Verlag: University of Texas Press, 1986
ISBN 10: 0292724551 ISBN 13: 9780292724556
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Univ of Texas Pr, 1986
ISBN 10: 0292724551 ISBN 13: 9780292724556
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Very Good.
Verlag: Wallflower Press, 2006
ISBN 10: 1904764576 ISBN 13: 9781904764571
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Fine.
Verlag: Wallflower Press, 2006
ISBN 10: 1904764576 ISBN 13: 9781904764571
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Manchester University Press, United Kingdom, Manchester, 2005
ISBN 10: 0719065259 ISBN 13: 9780719065255
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films. With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scene criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis. Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media. -- . The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Manchester University Press, 2005
ISBN 10: 0719065259 ISBN 13: 9780719065255
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: VeryGood. Most items will be dispatched the same or the next working day.
Verlag: British Film Institute, 2011
ISBN 10: 1844573788 ISBN 13: 9781844573783
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: University of Texas Press, 1986
ISBN 10: 0292724551 ISBN 13: 9780292724556
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: Good. Most items will be dispatched the same or the next working day. A few small marks or stains to the page edges/pages . Minor shelf wear.
Verlag: Manchester University Press, 2005
ISBN 10: 0719065259 ISBN 13: 9780719065255
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition.
Verlag: Manchester University Press, 2005
ISBN 10: 0719065259 ISBN 13: 9780719065255
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition.
Verlag: Wayne State University Press (c.2020), Detroit, 2020
Anbieter: ReadInk, ABAA/IOBA, Los Angeles, CA, USA
Erstausgabe
Softcover. Zustand: Fine. 1st Edition (softcover issue). [nice as-new copy, with no discernible wear]. (Contemporary Film and Media Series) Series Trade PB (B&W photographs) A collection of the lesser-known critical work of this "foundational figure for the study of film both as a writer and as a teacher who played a key role in establishing film within British higher education [and whose] worldwide reputation within film studies has been enhanced in recent years by the interest among emerging scholars in the practices of detailed film criticism." This volume collects pieces that were in many cases published in small magazines with limited circulation, and "makes it possible to see his writing as a coherent body of work developed over a long career, and to appreciate its great historical and cultural significance.".
Verlag: Manchester University Press, 2005
ISBN 10: 0719065259 ISBN 13: 9780719065255
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780719065255.
Verlag: Studio Vista, London, 1996
ISBN 10: 0289801400 ISBN 13: 9780289801406
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Erstausgabe
8vo. Pp: 320. First edition. Black and white photo illustrated dust jacket with red and white text. Black buckram boards with gilt lettering to spine. Illustrated throughout in black and white.ISBN: 0289801400 A very good copy with creased spine ends. A very good dust jacket with surface marks and faded spine.
Verlag: London: Studio Vista, 1996
Anbieter: BookLovers of Bath, Peasedown St. John, BATH, Vereinigtes Königreich
Erstausgabe
Hardback in Dust Wrapper. First edition (first printing). Hardback in dust wrapper (black boards with gilt titling to the spine) Physically 10" x 6¾" (1.1 kg); 320pp; Index; Contains: Black & white photographs; Frontispiece; ISBN: 0-289-80140-0 || The book is on my shelves and will be carefully packed and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and my beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the bookshop Jack Russells get their supper! My Book #181630|| Condition: Very Good in Very Good Dust Wrapper. Top edge of the text block tanned near the gutter.
Verlag: Wayne State University Press, 2020
ISBN 10: 0814346421 ISBN 13: 9780814346426
Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Good. Minor tear on spine. Pages clean and intact.
Verlag: Palgrave Macmillan UK, 2017
ISBN 10: 1137585722 ISBN 13: 9781137585721
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Gebundene Ausgabe. Zustand: Gebraucht. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. The Long Take: Critical Approaches brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.