rafalovich (31 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Paperback. Zustand: Good. First Edition. Type: Book.

Zustand: New. In.

Zustand: Good. 8vo. 220 pp. Mylar With Decorative Cover. Very Good. Photographs B&W. In Russian.

Zustand: BUONO USATO. IED. INGLESE Brossura in cartoncino flessibile plastificato. Copertina illustrata in entrambi i piatti. Pagine in buono stato, ricche di fotografie a colori, nel testo. Numero Pagine 79.

Paperback. Zustand: Brand New. reprint edition. 196 pages. 9.25x6.25x0.50 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Brand New. 196 pages. 8.75x6.00x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Zustand: Good. 8vo. 16 pp., illus., Fair+; Stapled wraps, pages browned. Cover pages separating from stapled section but still attached. Edges worn, corners bumped and creased. Back cover lightly soiled. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 5-25 pp., illus., Fair; Stapled wraps, pages browned. First two pages missing. Front page rubbed and worn with some damage and creasing. Light edge wear, shelf wear. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 22 pp., illus., Fair; Stapled wraps, pages browned. Cover pages as well as last page detached but present. Front page rubbed and worn with some damage and creasing. Edge wear, shelf wear. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 16 pp., illus., Fair; Stapled wraps, pages browned. Cover pages detached but present. Back cover page rubbed. Top right corners. Some pencil scribbles on some pages. Edge wear, shelf wear. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 33 pp., illus., Fair; Stapled wraps, pages browned. Cover pages detached but present, front and last pages separating from stapled section at the bottom but still attached. Front page has small tear in the middle. Edges worn and chipped, front cover has an old sticker with visible tears, corners creased and worn. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 25 pp., illus., Good+; Stapled wraps. Pages browned. Cover pages separating from stapled section but still attached. Light damage along the spine. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 24 pp., illus., Good+; Stapled wraps, pages browned. Front cover page lightly creased with remains of old sticker in the middle. Light damage along the spine. Small scribble on front cover. Edge wear, shelf wear. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 32 pp., illus., Very Good; Stapled wraps, pages browned. Back cover page rubbed. Light damage along the spine. Small scribble on front cover. Edge wear, shelf wear. Text in Russian. Rare and scarce edition.

Zustand: Good. 8vo. 25 pp., illus., Good; Stapled wraps. Cover pages as well as first and last pages separating from stapled section but still attached. Edges worn, front cover rubbed with small tear and creasing in the middle, corners creased on some pages. Light damage along the spine. Text in Russian. Rare and scarce edition.

12mo, pp. 78; a very good copy, uncut and unopened in the original illustrated wrappers, spine and edges darkened.First edition: a rare collection from the prolific if little-known poet and theatre critic, including a piece on the death of Blok.Rafalovich lived in Paris from 1909, but made annual trips to Russia. An opponent of futurism, he collaborated on numerous works with the émigré community.Tarasenkov, p. 315. Language: Russian.

orig. cloth. 27x18cm, (28),401,(3)pp, Front & rear interior hinges cracked. Weighs 1100 grams. All published? No further volumes appear to have been issued. Includes textual photo illustrations and several color plates. Series: Istoriia sovetskogo teatra : ocherki razvitiia. Text entirely in Russian. Full title reads: "Istoriia Sovetskogo teatra : Tom 1 : Petrogradskie teatry na poroge Oktiabria i v epokhu voennogo kommunizma, 19 17-1921". Publisher: Leningradskoe otd-nie Gosudarstvennoe izdatel'stvo khudozhestvennoi literatury. Includes: Aleksei Aleksandrovich Gvozdev & Adrian Ivanovich Piotrovski "Petrogradskie teatry i pravzdnestva v epoku voennogo kummunisma" [Petrograd Theaters and Festivals in the Age of War Communism], pages 81-290; etc. Some pencilled underlinings and marginal notes. Good.

Hardback. T.1. Petrogradskie teatry na poroge oktobrya i v epokhu voennogo kummunizma 1917-1921. 429pp 10 coloured plates & ills. throughout text. Leningrad 1933 *Hor.1310: A detailed account of the impact of the October Revolution on the theatre. Good illustrations. Only this volume was published. Some wear to covers & front end-paper, otherwise very good.

Tiflis (Tbilisi): Iz-vo "Kavkazskii posrednik", 1919. Octavo (18.4 × 12.7 cm). Original staple-stitched pictorial wrappers with a design by Kirill Zdanevich; 15, [1] pp. Small chip to lower right corner; wrappers somewhat toned and fragile; else about very good. Rare volume containing a long poem by Sergei L'vovich Rafalovich (1875-1943), a Russian poet and translator, who lived in Paris after 1909. During the Russian Civil War he also lived in various cities in the Caucasus, including Tbilisi, Baku, and Batumi, and published the journal "Orion" in Tbilisi together with Sergei Gorodetskii. In a contemporary review, Vladimir Nabokov was critical of Rafalovich's choice of metaphors and themes, while conceding occasional moments of genuine poetic talent. The final leaf contains a list of Rafalovich's numerous publications. Wrappers designed by Kirill Zdanevich (1892-1969), painter, book, and set designer and a key figure in avant-garde circles in the Caucasus. After a brief association with Vladimir Tatlin and Liubov Popova, he gravitated towards Mikhail Larionov and Natalia Goncharova, and was a signatory of the Rayonist Manifesto in 1913. He became known for his experiments with Cubo-Futurism and his interest in primitive art. After being wounded during WWI and settling in Tbilisi, he co-founded the futurist group 41 Degrees (41 Gradus), which also included his brother Il'ia Zdanevich (Ilyazd), Aleksei Kruchenykh, the poet Kara-Darvish and the theater director Igor Terent'ev, and which was active in 1918-1920. Today Zdanevich ranks among the most significant futurist book artists of the time, such as the collection of "ferro-concrete" poems titled 1918. He visited Paris in 1920, but was mostly confined to the Soviet Union, even serving a ten-year GULAG sentence after WWII. The present cover illustration, while partly figurative, is reminiscent of his works for '1918' and demonstrates an interest in the transition from flat surfaces to three-dimensional objects. Signed "K.Z. 1919" to lower left corner. Not in Getty. As of November 2022, KVK, OCLC show only one physical copy in North America.