Verlag: Le Portique, Paris, 1946
Anbieter: Librairie Seigneur, VOINGT, Frankreich
Erstausgabe
Zustand: Très bon. édition originale. Quatrième numéro de cette revue qui en totalise 8. Au sommaire : Dufy, Maurice Denis, Collections Mornay,Rowlandson, Ronsard ? 1 volume in-folio Broché sans couverture illustrée.
1 vol in-8 broché - N° 1 - 1er semestre 1998 - 174 pages Bon état.
1 vol in-8 broché - N° 2 - 2ème semestre 1998 - 222 pages Bon état.
Couverture souple. Zustand: bon. R320101616: 1932. In-8. Broché. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. paginé de 114 à 140. . . . Classification Dewey : 366.1-Franc-maçonnerie.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
2. Paris, 1947, in-4°, orig. wrappers (back slightly torn), ca. 150 pp, with contributions by Henry Charpentier, Claude Roger-Marx, Jean Adhémar, Michel de Toro a.o.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
2. Paris, 1947, in-4°, orig. wrappers (back slightly torn), ca. 150 pp, with contributions by Pierre Mac Orlan, Georges Charensol, Claude Roger-Marx a.o.
Verlag: Editions Rombaldi. 1945 - 1950., 1950
Anbieter: Loïc Simon, Blaison-Saint Sulpice, FR, Frankreich
Articles illustrés sur Laboureur, Maillol, Daragnès, Chas Laborde, Vuillard, Dufy, Valéry, Max Jacob, Gus Bofa, Bonnard. 7 revues brochées de 150 à 180 pages. 21 x 27 cm. Dos réparés.
Verlag: Editions Rombaldi (Imprimeries Kauffmann, G. Desgrandchamps e «La Ruche»),, 1945
Anbieter: Libreria Antiquaria Pontremoli SRL, Milano, MI, Italien
Erstausgabe
Paris, Editions Rombaldi (Imprimeries Kauffmann, G. Desgrandchamps e «La Ruche»), 1945 - 1951, Edizione originale. Tutto il pubblicato in 8 fascicoli in stato più che buono/ottimo (carte marginalmente brunite, da segnalare distacco del piatto anteriore fermato nel numero 8). Rivista quadrimestrale creata e diretta da Éric de Grolier, editore, traduttore, linguistica e pioniere nel campo della scienza dell'informazione. Attiva dal 1945 al 1951 per un totale di otto numeri elegantemente confezionati con brossure mute e sovracoperte applicate al dorso illustrate, la pubblicazione raccoglieva approfonditi interventi dedicati a capolavori della letteratura francese ed europea oltre che testi inediti - come «Impression» di Jean Cocteau che apre il secondo numero -, recensioni e bibliografie, tutti accompagnati da un importante apparato iconografico, con illustrazioni d'epoca, incisioni fuori testo e tavole applicate. Una rivista rivolta agli "amanti dei bei libri" - come dichiarato nella prefazione al primo numero del febbraio 1945 -, a sua volta realizzata con preziose carte di diverso tipo e stampata in due tirature: una ordinaria e una limitata a cento esemplari numerati da 1 a 100 con allegate incisioni originali di differenti illustratori (come Gérard Cochet, Jean Émile Laboureur, Pierre Dubreuil). 270x210 mm, brossura muta con sovracpoperta illustrata applicata al dorso risvoltata a tamburo, circa 150-180 pagine a fascicolo. Edizione originale. Tutto il pubblicato in 8 fascicoli in stato più che buono/ottimo (carte marginalmente brunite, da segnalare distacco del piatto anteriore fermato nel numero 8). brossura muta con sovracpoperta illustrata applicata al dorso risvoltata a tamburo,
Anbieter: Librairie-Bouquinerie Le Père Pénard, Lyon, Frankreich
Editions Centre Culturel d'Albi - 1 vol in-4 - broché - 1985 - sans pagination - Illustrations en couleurs hors texte - Bon état -.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Paris, 1946, in-4°, orig. wrapper (back slightly torn), ca. 150 pp, with contributions by Pierre Camo, Jacques Guignard, Raymond Hesse e.a.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Paris, 1950, in-4°, orig. wrapper (back slightly torn, frontcover nearly loose - dos endommagé, les deux couvertures avec décirures sans perte de papier), ca. 150 pp, with contributions by Louise de Vilmorin, Léon Werth , Pierre Mornand e.a.
Paris, Edition Rombaldi, 1945-1947. Ensemble de 4 volume in-4, couvertures illustrées en couleurs, sous emboitage de carton, à l'état de neuf. N°2 1945 - N°3 1946 - N°4 1946 - N°5 1947. 4 livraisons sur 8 parus de cette célèbre revue bibliophique ( N°2 1945 - N°3 1946 - N°4 1946 - N°5 1947). Exemplaire à l'état de neuf.
Verlag: Paris Le Portique 1930, 1930
Anbieter: Harrison-Hiett Rare Books, Richelieu, Frankreich
Erstausgabe Signiert
First Edition. One of only 625 copies (this 289), on vergé de Rives. With Vollard's portrait by Raoul Dufy, signed in the copper plate, as a frontis and with second portrait of Vollard by Auguste Renoir reproduced later in the text. A comprehensive catalogue raissonnee of the superbly edited "Vollard editions" up to the year 1930 including his published illustrated works. Original cream coloured paper covers. These are a little creased to the yapped edges, and there is a small hole / tear with slight loss, to the rear edge. Still in very good condition overall. Internally in good, clean and tidy condition throughout. 72 pages. Largely uncut. 29cm x 23.5cm. Conforms to WorldCat / OCLC: 31881929. Ambroise Vollard (18661939) was a pioneering French art dealer, collector, publisher, and writer, widely regarded as one of the most influential figures in the promotion of modern art during the late 19th and early 20th centuries. Vollard played a crucial role in shaping the careers of many now-renowned artists. He is credited with discovering and promoting figures such as Paul Cézanne, Pablo Picasso, Paul Gauguin, Henri Matisse, Georges Rouault, and Vincent van Gogh. His gallery on Rue Laffitte in Paris became a hub for avant-garde art exhibitions, hosting groundbreaking shows such as Cézanne's first major exhibition in 1895, Picasso's first solo exhibition in 1901, and Matisse's exhibition in 1904. In addition to his work as a dealer, Vollard was an avid publisher of illustrated books and print series. He collaborated with artists such as Pierre Bonnard and Marc Chagall to produce works like Les Fleurs du mal and Fables de La Fontaine. Vollard also commissioned Picasso to create the celebrated "Vollard Suite," a set of 100 etchings. .