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Verlag: Oxford University Press, 1986
ISBN 10: 0192817078ISBN 13: 9780192817075
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Harvard University Press, 1979
ISBN 10: 0674663489ISBN 13: 9780674663480
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Mehr Angebote von anderen Verkäufern bei ZVAB
Neu ab EUR 40,47
Gebraucht ab EUR 6,49
Mehr entdecken Softcover
Verlag: Hesperus Press, 2002
ISBN 10: 1843910268ISBN 13: 9781843910268
Buch
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Verlag: Italica Press (edition ), 2008
ISBN 10: 1599100029ISBN 13: 9781599100029
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Very Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: Alma Books COMMIS 2015-04-15, London, 2015
ISBN 10: 1847494684ISBN 13: 9781847494689
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Barbican Press, 2023
ISBN 10: 1909954330ISBN 13: 9781909954335
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Mehr Angebote von anderen Verkäufern bei ZVAB
Neu ab EUR 25,30
Gebraucht ab EUR 20,18
Mehr entdecken Softcover
Verlag: Carcanet Press Ltd, 2000
ISBN 10: 185754451XISBN 13: 9781857544510
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Paperback. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: NY, Ithaca Pr 1986. xxx, 267pp, map. 1986, 1986
Anbieter: Bennett and Kerr Books, ABINGDON, Vereinigtes Königreich
Pb.
Verlag: Italica Press, 2008
ISBN 10: 1599100002ISBN 13: 9781599100005
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Italica Press, 2009
ISBN 10: 1599100053ISBN 13: 9781599100050
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Augsburg, Rauner 2004. 100pp. 2004, 2004
Anbieter: Bennett and Kerr Books, ABINGDON, Vereinigtes Königreich
Card covers, sl marked; inscr.
Verlag: Tipografia de Fratelli Firmin Didot, 1857
Anbieter: Eastleach Books, Newbury, BER, Vereinigtes Königreich
Zustand: Very Good. 2nd edition. Quarter green calf over cloth, VG. [iv]+568pp, marbled endpapers, leather a little rubbed at the head & tail of the spine, slight occasional foxing, bookplate & ownership signature, a nice copy. Thge poetical works of the Italian Renaissance poet & scholar Francesco Petrarca [ 1304 - 1374 ] whos sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. The book also contains a life of Petrarch by Marsand who has also supplied copious footnotes & the long critical essay on Petrarch's poetry which was written by the Italian poet & patriot Ugo Foscolo [ 1778 - 1827 ]. 475 grams.
Verlag: Pantheon, New York, 1946
Anbieter: Cole & Contreras / Sylvan Cole Gallery, Sitges, BCN, Spanien
Erstausgabe
AN ASSOCIATION COPY of this scarce collection. XLIII, 521 pp. WITH THE CALLIGRAPHIC OWNERSHIP INITIALS OF JULIAN GREEN (1900-1998, better known by his French pen-name, "Julien Green") ON THE FRONT FREE ENDPAPER, DATED 1949. 8vo. Publisher's cloth. FINE AND BRIGHT, WITH NO DEFECTS.
Verlag: Harvard University Press, 2012
ISBN 10: 0674062167ISBN 13: 9780674062160
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. In Petrarch s hands, lyric verse was transformed from an expression of courtly devotion into a way of conversing with one s own heart and mind. David Slavitt renders the sonnets in Il Canzoniere, along with the shorter madrigals and ballate, in a sparkling .
Verlag: Houghton Mifflin and Company, Boston, 1903
Anbieter: Georg Schneebeli :: Rare Books & Prints, Zürich, Schweiz
Buch
Hardcover. Zustand: Gut bis sehr gut. A fine example of the influence that the books of the famous British publisher William Pickering (1796-1854) had on Bruce Roger's early work at Riverside. Pickering was known for title pages with architectural borders and the distinctive use of decorative rules and ornaments. Alfred W. Pollard in 'Modern Fine Printing in England' stated: (The title-page) "worked up into a truly Italian design full of music and sunshine and graceful architecture". Limited to 430 copies of which this is No. 131. ¶ Description: Quarter-vellum with dark petrol blue paper-covered boards, with gilt titles on spine. Octavo 19 × 11 cm; pp. xiv, 31, [1]. Printed from 'Caslon' type in red and black. Pages uncut and unopened. ¶ Ref.: Warde 40; Kelly 18 ¶ Condition: Boards showing a few marks of usage, rubbed on corners. Internally some noticeable light age toning to edges, else in near fine condition. ¶.
Verlag: München (Munich), Georg Müller, 1920., 1920
Anbieter: Alexanderplatz Books, New York, NY, USA
Erstausgabe
Hardcover. Zustand: Fine. 1st Edition. First edition. Folio. Vellum spine and tips with gold lettering along spine, boards covered in fibrous hand-made paper. A fine, clean copy. No. 169 of 330 numbered copies. Beautifully typeset and printed with very ample margins. Twelve tipped-in lithographs by Adolf Schinnerer. Translations selected by Franz Spunda. Translations by Spunda, Herbert Eulenberg, and others. Two sonnets are translated by Rainer Maria Rilke, this possibly being the first appearance of these translations. Please note that we write our own descriptions; verbatim repetition of this description means someone else has copied ours, not the other way round. Additional shipping charge may apply to foreign destinations.
