Railing patricia (55 Ergebnisse)

Softcover. Zustand: As New. First Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the illustrated wraps, square format, and with a score or more of black-and-white illustrations. Bound in square softcover format, 8 1/2" x 8 1/2" in size. 116 pp., and in First Edition state. Edited and introduced by Patricia Railing. Essays by the editor and by Stephen Prokopoff, six essays by Malevich himself, then a Glossary of Names, an artistic and biographical note, a bibliography of Malevich's writings, a general bibliography, then an Index. iv [1], 2-115 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Bon. Edition 1976. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1976. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 67 pages. 8.25x6.50x0.25 inches. In Stock.

Hardcover. Zustand: Very Good. Signed. Inscribed and dated by the author.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2020. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 82 pages. 8.75x6.50x0.25 inches. In Stock.

Paperback. Zustand: Brand New. 128 pages. 8.75x6.50x0.25 inches. In Stock.

Paperback. Zustand: Brand New. 168 pages. 8.75x7.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 104 pages. 8.50x6.50x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 156 pages. 8.50x6.75x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 122 pages. 8.50x6.50x0.50 inches. In Stock.

Zustand: New. pp. 104.

Paperback. Zustand: Good. 154 pages. cover wornThe theme of the essays is the science of art as methodology and its various man ifestations and the consequences of it in Russian writings on art and the abstra ct art of the same period,1910-1920.

Hardcover. Zustand: Very Good. No jacket. Artists Bookworks, 2013. Hardback, 4to, 352pp, illust. 9780946311217/1.8uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Zustand: As New. Unread book in perfect condition.

Trade Paperback. Zustand: NEAR FINE. 116pp. 8' square perfectbound in brown printed wraps. B/W illustrated throughout. Clean, sound copy with just a bit of wear to the tips.

Softcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Signed and inscribed by the author on the dedication page. 154pp, sparsely illustrated. Grey light card covers. 8vo. Lightly rubbed at spine ends else neat, clean, bright and tight throughout. In its original dust wrapper, a little worn and marked, gently rubbed at edges, partial coffee ring on front panel.…

Taschenbuch. Zustand: Neu. Neuware - The sources of pigments used in European painting are found in classical antiquity, 1st. century B.C. to 1st century A.D. The over 40 pigments in use were described by Vitruvius, Pliny the Elder and Dioscorides, complemented by 3rd century B.C. Theophrastus. The principles of painting were also described by Pliny, to be picked up by Italian Renaissance painters of the 15th century, and they are discussed by the Editor. The pigments in the four extant treatises are described in full which, together with the artistic principles, make this little book a basic primary source for both classical painting and subsequent European painting.…

Taschenbuch. Zustand: Neu. Neuware - Three texts by two Italian Renaissance painters ¿ Leonardo da Vinci and Gian Paolo Lomazzo ¿ and a compendium of the 53 standard pigments commonly found on artists' palettes for painting in oil on panel and on canvas as outlined by the writer, Raffaello Borghini, make up this 16th century collection of pigments. Leonardo's studio advice on the use of colours for capturing light and dark picks up this theme from Italian 15th century and classical painting and lays the foundation for this practice as it would develop in European painting. The plates are of works by Titian found in the National Gallery in London, whose pigments have been identified and matched to the paintings. …

Taschenbuch. Zustand: Neu. Neuware - Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean F¿x Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters¿ palettes, from Prussian Blue to the early synthetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris.…

Zustand: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Soft cover. Zustand: Very Good. Excellent used condition paperback, light edge wear, unmarked text, uncreased spine, Ships from Berlin Bookshop Bxn68.

Taschenbuch. Zustand: Neu. Neuware - A companion volume to 14th Century Colour Palettes -Volume 2, this book covers painting on the wall and on wood panel from Cennino Cennini, The Book of Art, of the late 1390s (extracts). The pigments and methods are drawn from the practice of Giotto, as Cennino writes.…

Taschenbuch. Zustand: Neu. Neuware - From Italy to France to Flanders, the art of painting in the 14th century was practiced in manuscript illumination, on panel, and in fresco. Recipes for pigments appropriate to all these arts are included in this collection. 'Experiments upon Colors' were dictated by painters to a Frenchman, Jehan Alcherius, while the Italian artist, Cennino Cennini, was especially attentive to the practice and the pigments to be used in fresco painting in The Book of Art / Il Libro dell' Arte, of c. 1390. His descriptions reveal the craft of Giotto, whose works make up the plates in this collection.…