ralph steadman illustrator (40 Ergebnisse)

Zustand: Very Good. 1752396091. 7/13/2025 8:41:31 AM.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. The jacket is a little shelf rubbed and edge worn. It is protected in cellophane. The boards show little wear. Internally, There is a previous owners inscription on the front end page. Otherwise clean and complete. Tightly bound. [Ak]. Our orders are shipped using tracked courier delivery services.

Paperback. Zustand: Brand New. Steadman, Ralph (illustrator). reprint edition. 140 pages. 8.75x5.75x0.50 inches. In Stock.

Trade Paperback. Zustand: Good. No Jacket. Reprint. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Zustand: Brand New. reprint edition. 350 pages. 9.25x6.00x1.25 inches. In Stock.

Paperback. Zustand: Brand New. Ralph Steadman (illustrator). 132 pages. 10.75x8.50x0.50 inches. In Stock.

Ralph Steadman (illustrator). First Edition. Fine copy in the original colour-printed boards. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 32 unnumbered pages : color illustrations ; 24 cm. Subjects; Robbery ; Juvenile fiction. Mystery and detective stories. Mice ; Fiction. Cheese ; Fiction. Children's stories, English. Picture books for children. Children's stories in English 1945 Texts. Illustrated children's books. Fiction: English literature. Crime and criminals: fiction. Juvenile fiction. 1 Kg.

hardcover. Zustand: Very Good. First Edition. Previous owners small label to front paste down.

Hardcover. Zustand: Brand New. 50 anv edition. 171 pages. 10.25x8.00x1.00 inches. In Stock.

4°, Pp. Zustand: Gut. 329, [7] S. : Ill. Gebraucht: SU. gebräunt, ansonsten guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1489.

Hardcover. Zustand: Brand New. 50 anv edition. 171 pages. 10.25x8.00x1.00 inches. In Stock.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2nd Edition. - Second Edition - Edges of boards rubbed - Price-clipped dustwrapper a little worn and faded w/ corners bumped and edges slightly rubbed and creased - Book ow/ solid, clean and bright in untorn wrapper - Unpaginated - 32 pages.

Paperback. Zustand: Brand New. Steadman, Ralph (illustrator). 128 pages. 8.50x5.75x0.50 inches. In Stock.

Hardcover. Zustand: Near Fine. 1st Edition. FIRST EDITION 1978, small 4to, 235 x 205 mm, 9¼ x 8 inches, colour illustrated boards and endpapers, no pagination. Colour illustrated throughout. Wonderful story of mice working at night in the hospital watched by a little boy in the ward who is missing his own pet mouse. Spine and part of top edge of upper cover faintly browned, minute nick in gutter of lower hinge. No inscriptions, a near Fine copy (no dustwrapper issued - price printed on lower cover). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

8vo. pp. [30]. colour illus. throughout. bds. (corners bit worn).

FIRST EDITION 1968, 4to, 290 x 207 mm, 11½ x 8¼ inches, orange boards, no pagination. Brilliant coloured illustration throughout, double and single page. Charming witty story about a lady stork obsessed with the desire to be a flamingo but finds that the grass is not really greener on the other side. Top corner of upper cover slightly bumped, tiny bumps to the other corners and to tail of spine, 5 mm (¼") slightly faded at tail. Contents very nice, no inscriptions. Very good plus in very good DUSTWRAPPER (dw: price blocked out on front flap usual, 5 mm (¼") chips at head and tail of spine, tiny chips to corners, 2 closed edge tears, maximum 25 mm (1"), just slightly rubbed on folds). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

FIRST EDITION 1984, small 4to, 235 x 205 mm, 9¼ x 8 inches, colour illustrated boards, no pagination. Brilliant zany coloured illustration throughout. Wildly humorous tale set in the South of France. Faintest yellowing to spine and on upper cover next to spine, no inscriptions, a Fine copy (no dustwrapper issued). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

FIRST EDITION FIRST ISSUE 1980 (see below), small 4to, 235 x 205 mm, 9¼ x 8 inches, colour illustrated boards, (25) pages. Brilliant zany coloured illustration throughout. Inspector Mouse gets on the track of the cheese thieves. No inscriptions, 3 minute light dents to top right corner of upper cover, otherwise a Fine clean crisp copy (no dustwrapper issued). All points for a first issue: price £3.50 on lower cover and no printed barcode, no reviews on half-title, Emergency Mouse only mentioned on lower board. A barcode on the lower board indicates a reprint as do reviews of later titles on the half-title. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

FIRST EDITION 1978, small 4to, 235 x 205 mm, 9¼ x 8 inches, colour illustrated shiny boards, illustrated endpapers, (26) pages. Colour illustrated throughout. Wonderful story of mice working at night in the hospital watched by a little boy in the ward who is missing his own pet mouse. Tiny bump at head of spine, a touch of darkening to spine, very light small score mark to upper cover, no inscriptions. A near Fine copy (no dustwrapper issued - price printed on lower cover). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

SECOND EDITION 1967 (first published in 1963), oblong 4to, 215 x 270 mm, 8½ x 10¾ inches, yellow boards, (32) pages. Enchanting coloured illustrations throughout, simple text. Lovely story about short necked giraffe and bird who can't fly who become friends. Tiniest bump to lower corner of upper cover, no inscriptions. Near Fine in VG+ DUSTWRAPPER (dw: price clipped, several very short closed edge tears with creasing at top and bottom edges, bright and clean). The first edition of 1963 is rather elusive. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

Hardcover. Zustand: Very Good. Hardcover. First English translation of this novel published in the Irish language in 1941. Brian O'Nolan (I1911 1966), his pen names being Flann O'Brien and Myles na Gopaleen, was an Irish civil service official, novelist, playwright and satirist, who is now considered a major figure in twentieth-century Irish literature. He is regarded as a key figure in modernist and postmodern literature. His English language novels, such as At Swim-Two-Birds and The Third Policeman, were written under the O'Brien pen name. His many satirical columns in The Irish Times and an Irish-language novel, An Béal Bocht, were written under the name Myles na Gopaleen. An Béal Bocht (The Poor Mouth) is a 1941 novel in Irish by Flann O'Brien, published under the pseudonym "Myles na Gopaleen". It is regarded as one of the most important Irish-language novels of the twentieth century. This English translation by Patrick C. Power appeared in 1973. [Wikipedia] With 12 dark and funny text illustrations and cover illustration by Ralph Steadman. The eighty-eight year old Steadman is a well known British illustrator probably best known for his collaboration with the American writer Hunter S. Thompson. Steadman is renowned for his political and social caricatures, cartoons and picture books [Wikipedia]. It appears that Steadman autographed the title page of the book, writing his name Bound in brown paper covers with a yellow and gilt title label to spine. With a gold pictorial dust jacket that has been price clipped. Both the binding and the dust jacket show minor signs of wear but are otherwise in very good condition. With map designs on front and rear endpapers. Text pages are in lean and bright and also in very good condition. Measures 6.25 x 9.5 inches. 128 pages. LIT/072524.

FIRST EDITION 2000, LIMITED TO 300 COPIES SIGNED BY RALPH STEADMAN IN INK, THIS COPY BEING NUMBER 178. There were 400 copies printed but 100 were reserved for the artist. 290 x 225 mm, 11½ x 8¾ inches, 44 pages, illustrated in colour throughout, some double page, original publisher's coloured pictorial boards illustrated by Steadman, black and red lettering, dark blue endpapers, in original publisher's Fine clear plastic DUSTWRAPPER and housed in the publisher's Fine thin blue card SLIPCASE (few tiny palish spots on slipcase spine. Fine new unread copy with no owner inscriptions. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

First edition, signed by the illustrator in pen to title page; containing around 100 in-text and full page illustrations and small flourishes by Ralph Steadman; publisher's black cloth, spine lettered in silver, a very good copy with original typographic dust-jacket in very good condition with price scribbled out in pen; 263pp. If the scrawled title on the dust jacket doesn't give it away, this edition throwing together Adrian Mitchell's poetry and Ralph Steadman's imagery is arresting, fast, irreverent, and, at times, messy. It comes at you from every angle. Available in first edition in very good condition with the illustrator's signature. Adrian Mitchell was well known for his anti-establishment poetry and as a noted figure in the British left. Ralph Steadman's images and scribbles are equally satirical, incorporating Christian, capitalist, and nationalist imagery in ways equally humorous as harrowing. The eponymous Beauty Douglas is the name of a Black South African girl who died before she turned one month old, buried in the children's graveyard in Dimbaza, South Africa, 'where women & children who are not needed by the white economy are sent'. The foreword describes her grave, littered with rubbish among hundreds of other young children's graves, featured in the film Last Grave at Dimbaza (1974).

Hardcover. First American Edition, First Printing. Octavo, 128 pages. In Very Good condition with a Very Good condition dust jacket. White spine with green and red lettering. Dust jacket is wrapped in a mylar covering, price uncut "$7.95", has a crease along the rear flap tail fore corner, mild age toning and wear. Boards have mild bending along the spine tail edge, and mild fraying along the front head edge. Textblock has mild age toning and wear along the edges. Shelved in Room C. 1392615. Special Collections.

