picasso boeck wilhelm (35 Ergebnisse)

4°. 524 S. Mit vielen teils farb. mont. Tafn. u. Textabb. Original-Leinenband Einband und Schnittkanten stockfleckig. Gewicht (Gramm): 2260.

Zustand: Bueno. : Este libro, titulado 'Picasso: Dibujos', es una exploración de los dibujos del renombrado artista Pablo Picasso. Publicado en 1980 por Editorial Gustavo Gili, forma parte de la colección 'Comunicación Visual'. El libro, en su primera edición, cuenta con 219 páginas y está encuadernado en tapa blanda. Es una valiosa adición para cualquier persona interesada en el arte y la obra de Picasso. EAN: 9788425210044 Tipo: Libros Categoría: Arte y Cultura Título: Picasso: Dibujos Autor: Wilhelm Boeck| Pablo Picasso Editorial: Editorial Gustavo Gili, S.L. Idioma: es-ES Páginas: 219 Formato: tapa blanda.

219 p 21 cm Encuadernación editorial en rústica. Estado de conservación: Bien.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 33 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 24 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 41 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 39 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 42 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 26 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Zustand: Gut. Blattgröße: 33 x 39 cm. *Tafel 36 aus dem von W. Bock 1962 herausgegebenen Werk "Linolschnitte", das in 45 Tafeln sämtliche Linolschnitte wiedergab, die Picasso 1958-1960 geschaffen hatte. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Tadellos. Sprache: Deutsch Gewicht in Gramm: 800 Kräftiger Farbdruck auf starkem kartoniertem Papier.

Neuauflage,. 45 Bl. : überwiegend Ill., Schönes Exemplar Sprache: Deutsch 33x38 (quer), schwarz illustrierter OU mit Rückentitel, weises O Ln im OSchuber.

Hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

21 x 30 cm. 524 S. mit zahlrreichen (teils farbigen mont.) Abbildungen, illustr. OLwd. Gut erhaltenes Exemplar des Standardwerkes. EA.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.2.

4? 524 S. mit 596, gr??tenteils ganzseitigen bzw. farbigen Abbildungen (davon 38 montierte und 2 doppelblattgro?e Farbtafeln) sowie einigen Photodokumenten und Faksimiles. Illustriertes Oln. mit einer f r dieses Buch geschaffenen Einbandzeichnung von Picasso. Gutes Exemplar. Im Anhang ein Werkgruppen-Katalog, Vergleichstafel der K nstlersignaturen sowie eine biographische Zeittafel, nebst umfangreicher Bibliographie und Namens- und Sachregister. Eine der besten Monographien zu Leben und Werk Picassos. Beiliegend l?ngerer Zeitungsausschnitt zu Picassos 90. Geburtstag. Sprache: de.

Stuttgart, Kohlhammer 1955. 30,3 : 22 cm. 524 S. mit zahlr. ganzseit., teils mont. farbigen Abb. und 278 Kleinabb. Illustr. Orig.-Leinen mit farb. illustr. Schutzumschlag. Mit Gruppenkatalog und Signaturentafel. - Umschlag mit Gebrauchsspuren und vord. Vorsatz minimal fleckig, sonst tadelloses Exemplar. - DABEI: Picasso's Acrobate et le jeune Arlequin. London, Christie's, 28 November 1988. 25,4 : 20 cm. 29,(7) S. mit teils farb. Abb. Farb. Orig-Umschlag. - Mit "Review and list of prices"-Blatt. Sprache: de.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Pablo Picasso (illustrator). An early edition of this glossy and profusely illustrated work on the iconic artist Pablo Picasso. An early reprint of this work in the publisher's original pictorial cloth binding, with the original price-clipped dust wrapper. Illustrated with 38 colour plates, 127 black-and-white plates, 2 folding colour plates, and numerous in-text illustrations. Collated, complete. A thorough and lavishly illustrated analysis of the work of Pablo Picasso, with a detailed biography of the renowned artist. Wilhelm Boeck explores the various periods of Picasso's art, with contextual information concerning Cubism and Surrealism. Jaime Sabartés, who was a close friend of Pablo Picasso and later his secretary, introduces the work. With a detailed appendix to the rear. In the publisher's original pictorial cloth binding, with the original price-clipped dust wrapper. Externally, cloth is in lovely condition. Internally, firmly bound. Pages are bright and clean. Dust wrapper remains generally bright and smart, though the front flyleaf has been cut off. Fine. book.

524 pages with 607 partly coulered plates and illustrations. Illustrated original cloth with coloured illustrated dust-jacket.

Early printing of this hefty compendium of the iconic artist's life and work, with copious illustrations. With the publication of PICASSO, "the literature on the greatest painter of our century reaches its climax," proclaims the dust jacket. Indeed, this production is particularly thorough, with over 600 illustrations, deep analysis of his works large and small, and detailed biographical information. Attractive. 11.75'' x 8.25''. Original pictorial boards in cloth. Original unclipped (no price) color pictorial dust jacket. Illustrated in color and black and white. Jacket with light edgewear, a bit of chipping. Boards with mild toning and edgewear, head of textblock with a touch of foxing. Tight. Near fine in very good plus dust jacket.

Hardcover. Zustand: Very Good. Folio (390 x 330 mm) oblong - Illustrated with 45 color plates engraved and remarkably printed on one side from the original linocuts by Pablo Picasso(1881-1973) Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. First French original edition, the text of W. Boeck is translated by Jacques Chavy. Bound under cardboard cloth illustrated, slipcase editor decorated with two compositions in color of Picasso. In Very good condition.

Zustand: Cloth. Fine in dust jacket. Profusely illustrated, including 40 full color plates. 1 vols. 4to. Lucas, p. 177; Freitag 7418 Profusely illustrated, including 40 full color plates. 1 vols. 4to.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 22.3cm. Sheet size: H: 27.2cm W: 31.9cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 22.3cm. Sheet size: H: 27.2cm W: 31.9cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.

No Binding. Zustand: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.