paul vito (20 Ergebnisse)

Zustand: Good. Di Vito, Andrea; Grist, Paul (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Di Vito, Andrea; Grist, Paul (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Like New. Di Vito, Andrea; Grist, Paul (illustrator). Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: New. In.

Paperback. Zustand: Brand New. Di Vito, Andrea; Grist, Paul (illustrator). 112 pages. 9.75x0.25x0.25 inches. In Stock.

hardcover. Zustand: Very Good. Charles Paul, III Wilson; Michael De Vito; Jon Conkling (illustrator). Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: NEW.

Zustand: New. In.

Zustand: Very good. - Quarto [13 inches high by 9-3/8 inches wide], softcover bound in pictorial black-and-white wrappers with a cover photo of Isabella Rossellini by Robert Mapplethorpe. The wraps are lightly bumped with the rear wrap heavily rubbed & with the tail of the spine torn. Unpaginated. Profusely illustrated in black & white and color. The contents are near fine. Very good. Among the contents of this issue are an interview with Vito Acconci, articles on Isabella Rossellini, Robert Mapplethorpe, Tim Rollins + K.O.S., and "Author in Search of an Artist" on W. Somerset Maugham and Paul Gaugin.

tapa blanda. Zustand: Bien. Civilización, progreso y cultura.(008) Revista de Occidente. Madrid. 1994. 20 cm. Encuadernación en tapa blanda de editorial. Cubierta deslucida. (=3513456=) JJ21.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Get ready for an explosive journey into the heart of Britainâ??s superhero legacy with The Union, Marvel's 2020 action-packed 5-issue mini-series! Collecting all five issues from this critically acclaimed series, this is the ultimate way to experience the rise of the United Kingdom's new superhero team, formed to face the greatest threats to the British Isles.When the countryâ??s super-powered defense team, Union Jack, is called into action, theyâ??re forced to join forces with a new generation of heroes to confront dangerous global forces that threaten everything they hold dear. But in the face of political intrigue, personal conflicts, and w.

Zustand: New. pp. 258 50 Illus. (12 Col.).

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 266 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

reliure demi-chagrin. 180x110mm, 264pages, Auteur et titre doré au dos, plats papier marbré. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

96 pp.; 22.9 x 14.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 2 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with contributions by Vito Acconci, André Breton, Jean Chatard, Marvin Cohen, James Conley, Diane Di Prima, Denis Dunn, Mary Ferrari, Charles Henri Ford, Dick Gallup, Dan Graham (two contributions), Annette Hayn, Piero Heliczer, Michael Heller, Wolfgang Hildesheimer, Robert Kern, Karl Krolow, Gerard Melanga, Don McCaig, Seiichi Niikuni, Pierre Reverdy, Anna Rosen, Hugh Seidman, Paul Thiel, Tony Towle, Georg Trakl, Nathan Whiting, and Emmett Williams. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good. Yellowing and light staining of covers including a 2.4 cm. red color pencil mark on recto and additional yellow soiling. Two staple holes to recto with indentation carrying through to pages. Multiple dog-eared pages with other pages gently folded. "X" written in orange ink on page 46. Contents otherwise clean and unmarked.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Italienisch | Produktart: Bücher | Questa corrispondenza, che copre un arco di quasi vent'anni (1857-1885), si snoda e si aggroviglia attorno ai due esseri che più rilevanza hanno avuto nella vita e nell'opera di Verlaine. Nell'improvvisa determinazione di sposare la 'spirituale e leggiadra' Mathilde, Verlaine ha intravisto la promessa di una rigenerazione fisica e morale, un ancoraggio alla norma contro la deriva, contro i disordini dell'alcolismo, contro l'omosessualità vissuta e mai totalmente accettata. Ma l'arrivo a Parigi di Rimbaud farà deflagrare tutte le contraddizioni insite in una scelta quanto meno azzardata. E la scelta di aderire alla più stretta morale borghese si rivelerà presto un altro modo di precipitarsi verso l'abisso. La virtù può costituire a volte una variante inedita della caduta. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten.

Très bon état. Arnhem (Pays-Bas). 24 cm 30 cm. 1970. Agrafé. 17 pages. Arnhem (Pays-Bas) Zbinden Druck 1970. Agrafé 24 cm 30 cm 17 pages (non paginé) photos noir textes de Paul de Vree Ben S.J. