), 3.07x4.69 (Inches), Black & White, 0.

Zustand: Very Good. Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. , Size : 86x132 (mm), 3.39x5.20 (Inches), Black & White, 0.