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Verlag: CHIZINE PUBN, 2018
ISBN 10: 1377004198ISBN 13: 9781377004198
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Palala Press, 2016
ISBN 10: 1357154364ISBN 13: 9781357154363
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Verlag: ARKOSE PR, 2015
ISBN 10: 1345705190ISBN 13: 9781345705195
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: I.-V. London, printed by and for Hodgson & Co., 10 Newgate Street, 1823. / VI.-VIII.; IX.-XI.; XII.-XIV. London, printed for John Hunt, 22 Old Bond Street and ., 1823. / XV.-XVI. London, printed for John Hunt, 38 Travistock Street Covent Garden and ., 1824., 1824
Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Deutschland
Erstausgabe
1 blank sheet; I.-V. Foretitle-page, engraved Frontispice-Portrait, x pages ('Publisher's Preface'), pages 1-60 (p. 59-60: 'Notes to Canto First'); p. 61-115; p. 117-150 (p. 149-150: Notes to Canto Third); p. 151-182 (p. 181-182: 'Notes to Canto Fourth'); p. 183-226 (p. 223-226: Notes to Canto Fifth). / VI.-VIII. vi pages ('Preface'), pages 7-37 (1 blank); p. 39-60; p. 61-97 (1 blank). / IX.-XI. 24 p., p. 25-47 (1 blank), p. 49-72. / XII.-XIV. 25 (1 blank) pages, p. 27-55 (1. blank), p. 57-83 (1 blank). / XV.-XVI. 26 pages, p. 27-62*; 1 blank sheet. - (Publisher's?) brownish-red cloth binding of the period with the original larger paper spine-label, imprinted ''DON JUAN. / 16 CANTOS / WITH / PORTRAIT & NOTES / Price 7s.''(ca. 4,5 x 3,5 cm); small-8vo.(ca. 15,5 x 10 x 4 cm). *** [Endgültig ausklingender FRÜHLINGS-VERKAUF / Ultimately fading SPRING-SALE: um über 45% REDUZIERTER PREIS bis Montag 06.05.2024, 24 Uhr (PRICE REDUCTION of over 45% until Monday, May 6th 2024); ursprünglicher Preis / originally EUR 850,-] --- FIRST COMPLETE EDITION, 16 CANTOS IN 5 VOLUMES, BOUND IN 1 BOOK COMPLETE; AND WITH THE ORIGINAL SPINELABEL proving the publisher's intention to be published exactly thus. - Binding slightly bumped and somewhat rubbed, with slight discoloring - to bright - at lower spine and- to dark - at rearpanel; top of inner frontpanel with holograph inscription of the period ''211 Ugm.'', page 42 in 'Canto VII.' with shortest ms. ink-correction of the period (e're to e'er), two sheets ahead page 46 lacks the '6'; top of inner rearpanel with later pencil note ''fol 65e''(?) and even younger pencil-list of the Cantos' pagination (with a mistake for #XVI.). - *) Folio 'D' (end of Canto XV., beginning of Canto XVI.) apparently misfolded by the bookbinder resulting in sheet D3 with pp. 29-30 preceding D2 w. p. 27-28 and [D5] w. p. 33-34 prec. [D6] w. p. 31-32); A BEAUTIFUL, COMPLETE COPY. --- ''IN ENGLISH LITERATURE, 'Don Juan'(1819-1824), by Lord Byron, is a satirical, epic poem that portrays Don Juan not as a womaniser, but as a man easily seduced by women. As genre literature, Don Juan is an epic poem, written in ottava rima and presented in sixteen cantos. Lord Byron derived the character, but not the story, from the Spanish legend of Don Juan. Upon initial publication in 1819, cantos I and II were criticised as immoral, because the author Byron too freely ridiculed the social subjects, the persons, and the personages of his time. At his death in 1824, Lord Byron had written sixteen of seventeen cantos, whilst canto XVII went unfinished [and remained unpublished until 1903, without adding further plot to the end of Canto XVI.]. . . When Lord Byron died in 1824, the epic satire Don Juan was incomplete, and the concluding 'Canto XVII' featured little mention of the protagonist, Don Juan, and many mentions of the literary rivals, enemies, and critics who moralistically objected to Byron s perspectives of people, life, and society; the critical gist was: >If you are right, then everybody's wrong!<. In self-defence, Byron the poet lists people who were considered revolutionaries in their fields of endeavour - such as Martin Luther (1483-1546) and Galileo [Galilei] (1564-1642) - whose societies saw them as being outside the cultural mainstream of their times. 'Canto XVII' concludes at the brink of resuming the adventures of Don Juan, last found in a 'tender moonlit situation' with the Duchess of Fitz-Fulke, at the end of 'Canto XVI'.''(wikipedia).