quartet flonzaley (17 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This collection of favorite encore pieces from the Flonzaley Quartet is a must-have for any classical music lover. Featuring virtuosic performances of works by Mozart, Haydn, and other great composers, it showcases the quartet's exceptional artistry and virtuosity.

Buch. Zustand: Neu. Neuware.

238 : 178 mm. Remnants from previous mounting verso. Sigend and inscribed by the four members to Pochon's daughter To our dear little friend Catherine". The Flonzaley Quartet was a string quartet organized in Manhattan, New York City in 1902. The group disbanded in 1929.The personnel of the group were as follows: 1st violin: Adolfo Betti, 2nd violin: Alfred Pochon, viola: Nicolas Moldavan, until disbanding in 1928, violoncello: Iwan d'Archambeau.The quartet was the creation of Edward J. de Coppet of New York, who in 1903 engaged the original members to devote themselves entirely to quartet-playing, and not with any view to giving regular concerts in public. The group took its name from de Coppet's summer villa near Lausanne, in Switzerland, where the four musicians first rehearsed. After a long period of practice, the Quartet made a European tour and won high praise for the perfection of its ensemble and its artistic finish. Both violinists and the violist had been students of the Belgian maestro César Thomson, who would also teach members of a contemporaneous pioneering American chamber group, the Zoellner Quartet. The group was first heard in New York, in private and at charity concerts, in autumn 1904, but it did not give a public concert in the United States until 5 December 1905. After that it appeared regularly in Europe and America. The members stuck to the original principle of not accepting any outside engagement, and having no pupils, and by devoting themselves entirely to the quartet maintained a position of acknowledged superiority in their field.In 1914 the group asked Igor Stravinsky to write them a work. This resulted in his "Three pieces for String Quartet". A few years later they also commissioned him to write "Concertino", a one-movement work. Éduard de Coppet died in 1916, and his son André continued thereafter to maintain the Quartet. The original violist Ugo Ara left the group to join the Italian army, resulting in his replacement. The Quartet performed worldwide until disbanding in 1929.One of their final public concerts was at The Town Hall in Manhattan, New York City on March 17, 1929.

Quer-8vo. 1 p. Albumblatt signiert von den vier Mitgliedern des Flonzaley Quartets Alfred Pochon (1878-1959), Ugo Ara (1876-1936), Adolfo Betti (1875-1950) und Iwan d'Archambeau (1879-1955). - Aufgeklebt ein Druckbild des Quartetts. Aus der Sammlung von Alfred Pochon.The Flonzaley Quartet was a string quartet organized in Manhattan, New York City in 1902. The group disbanded in 1929.The quartet was the creation of Edward J. de Coppet of New York, who in 1903 engaged the original members to devote themselves entirely to quartet-playing, and not with any view to giving regular concerts in public. The group took its name from de Coppet's summer villa near Lausanne, in Switzerland, where the four musicians first rehearsed. After a long period of practice, the Quartet made a European tour and won high praise for the perfection of its ensemble and its artistic finish. Both violinists and the violist had been students of the Belgian maestro César Thomson, who would also teach members of a contemporaneous pioneering American chamber group, the Zoellner Quartet. The group was first heard in New York, in private and at charity concerts, in autumn 1904, but it did not give a public concert in the United States until 5 December 1905. After that it appeared regularly in Europe and America. The members stuck to the original principle of not accepting any outside engagement, and having no pupils, and by devoting themselves entirely to the quartet maintained a position of acknowledged superiority in their field.In 1914 the group asked Igor Stravinsky to write them a work. This resulted in his "Three pieces for String Quartet". A few years later they also commissioned him to write "Concertino", a one-movement work. Éduard de Coppet died in 1916, and his son André continued thereafter to maintain the Quartet. The original violist Ugo Ara left the group to join the Italian army, resulting in his replacement. The Quartet performed worldwide until disbanding in 1929.One of their final public concerts was at The Town Hall in Manhattan, New York City on March 17, 1929. They broadcast their farewell concert over station WEAF (now WFAN) on May 7, 1929.

unbound. 7 x 9.25 inches, no place, November 1927. This photo shows the four founding members of the Flonzaley Quartet. The top half of the page bears the inscription: "A Monsieur Howell Davis, souvenir de profonde reconnaissance et de vive sympathie, 'Le Quatun du Flonzaley' Nov. 1927." Signing directly below their images are Adolfo Betti, Alfred Pochon, Ivan de Archambeau, and Nicolos Moldaro. Evenly toned and in very good condition. Considered one of the most important experiments in all of classical music which, according to the experts and critics, resulted in the perfect classical ensemble.