Verlag: Presso Lefevre, Parigi, 1820
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: very good. 3 volumes. 192; 192; 240 pages with 2 small engraved portraits in the first volume. 32mo, full contemporary mottled calf; gilt-stamped spines with black leather labels; marbled endpapers and page edges. Parigi: Presso Lefevre, 1820. Some light wear at joints and extremities, still a very good set with light scattered foxing. Tomos IV - VI de 'Biblioteca Poetica Italiana', Scelta e Publicata of A. Buttura.
Verlag: Domenico Farri, Venetia, 1567
Anbieter: Eastleach Books, Newbury, BER, Vereinigtes Königreich
Zustand: Very Good. 3rd edition. Later decorated paper boards, VG. [xxiv]+322+[18]pp, small 8° ( pagination runs 1-161 but only the rectos are numbered, giving 322 pages to the main text - Signatures running a1-b4 A-I8 K-T8 V-V8 X2-X7 Y-Y4 ), rebound ( early 20th century ) in paper covered boards without any blanks, sheet A yellowed affecting the first 8 leaves, occasional light marginal water staining not affecting the text, printers woodcut device of Roman goddess Spes upon a winged globe with sunburst, an attractive copy. This copy complete with the initial dialogue & index. Malipiero's famous interpretation, or re-write of part of the Il Canzoniere of Petrach, in which Malipiero changes what he saw as bawdy rhymes to verse where the the emphasis is on Godly love & not insane lust. Malipiero considered Petrach full of 'gli sconci e molto disordinati affetti e l'angosciose passioni de' miseri innamorati'. He also removed references to the papacy at Avignon & had Germany depicted as a new Babylon due to the influence of Luther. First published in 1536, the work went through eight editions by 1587. 250 grams.
Verlag: Dai Torchi Di Glauco Masi, Livorno, Italy, 1820
Anbieter: APPLEDORE BOOKS, ABAA, WACCABUC, NY, USA
1/4 leather. Zustand: Very Good +. Lovely 1820 edition of one of the first great modern collections of love poetry, written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" (Encyclopedia Britannica). The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards (with matching marbled endpapers). 5 raised bands, gilt-rule and gilt-devices within the compartments. A solidly VG+ copy, with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi, the printer, boats on the title page that it is printed with types supplied by Fermin Didot, the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo, Vol. I consists of 362 pgs., Vol. II 242 pgs.
Verlag: prault, Paris, 1768
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. 154 + 211 + 328 pages, thick 12mo, handsomely reboound in full brown morocco, red leather spine lable Paris: Prault, 1768. Fine.
Erscheinungsdatum: 1550
Anbieter: Maggs Bros. Ltd ABA, ILAB, PBFA, BA, London, Vereinigtes Königreich
Large woodcut device to title depicting 'Hope', ornamental initials. 8vo (160 × 91 mm). [viii], 316, [9]ff (including final blank leaf). Seventeenth-century continental brown morocco, triple blind fillet on covers, spine with five raised bands, richly gilt in compartments, red morocco label lettered 'Petra/cha' over two lines (slightly rubbed and darkened). A very attractively bound, mid-16th century Venetian pocket edition of Petrarch. Although common in Italian libraries it is located by USTC in only four North American institutions (Duke, Chicago, Johns Hopkins and the Thomas Fisher Library). The text of this edition is that first assembled in 1525 by Alessandro Vellutello, the Lucchese editor best known for his 1544 illustrated Dante. It opens with Vellutello's account of Petrarch's life, followed by the Sonetti e Canzoni, the Triomphi and the additional Rime, all with Vellutello's copious marginal glosses. The Venetian printer 'al segno della speranza' was active from 1544-88, based first in Santa Maria Formosa and then in San Giuliano; Censimento states that up to the 1570s this was most likely Giovanni della Speranza, perhaps to be identified with Giovanni Francesi. Books from this press usually bear the woodcut device depicting Hope, as here, and are almost always in pocket format. In the early nineteenth-century the book was in the possession of Sir John Hope (1781-1853) of Pinkie House, near Musselburgh, who served as MP for Edinburgh for 8 years. Perhaps the 'speranza' device appealed? Provenance: early continental armorial bookplates to front and rear, with traces of another removed. 19th-century inscription on title-page of the Scottish aristocrat and politician Sir John Hope (11th baronet; 1781-1853) Pinkie House (East Lothian, Scotland). Slight soiling to lower portion of ff. 3r and 6v, lower fore corner of final blank torn away. Censimento Edit 16 CNCE 47373. BMSTC (Italian), p.504.
