quarenghi giacomo (23 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Pictorial wrappers, fine. On pp. 1-16, 17-40, 41-2 & 43-50 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 49 (1980):1. Stockholm 1980. 4to. Pp. [ii] + 1-50. Illustrated. "On realism in the Dutch pictorial tradition" by Patrik Reuterswärd, "Vermeer and Van Veen's Amorum emblemata" by Lennart Seth, both in Swedish with English Summaries, "On a Rembrandt drawing in the Hammer Collection" by Margareta Reuterskiöld, and "Valeur documentaire d'une collection de dessins de Quarenghi a Stockholm" by Carine Lundberg.

Zustand: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Discrete con Difetti, timbro.

Venezia, 1998. 223 pp. Ills. Softcover.

Cm. 24, pp. xxiv, 515 (3). Con illustrazioni e fotografie in nero su tavole fuori testo. Bross. edit. illustrata. Ottimo stato di conservazione. A cura di Vanni Zanella.

Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Milano, 1994. 319 pp. B./w. ills. Softcover.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Band II von 2 Bänden. Folio. 2 nn. Bl., 32 S., 1 nn. Bl., mit 66 gestochenen Tafeln. Halbleder der Zeit mit Rückenschild und leichter Rückenvergoldung, (etwas berieben, Ecken und Kapitale leicht gestaucht). Erweiterte Ausgabe. - Nur Band 2 der gesuchten, um wesentlich mehr Tafeln erweiterten Auflage. Wichtiges Werk über die klassizistischen Bauten des italienischen Hofarchitekten Katharinas der Großen, Giacomo Quarenghi (1744-1817). - Das Werk beschreibt und illustriert Bauprojekte in und um St. Petersburg, darunter Paläste, Regierungsgebäude, Kirchen, Theater und Banken. Zu den wichtigsten Bauten Quarenghis gehört z.B. der Alexanderpalast in St. Petersburg. - Widmungsblatt mit einer in Rot und Blau gedruckten Umrandung, Titel in Grün und Schwarz. - Gering stockfleckig.

Legatura coeva in mz. pelle verde con fili, fregi e titolo oro su tassello al ds. Piccolo taglio restaurato al primo frontespizio e minime fioriture sparse. Nel complesso, esemplare in ottimo stato di conservazione. Provenienza: collezione Moretti, Roma (timbretto ex libris sul frontespizio). La prima parte di quest'opera è la seconda edizione del volume uscito sempre a cura di Giulio Quarenghi a Milano nel 1821, mentre la seconda parte è interamente in edizione originale. Quarenghi fu nominato nel 1779 architetto di corte di Caterina II e a lui si deve la diffusione del gusto neoclassico in Russia. Il volto di San Pietroburgo, in particolare, è segnato dallo stile di ispirazione palladiana che l'architetto bergamasco adottò nei suoi progetti. Le tavole incise sono tratte dai disegni originali dello stesso architetto: la Casa del Principe Gagarin, il Teatro dell'Hermitage, il Maneggio delle Guardie a Cavallo, l'Arco Trionfale eretto per l'ingresso dell'Imperatore Alessandro, le residenze imperiali a Tsarskoe Selo. Nella seconda parte vengono aggiunti numerosi altri progetti come quelli per la Banca Imperiale ed il Palazzo Yusupov sempre a San Pietroburgo. Folio (cm. 45), due Parti in un volume; 46 pp., 1 c.nn. Ritratto dell Autore inciso dal Sanders su disegno di Giambattista Vighi e 59 tavole incise su rame f.t. (segue) Idem, Fabbriche e disegni. opera dedicata a Sua Altezza Imperiale il Gran Duca ereditario delle Russie, Ibidem 1844, 2 cc.nn. (Dedicatoria entro cornice tipografica stampata in blu e frontespizio entro cornice tipografica stampata in verde), 32 pp., 1 c.nn. di Indice. Con 66 tavole incise su rame f.t.

