pedro xisto (10 Ergebnisse)

Paperback. Zustand: VG+. Jim Nicholson (illustrator). Book. 240 x 170 mm, undated, c1967, stapled, printed blue on cream stock. Final issue of P.O.T.H, special 'one word poem' themed issue. Contributors include: Ronald Johnson, Edwin Morgan, George MacKay Brown, Jerome Rothenberg, Guy Davenport, Stuart Mills, Pedro Xisto, Kenelm Cox, Stephen Bann, Dick Sheeler, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Jonathan Williams, Ian Hamilton Finlay et al. Condition: Toning & light wear to top edge front and back, some handling marks.Very Good +.

Hardcover. Zustand: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.

Soft cover. Zustand: Good. In Spanish and Portuguese. Lima, Centro de Estudios Brasileños, 1978. Edição não venal. Brochura, 20x20cm, 80p. Texto em azul. Capa com certo desgaste e um pouco escurecida. Margens amarelecidas. Exemplar completo, sem carimbos, anotações, assinaturas, grifos ou folhas soltas. Publicação em homenagem ao movimento concretista brasileiro. Apresentação de José de Souza Rodrigues. Com bibliografia, apresentação, antologia de textos e documentos. Apresentação e documentos em espanhol; os textos no original português. Com contribuições de poemas dos irmãos Campos, José Lino Grünewald, Ferreira Gullar, Ronaldo Azeredo, Pedro Xisto, Wladimir Dias Pino etc. Entre os documentos, contribuições teóricas dos irmãos Campos, o manifesto Ruptura, Theo Van Doesberg, Arden Quinn, Max Bill, o Manifesto Neoconcreto etc. Muito raro.

Zustand: Very good +. Erthos Albino de Souza (ed.), 'Codigo 4', Salvador, Bahia, 1980. 245 x 220 mm. 40pp unpaginated, invisible bound printed black and orange on cream, printed black on white stock. Front cover by Regina Silveira with Codigo emblem top left, back cover by Julio Plaza. Contributors include: Aldo Fortes, Alice Ruiz, Augusto de Campos, Antonio Riserio, Caetano Veloso, Decio Pignatari, Duda Machado, Haroldo de Campos, Ines Oseki-Depre, Jose Lino Grunewald, Nelson Ascher, Paulo Leminski, Pedro Xisto, Pericles Cavalcante, Regis Bonvicino, Vinicius Dantas, translation and note on Allen Ginsberg poem by Duda Machado and Regis Bonvicino, E.E. Cummings translated also by Machado, translation of Yoko Ono poems by Monica Costa. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular 'Codigo' logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: wear to spine, including 20mm closed tear(no paper missing), slight wear to edges of covers and minor toning to the edges of some pages. Very good+.

Zustand: Very good +. Barnstone, Willis, ed, Artes Hispanicas / Hispanic Arts: Volume 1 Number 3 & 4, The Macmillan Company for Indiana University Press, Richmond, 1968. 254 x 216mm. 312pp with some colour illustrations and foldout. Cover by Augusto de Campos. An important survey of concrete poetry featuring Mary Ellen Solt's essay titled 'A World Look at Concrete Poetry' from pp. 7-66. Final section entitled 'English Spanish Word Gloss and Comments' gives short biographies of the poets and translations, as needed, of texts in their illustrated works. Heavy item, extra postage required. Condition: some wear and marks to cover and minor rubbing, slight ding to top right corner which faintly affects the first 125 pages, but overall a fresh clean copy. VG+.

Zustand: very good +. Pedro Xisto, and Erthos de Souza VOGALAXIA (aka IEAOU), Edicoes Invencao, Sao Paulo, Brazil, 1966. 330 x 224 mm. 8 pages printed blue on cream stock with blue printed wrappers. An analysis/arrangement of variables of vowel combinations. Condition: Minor handling marks and very minor dings to corners, a 17mm handling crease bottom of first page of text, a fresh, clean copy, pages fine, wraps very good +, overall very good+.

Soft cover. Zustand: Very Good. 1st Edition. Tokyo: The Association for Study of Arts, 1965. Staple-bound softcover. 52 pages. Text in Japanese with some English, French and Portuguese. Very good. Minor unobtrusive foxing to bottom cover and the next couple pages. Toning. A bit of soiling at staples. Slight edge wear. Scarce Japanese concrete poetry magazine edited by Seiichi Niikuni and published by his organization ASA (The Association for Study of Arts). Poetics for Visual and Phonic Poetry by Seiichi Niikuni. For The Poems to Come Around Us by Yasuo Fujitomi. Concrete Poetry by L.C. Vinholes, Toshihiko Shimizu, Seiichi Niikuni, and Pierre Garnier. Manifeste Pour Une Poésie Nouvelle, Visuelle et Phonique by Pierre Garnier. Dadaism and Avant-Garde Art of the Day by Toshihiko Shimizu. Brazil's Concrete Poetry by L.C. Vinholes with examples by Décio Pignatari, João Adolfo Moura, Edgard Braga, Haroldo de Compos, Pedro Xisto, and Kiyoshi Iwata. The Association of Study of Arts or ASA was founded in 1964 by Seiichii Niikuni and Yasuo Fujitomi with the objective of exploring and experimenting with concrete poetry. They published a namesake magazine ASA and published both Japanese and foreign concrete poetry.

Zustand: Very good +. 210 x 210 mm, 214 pp. Printed black and white between stiff boards (screenprinted cover) and fabric binding. Anthology consisting of complete copies of a number of Xisto's publications up to 1969. Condition: scuffing to screen surface of front and back cover, minor foxing to outside edge of the pages, overall very good +.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

Zustand: Near Fine. 445 x 310 mm, 144 pp., edition of 1500. Large format publication containing full page artist contributions (some printed b&w, some printed colour). Printed red hardback covers with grey and white endpapers that feature a repeated 'globe-like' design. Artists featured include: Paulo Leminski, Leon Ferrari, Duda Machado, Walter Silveira, Augusto de Campos, Edgard Braga, Regis Bonvicino, Alice Ruiz, Jose Lino Grunewald, Decio Pignatari, Helio Oiticica, Jose Agrippino de Paula, Haroldo de Campos, Pedro Xisto, Waly Salamao, Luiz Antonio de Figueiredo et al. Condition: Some foxing and ownership signature to early pages and occasional spotting within but the majority of pages are in near fine condition.