FIRST EDITION FIRST ISSUE 2000, LIMITED TO 300 COPIES SIGNED BY RALPH STEADMAN IN INK, THIS COPY BEING NUMBER 15. There were 400 copies printed but 100 were reserved for the artist. 290 x 225 mm, 11½ x 8¾ inches, 44 pages, illustrated in colour throughout, some double page, original publisher's coloured pictorial boards illustrated by Steadman, black and red lettering, dark blue endpapers, in original publisher's Fine clear plastic DUSTWRAPPER and housed in the publisher's Fine thin blue card SLIPCASE. Fine new unread copy with no owner inscriptions. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

Hardcover. First Edition, First Printing. Octavo, 206 pages. In Very Good condition with a Very Good minus dust jacket. Spine white with black, red, and blue lettering. Dust jacket protected with a mylar covering, price uncut: "$5.95." Rubbing, tearing, and chipping to edges and corners of dust jacket. Mild wear to corners of boards and tail of spine. Spine slightly cocked. "First Edition" with number line "97532468" stated on copyright page. Shelved in Case 2. 1381066. Shelved Dupont Bookstore.

Paperback. First Edition. Complete run of seven issues plus the final, rare "Suppressed Issue" produced in Canada. Landmark article "The Kentucky Derby is Decadent and Depraved" in issue #4 signed by Ralph Steadman in red ink. A very Near Fine set, bright and clean set; truly excellent shape. No subscriber labels. Some wraps and contents age-toned, staples occasionally rusted. Scanlan's was a counterculture magazine that broke down nearly as many boundaries as its predecessor, Ramparts, during its short existence. It launched "gonzo journalism" with the article "The Kentucky Derby is Decadent and Depraved" by Hunter S. Thompson, illustrated by Ralph Steadman, in its June 1970 issue-- that's the one with Nixon's face being punched into oblivion. Steadman's splattery signature graces the negative space around the derby-goer's head on the article's title page. He and Thompson would go on to collaborate on the book Fear and Loathing in Las Vegas, which brought gonzo journalism widespread popularity. The set also features work by R. Crumb, Alfred McCoy (author of The Politics of Heroin), JFK investigator Jim Garrison's cohort William Turner, and Robert Altman well as other Thompson (AKA Raoul Duke) and Steadman work.

Pappe. Zustand: Gut. 152 S. : überwiegend Ill. (z.T. farb.) ; 25*27 cm Zustand: obere Ecken und oberes Kapital bestoßen, sonst sehr gut --- Inhalt: quasi durchgängig illustriert ROS5-3 ISBN: 9783806730357 Sprache: Deutsch Gewicht in Gramm: 1000.

Vintage screening invitation for the 1980 film, illustrated by Ralph Steadman on the recto, with film credits on the verso. More than a little loosely based on Hunter S. Thompson's obituary for his closest associate, Oscar Zeta Acosta, a.k.a. Dr. Gonzo, "The Banshee Screams for Buffalo Meat," which appeared in October 1977 issue of "Rolling Stone." A film that, despite being an unholy mess, represents in retrospect an intersection of ideas and talent, as well as the first of many messy attempts to commit to celluloid the basically un-filmable life and work of Hunter S. Thompson. Bill Murray, at this time little more than a droll comedic sensation, arguably made the first step toward becoming the four-dimensional icon he is today, though not necessarily by intention. Both Murray and Thompson had serious concerns about the quality of Kaye's script, and at the beginning of filming both Thompson and Ralph Steadman came onto the set as "executive consultants." Though the author says he did little other than "wander around and fire machine guns," his influence on Murray was profound. The actor became obsessed with his idol, and by all accounts became one with him. During production, Murray and Thompson engaged in a series of dangerous one-upmanship contests, including a Houdini-inspired stunt where Thompson tied Murray to a chair and threw him into a swimming pool. Murray nearly drowned before Thompson pulled him out. The pair's obsession with the film's poor script and continuity led to a hasty final addition of a voice-over narration and two explanatory scenes at the film's end. Three days prior to release, a press screening was canceled because the film was still being edited. When Murray returned to the Saturday Night Live set in the fall of 1980, he was still immersed in character, complete with long black cigarette holder, dark glasses, and nasty habits. One of the show's writers said that Murray .".was not Bill Murray, he was Hunter Thompson. You couldn't talk to him without talking to Hunter Thompson." (Doug Hill and Jeff Weingrad, "Saturday Night Live: A Backstage History," William Morrow, 1989) 3.75 x 9 inches, with a satin finish recto and matte verso. Fine.

FIRST STEADMAN EDITION, Ralph Steadman illustrations throughout, those in larger format colour-printed with line-drawings to the margins, pp. [viii], 180, 4to, original red boards, backstrip lettered in black, the upper board with a Steadman vignette stamped in black, bottom corner of upper board slightly bumped, endpapers with a collaged design by Steadman, dustjacket with a touch of creasing at extremities, very good. Published to mark the work's fiftieth anniversary.