Edition : First Edition [published posthumously] , Contemporary half vellum with brown marbled boards; gilt lettered title on gilt bordered burgundy morocco label on flat spine; endpapers renewed; edges blue., Text in Italian. Giacomo Quarenghi (1744?1817) was the foremost and most prolific practitioner of neoclassical architecture in Imperial Russia, particularly in Saint Petersburg. He brought into vogue an original monumental style, of Palladian inspiration, which was a reference for many architects who worked in Russia. He has been described as "the last of the great architects of Italy".Quarenghi's first important commission in Russia was the English Palace in Peterhof, a magnificent rectangular edifice with a Corinthian portico. .Appointed to the post of Catherine II's court architect, Quarenghi went on to produce a prodigious number of designs for the Empress, her successors and members of her court: houses, summerhouses, bridges, theatres, hospices, a market, a bank building, interior decorations and garden designs. His projects were put into execution as far away from the capital as Novhorod-Siverskyi, Ukraine where a cathedral was constructed to his designs.In Moscow, he was responsible for the reconstruction of medieval Red Square in a fashionable neo-Palladian mode. Count Nicholas Sheremetev engaged him to devise a theatre hall in the Ostankino Palace and a semicircular colonnade for the Sheremetev Hospital. Most of Quarenghi's designs intended for Moscow were subsequently realized with significant modifications by other architects, as was the case with Gostiny Dvor (1789?1805), Catherine Palace (1782?87), and Sloboda Palace (1790?94).Millard states: .he made significant contributions to the architectural identity of St. Petersburg, the last of the great European capitals to be founded (in 1703 by Peter the Great), to neoclassical taste. .Quarenghi also designed projects for buildings in Moscow., Size : folio(450x314mm)., Illustrated with an engraved frontispiece portrait of Quarenghi and fifty-nine (59) full- page engraved plates. A wide margin detailed text description included for each plate; many of the engravings by I.I. Kolpakov after Quarenghi's original architectural designs., References : BAL RIBA 2677; Berlin Katalog, 2776; Millard: Italian & Spanish, 108., Ff: bl., frontis portrait, title, printer's note on verso, dedication, pp.6-46, plus 50 ff with full-page engraved plates, bl. Overall a near-fine copy with plates and text crisp and clean.

Mit 147 farb. Abbildungen auf Tafeln. XIV, 20 S., 1 Bl. (= "Monumenta Bergomensia" XXI). - Das Reisetagebuch enthält 147 Zeichnungen und Skizzen antiker Bauten, die der Architekt während einer Studienreise durch Italien anfertigte. - Hrsg. von Sandro Angelini. - Guter Zustand. Sprache: Italienisch Gewicht in Gramm: 0 Quer-Kl.-4to. Goldgepr. OLdr. in OPp.-Schuber.

circa 22,4 x 34,2 cm. 1 Blatt in Passepartout Zu sehen ist ein grosses Denkmal auf drei Stufen, einem breiten Podest und darauf einer Büste des Vasari, die von drei Grazien gekrönt wird. Eine hält eine Palette mit Pinsel in der Hand, seitich links sitzt ein gefügelter Chronos, der gerade eine Zeichnung zu Papier bringt. Die Inschrift deutet darauf hin, dass es sich um den Entwurf für ein Grabmahl handelt: Qui giace il Vasari lo che scrisse le vite degli artisti. Die ideale italienische Landschaft im Hintergrund ist fein ausgeführt, auf einem Hügel in der Ferne liegt ein palladianischer Tempel. - Das Blatt hat verso eine ältere Zuschreibung an den Architekten Giacomo Quarenghi (1744-1817), es wurde 1970 als ein Werk von ihm bei Bassenge erworben (Auktion 15, Nr. 523). Diese Zuschreibung ist sowohl thematisch als auch stilistisch plausibel, das Blatt spricht in seiner Qualität aber auch für sich, ob es nun von Quarenghi ist oder einem anderen grossen Künstler des 18. Jahrhunderts.