Verlag: Co' Tipi Bodoni, Parma, 1799
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
163 x 105 mm. (6 3/8 x 4 1/8"). 2 p.l. (first blank), xxxiv, 373. [1] pp.; 1 p.l., xvii, [1], 352, [2] pp. Two volumes bound in one. Attractive early 19th century red polished calf, intricately gilt, covers with ornate panel stamp featuring a frame of floral vines, patera sidepieces, and acanthus leaf ornaments at corners enclosing a central panel of arabesque design, flat spine in three compartments, the small central compartments with gilt titling, the other two elongated rectangular compartments richly gilt, gilt-rolled turn-ins, marbled endpapers all edges gilt. Front free endpaper with ex-libris of Auguste P. Garnier, verso of same with early presentation inscription in French. Brooks 734; Brunet IV, 555. âSpine lightly and evenly sunned to a dusty rose, corners a bit rubbed, final page (index) lightly dust-soiled, other very trivial imperfections, but A FINE, ESPECIALLY ATTRACTIVE COPY--very clean, fresh, and bright internally, with vast margins, in a glittering binding showing few signs of use. According to Brunet, this lovely Bodoni octavo printing of Petrarch's most famous works is more correctly printed than the folio edition that appeared in the same year. Bodoni seems to have laid out text as for a duodecimo, but printed it on especially fine octavo-sized paper, giving the book the luxurious feel of a Large Paper Copy while retaining a conveniently portable size. And the present copy sports an especially pleasing red polished calf binding from the period with elaborate gilt decoration. An Italian scholar and poet generally regarded as the father of humanism, Petrarch (1304-74) made great contributions to Classical scholarship, but his poems in vernacular Italian were what brought him lasting fame. Britannica notes that in beautifully constructed lyrics, infused with an appreciation of Classical works, he "created with his marvellous sensibility the form and language of the modern lyric, to provide a common stock for lyric poets of the whole of Europe." Our volume contains the immortal sonnets written to his beloved Laura, and "I Trionfi" ("The Triumphs"), an epic poem in six allegories, as well as other songs and short poems. Giambattista Bodoni (1740-1813) worked for more than 20 years at the Royal press in Parma before obtaining permission to set up his own private press in 1791. Brooks says that "he took his printing in all its branches very seriously, labored incessantly to perfect his type, had a fine artistic sense, . . . and produced books not only of a very high standard, but also showing a remarkably distinct individuality." Bodoni used the finest quality paper available, and his clear, beautiful types have been envied and copied for many generations. "The result of his labors is a long list of books which," in Brooks' words, "reach a very high, many of them the highest, level of technical excellence.".
Erscheinungsdatum: 1450
Anbieter: Symonds Rare Books Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
Soft cover. Zustand: Very Good. 8vo (binding: 20.9 x 14.9 cm; text: 20.5 x 14.5 cm); 263 pp on 132 ff; 30 lines; single column. Lombard capitals in blue and red (alternating). One leaf missing, hence Rvf 1 to 4 are missing with the exception of v. 14 of Rvf 4 ( Onde si bella donna al mondo nacque. ). Part Two (Rvf 264) is introduced by a 4-line initial, in red and blue penwork ( Queste cancione & soneti seguenti furono facti dreto la morte di madona Laura per il predicto Miser Francesco petrarcha ). Manicules and marginal reading marks in Latin; very wide margins. On final recto ink inscription with date 1577 and an earlier hand has transcribed the last 10 verses of Rvf 366, adding a note in Italian vernacular ( Dominacione Nascerà in questo dì homo grasso e pieno di carne e ben membruto [?] colore palid ). Minor marginal wormholes fading in frequency and size as text proceeds; occasional worm trace to lower inner gutters (mostly at start and some repaired) and lower margins. Minor staining and soiling not affecting the text; lightly browned. Modern limp vellum. An excellent manuscript, in fine condition. A near complete and exceptional manuscript of Petrarch s Canzoniere or Rerum vulgarium fragmenta. This decorated manuscript in one hand is also supplemented by the additional ballata Donna mi viene spesso ne la mente , belonging to Petrarch s disperse or uncollected poems (cf. Solerti, Rime disperse, no. 1). Although it is lacking the first leaf containing the first three poems, it appears clear that the manuscript mostly follows the final version revised by Petrarch himself see MS Vat.lat. 3195 of the Vatican Library. However, the anonymous scribe does not follow the two-column mise en page established by Petrarch in his autograph manuscript as the verses are here aligned according to the modern one-column layout of poetry, one verse per line, in order to facilitate the reading. In the present manuscript the poems are copied according to the following sequence (the numerals correspond to the physical position in which they actually stand in the manuscript): [one leaf missing], 4 (v. 14), 5-37, 39, 38, 40-79, 81-82, 80, 83-120, 122, Disp. 1, 123, 121, 124-242, 121b (repeat), 243-327, 329, 328, 330-339, 342, 340, 350-355, 359, 341, 343, 356, 344-349, 357-358, 360-366. This is not surprising as the manuscript tradition of Petrarch Canzoniere is complex and there are various inconsistencies in the order in which the poems actually appear in the various manuscripts, often diverging from the sequence that is found in the final autograph version of the BAV Vat.lat. 3195. A very attractive manuscript, wide margined and in superb condition.