Pollock griselda silverman max (35 Ergebnisse)

Hardcover. Zustand: Fine.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. This first edition is in very good condition. No dust jacket supplied. A few marks present to the cover. Otherwise a fine copy with bright clean pages free from any signs of wear.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 346.

Zustand: New. pp. 330.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Paperback. Zustand: Brand New. 336 pages. 10.00x7.99x1.85 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 338 pages. 8.75x5.75x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Concentrationary Memories has, as its premise, the idea at the heart of Alain Resnais's film Night and Fog (1955) that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s is not simply confined to one place and one time but is now a permanent presence shadowing modern life. It further suggests that memory (and, indeed, art in general) must be invoked to show this haunting of the present by this menacing past so that we can read for the signs of terror and counter its deformation of the human. Through working with political and cultural theory on readings of film, art, photographic and literary practices, Concentrationary Memories analyses different cultural responses to concentrationary terror in different sites in the post-war period, ranging from Auschwitz to Argentina. These readings show how those involved in the cultural production of memories of the horror of totalitarianism sought to find forms, languages and image systems which could make sense of and resist the post-war condition in which, as Hannah Arendt famously stated 'everything is possible' and 'human beings as human beings become superfluous.' Authors include Nicholas Chare, Isabelle de le Court, Thomas Elsaesser, Benjamin Hannavy Cousen, Matthew John, Claire Launchbury, Sylvie Lindeperg, Laura Malosetti Costa, Griselda Pollock, Max Silverman, Glenn Sujo, Annette Wieviorka and John Wolfe Ackerman.…

Zustand: NEW.

Paperback. Zustand: Brand New. 320 pages. 9.21x6.14x1.85 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorGriselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds, UK. She is Editor, with Anthony Bryant, of Digital.

Zustand: New. Since its completion in 1955, Alain Resnais s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize t.

Taschenbuch. Zustand: Neu. Neuware - Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere What kind of memory does the film create to warn us of the continued presence of this concentrationary universe This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.…

Zustand: New. &Uumlber den AutorGriselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Her publications include Visual Politics .

Taschenbuch. Zustand: Neu. Neuware - In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian mentality has seeped into the deepest recesses of everyday popular culture. It asks if the concentrationary now infests our cultural imaginary, normalizing what was once considered horrific and exceptional by transforming into entertainment violations of human life. Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force.…

Taschenbuch. Zustand: Neu. Concentrationary Memories | Totalitarian Terror and Cultural Resistance | Griselda Pollock (u. a.) | Taschenbuch | New Encounters: Arts, Cultures, Concepts | Kartoniert / Broschiert | Englisch | 2021 | Bloomsbury Publishing PLC | EAN 9781350229174 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 346 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In English.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 332 pages. 9.00x6.00x0.80 inches. In Stock.

Hardcover. Zustand: Brand New. 352 pages. 9.10x6.10x1.00 inches. In Stock.

Zustand: New. Concentrationary Memories is based in the idea that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s has remained and is now a permanent presence shadowing modern life. It also argues that memory - and, indeed, art in .

Zustand: New. Editor(s): Pollock, Griselda; Silverman, Max. Series: New Encounters: Arts, Cultures, Concepts. Num Pages: 288 pages. BIC Classification: APFA; JFFE. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156. . . 2015. Sew. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New. Concentrationary Memories is based in the idea that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s has remained and is now a permanent presence shadowing modern life. It also argues that memory - and, indeed, art in general - must be invoked to show this haunting of the present by this menacing past. Editor(s): Pollock, Griselda; Silvermann, Max. Num Pages: 320 pages, 88 black white integrated. BIC Classification: ABA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 168 x 29. Weight in Grams: 850. . 2013. hardcover. . . . . Books ship from the US and Ireland.…