philip dantoni (8 Ergebnisse)

First Edition. First Edition. INSCRIBED by Randy Jurgensen to film producer Philip D'Antoni on the front endpaper: "To my friend / What else can I say except I love you / your friend / Randy." With Jurgensen's business card laid in. D'Antoni was a major figure in 1970s New Hollywood Cinema, as the producer of "Bullitt" (1968), "The French Connection" (1972), and "The Seven-Ups" (1973). A nonfiction book that addresses the pursuit and capture of New York's most notorious cop killer, surrounding the killing of a white police officer at the Harlem Mosque in New York City in 1972. Author Jurgensen was a New York City police officer deeply involved in the case. A fictionalized version of the story, "Murder at the Harlem Mosque," was published in 1977. Near Fine in an about Fine dust jacket.

Five vintage black-and-white double weight studio still photographs from the 1973 film. Based on an original story by Sonny Grosso, about the "Seven-Ups," a secret New York detective squad with unorthodox methods (of questionable legality). An informant for the squad is secretly behind a kidnapping scheme, with the kidnappers impersonating police officers. Shot on location throughout New York. 8 x 10 inches. Near Fine condition.

Two Draft scripts for the 1977 television film, which debuted on September 1, 1977, on NBC. One script dated January 14, 1976, credited to screenwriter Stuart Rosenberg (who was not credited on the completed film), and one script dated August 9, 1976, credited to screenwriters Sid Dorfman and Simon Muntner. January 14, 1976 script with manuscript pencil and ink annotations to every page, adding pagination. From the estate of Philip D'Antoni, a major figure in 1970s New Hollywood Cinema, as the producer of "Bullitt" (1968), "The French Connection" (1972), and "The Seven-Ups" (1973). A comedy about a misfit police squad in New York who are assigned to patrol Central Park but are not given guns. Initially intended to be a television series. Shot on location in New York City. January 14, 1976 script: Lacking wrappers. Title page present, dated January 14, 1976, with credits for screenwriter Stuart Rosenberg and story credits to Sonny Grosso. 52 leaves, with last page of text numbered 48. Xerographic duplication, rectos only. Pages Very Good plus, unbound. August 9, 1976 script: Orange titled Studio Duplicating Service wrappers. Title page present, dated August 9, 1976, noted as Revised, with credits for screenwriters Sid Dorfman and Simon Muntner. 31 leaves, with last page of text numbered 30. Mimeograph duplication, rectos only. Pages and wrapper Near Fine, bound with two gold brads.

Archive of material from the 1973 television movie, originally planned to be the pilot episode of a television series, which originally aired on March 14, 1973, on NBC. Included in the archive are nine copies of a treatment script for a prospective episode, titled "A Fungi Affair," an early treatment script for an untitled separate episode, and a resume sheet for production company Philip D'Antoni Productions. D'Antoni was a major figure in 1970s New Hollywood Cinema, as the producer of "Bullitt" (1968), "The French Connection" (1972), and "The Seven-Ups" (1973). Two New York City police detectivesone in the process of retiring, the other still working on the forceinvestigate a drug-smuggling ring believed to be involved with foreign diplomats. Shot on location in New York. "A Fungi Affair" treatment scripts: Self wrappers. Title page present, undated, with credits for screenwriter Irving G. Neiman. Nine leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a single paper clip to the top left corner. Untitled treatment script: Self wrappers. Title page present, undated, with credits for screenwriters Randy Jurgensen and Chris D'Antoni. 17 leaves, with last page of text numbered 16. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a single staple to the top left corner. All materials housed in a manila folder with a printed label reading "The Fungi Affair".

Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971, when shooting for the film commenced there. William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City, with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman, one year after the publication of his seminal Harlem-based crime novel, "Shaft." Winner of five Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Actor (Hackman), along with three additional nominations. Tan titled wrappers, noted as FRIEDKIN DRAFT and REVISED on the front wrapper in manuscript pencil, dated 3/23/71 and 4/26/71 in manuscript pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication, with photocopied punch holes, and a few revision pages throughout, dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine, bound with three gold brads. National Film Registry. Grant US. Penzler 101. Spicer US Neo-Noir.

Archive of vintage production memorabilia belonging to director and producer Philip D'Antoni, relating to the filming of "The French Connection" (1971) and "The Seven-Ups" (1973). Archive also includes a substantial amount of memorabilia relating to New York City police, gifted to D'Antoni by police officers during the filming of both movies. The archive comprises ephemera relating to policing, both imagined and real, in the 1970s, including police badges, laminated police cards and certificates, full-size police department signage on metal and board, and business cards. Archive includes: Two NYC police badges A detective badge with badge No. 351 A "City of New York Police Detective DEA [Detectives Endowment Association]" badge in a leather case Three laminated police cards A1973 PBA (Patrolmen's Benevolent Association of the City of New York, Inc.) "Police Conference of New York, Inc." card issued to D'Antoni on the verso A 1972 Detectives Endowment Association Inc. card, and an "Honorary Member" card from the "Dectectives Endowment Association of the Police Department City of New York" to D'Antoni Two signs printed in blue and green, used in production vehicles during filming Five "Seven-Ups" signs with orange stenciled lettering on black board Five of D'Antoni's personal business cards. D'Antoni began his short but indelible Hollywood career as the producer of director Peter Yates' "Bullitt" (1968), going on to produce the Academy Award-winning film "The French Connection" (1971). In 1973 D'Antoni both produced and directed "The Seven-Ups," another action film set in New York with a Poliziotteshi style. D'Antoni's films captured a timeless, gritty aesthetic, and created some of the most memorable car chase scenes ever committed to celluloid, helping define New Hollywood cinema. Material ranges from 2.25 x 2.75 inches to 12 x 6 inches. Very Good plus to Near Fine, with some faint scratching, rubbing, and soil.

Final Shooting script for the 1973 film. The script supervisor's copy, with their photocopied annotations on virtually every page, bound as a Specially bound copy for director-producer Philip D'Antoni. Warmly inscribed by D'Antoni's wife Ruth to Philip on the front endpaper: "Father's Day / June 17th, 1974 / To my producer, friend, writer, musician, lover / Ever sincerely, Ruthie." Based on an original fictional original story by real-life NYPD officer Sonny Grosso, about the "Seven-Ups," a secret New York detective squad with unorthodox methods (of questionable legality). An informant for the squad is secretly behind a kidnapping scheme, with the kidnappers impersonating police officers. A masterfully executed script supervisor's document, with the legendary car chase scene in the film broken down frame by frame for nearly 30 pages. Set in New York City, shot on location in New York City, New York State, and Weehawken, New Jersey. Blue full leather binding with gilt titles and rule, and D'Antoni's name to the bottom right corner of the front wrapper in gilt. Title page present, dated October 27, 1972, with credits for screenwriters Albert Ruben and Alexander Jacobs, story writer Sonny Grosso and director Phil D'Antoni. Approximately 271 leaves, with last page of text numbered 7. Xerographic duplication, rectos only, with shooting notes bound in opposite their corresponding script pages. Pages Fine, leather binding Near Fine.

Vintage reference photograph from the 1971 film, showing cinematographer Owen Roizman and a camera crew preparing to shoot a night scene on location. Printed snipe affixed to the verso. William Friedkin made his name with this gritty adaptation of Robin Moore's nonfiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City, with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman, one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Actor for Gene Hackman, along with three additional nominations. 10 x 8 inches, with wide margins. Very Good plus. National Film Registry. Grant US. Spicer US.