peter norgaard larsen ring (7 Ergebnisse)

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. Very Good condition. Very Good dust jacket. Statens Museum For Kunst edition. (Art, Art Exhibition, Exhibition Catalog, Pictorial works) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

24 x 17cm 220pp softcover in French flaps very good+ Collection of essays examining the transformation and expansion of the field of painting in relation to the general development of contemporary visual culture.

Zustand: New. 2010. Paperback. Editor(s): Bogh, Mikkel; Christensen, Hans Dam; Larsen, Peter Norgaard; Petersen, Anne Ring. Num Pages: 220 pages, 30 colour illus. BIC Classification: ACXJ; AFC. Category: (G) General (US: Trade). Dimension: 237 x 169 x 18. Weight in Grams: 638. . . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorAnne Ring Petersen is Associate Professor of Modern Culture at the University of Copenhagen. Mikkel Bogh is Rector at The Royal Danish Art Academy. Hans Dam Christensen is Head of Research at the Royal School of Librar.

Buch. Zustand: Neu. Neuware - The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors address a range of important issues including how paintings present themselves to us today. That is to say, how paintings are framed experientially, institutionally and culturally; the ways in which paintings of today can be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption; and whether it is possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history, visual culture studies or gender studies. Contributors: Jonathan Harris, Peter Weibel, Barry Schwabsky, Stephen Melville, Katharina Grosse, Anne Ring Petersen, Katy Deepwell, Rune Gade, Gitte Ørskou and Chin-Tao Wu.