phil holt (24 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Zustand: Good - Cash. Zustand des Schutzumschlags: Good. Book Club. Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! The dust jacket has some surface rubbing, edgewear, and creases. Previous owner's name(s) inside. Stock photos may not look exactly like the book.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Brand New. 91 pages. 9.00x6.00x0.23 inches. In Stock.

Paperback. Zustand: Brand New. 70 pages. 9.00x6.00x0.16 inches. In Stock.

Paperback. Zustand: Brand New. 70 pages. 9.00x6.00x0.16 inches. In Stock.

Paperback. Zustand: Brand New. 91 pages. 9.00x6.00x0.23 inches. In Stock.

Paperback. Zustand: Brand New. 75 pages. 11.00x8.50x0.17 inches. In Stock.

Soft cover. Zustand: Near Fine. 1st Edition. 65 Pp. Scarce Collection Of Venice Poetry, Inscribed By Lynn Shoemaker, The Editor, Whose Poems Are Included. Inscribed by Author(s).

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend, now a sheriff, to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard, Histoire(s) du Cinema.

Vintage borderless reference photograph from the 1942 film showing director Orson Welles, cinematographer Stanley Cortez, and members of the cast, including Joseph Cotton, Anges Moorehead, and Anne Baxter, conferring during a lunch break. Mimeo snipe promoting Welles' Mercury Players, and "APR 13 1942" stamp on verso. Based on the Pulitzer Prize winning 1918 novel by Booth Tarkington. Welles' followup to "Citizen Kane" (1941) was utterly different from Kane in style and texture, but just as brilliant in its own way. Writer-director Welles does not appear on camera, but his voiceover narration superbly sets the stage for the movie's action, which fades in valentine fashion on Amberson Mansion, the most ostentatious dwelling in all of turn-of-century Indianapolis. Despite the legendarily unsolvable problem of film editor Robert Wise being instructed by the studiooutside Welles' knowledgeto edit away nearly an hour of the film's length, it remains a masterpiece of storytelling, bringing Tarkington's Pulitzer winning novel to life in high style. Nominated for four Academy Awards, including Best Picture, Best Cinematography, and Best Supporting Actress for Moorehead. 8 x 10 inches. Faint glue shadow from snipe, else Near Fine. Rosenbaum 1000. Godard, Histoire(s) du cinema. Scorsese, A Personal Journey Through American Movies.