QUARENGHI, Giacomo. Fabbriche e Disegni di Giacomo Quarenghi Architetto di S. M. L'Imperatore di Russia, Cavaliere di Malta e di S. Waldimiro, Illustrate Dal Cav. Giulio suo Figlio. [5], 6-46, [2] pp., illustrated with an engraved frontispiece portrait of Quarenghi, and 59 full-page engraved plates. Folio, 480 x 330 mm., bound in contemporary Italian light blue paste-paper boards. Milan: Presso Paolo Antonio Tosi, 1821. First edition. The Italian architect and painter Giacomo Quarenghi (1744-1817) spent his entire architectural career in Russia. "During his thirty-eight-year practice he made significant contributions to the architectural identity of St. Petersburg, the last of the great European capitals to be founded (in 1703 by Peter the Great), and to Neoclassical taste. Like Bartolomeo Rastrelli, his distinguished Italian predecessor in establishing the grandeur of St. Petersburg, Quarenghi also designed projects for buildings in Moscow. During his long and busy Russian career, Quarenghi designed numerous public and private buildings, churches, palaces, country houses, military installations, and triumphal arches" (Millard). Five years after his arrival in St. Petersburg, Catherine II claimed (to Melchior Grimm) that the city was filled with Quarenghi's charming buildings. His first major work was the Hermitage Theater (1783-1787, now destroyed), followed by the State Bank (1783-1799), the State Duma (1790s), and the first shopping arcade (1797-1798). He was also commissioned to design small buildings such as bath houses, coffee houses, and garden pavilions. Fabriche e Disegni was published seven years after Quarenghi's death. Literary descriptions of buildings designed by Quarenghi accompany the full-page engraved plates in the book. In each description, Quarenghi identifies the original commissioner, and the current occupant. Most of the engravings were executed after Quarenghi's designs by I.I. Kolpakov (1771-1840), one of the best Russian engravers active at that time, and several of Quarenghi's favorite buildings were engraved by himself. A fine, unsophisticated copy. PROVENANCE: Antonio Vassallo, with his ex-libris stamp on front paste-down, along with his signature. Berlin Katalog 2776. Millard, Italian and Spanish 108. RIBA 2677.

[The left margin very tightly trimmed, a small wormhole in the left margin, otherwise a very good and clean copy except for a few faint foxing spots]. Giacomo Quarenghi (1744-1817) became one of the most important Russian architects through his numerous buildings (which still exist today) in St. Petersburg and Moscow. In 1779 he went to Russia for the first time and first created some buildings in Moscow, before he was called to St. Petersburg by Catherine the Great in 1781 and designed some of the most important buildings there. These included the building of the Russian Academy of Sciences, the English Palace in Peterhof, the Alexander Palace and later the Smolny. Here is a detail of the theater of the Hermitage in St. Petersburg. - Cf. Sandro Angelini / Vladirmir Piljavskij / Vanni Zanella: Giacomo Quarenghi, [= Monumenta Bergomensia LXVII], 1984. no. 131 (page 113, with illustration). ---------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------ BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

[On the left in the white margin a small wormhole, on the lower right just at the platemark two small holes, on the lower left corner a faint trace of moisture [reaching into the image], otherwise except for a few faint foxing spots a good and clean copy]. Giacomo Quarenghi (1744-1817) became one of the most important Russian architects through his numerous buildings in St. Petersburg and Moscow (which still exist today). In 1779 he went to Russia for the first time and first created some buildings in Moscow, before he was called to St. Petersburg by Catherine the Great in 1781 and designed some of the most important buildings there. These included the building of the Russian Academy of Sciences, the English Palace in Peterhof, the Alexander Palace and later the Smolny. Here is the plan of the Hermitage Theater built by him in 1783-1787. -------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------ -------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.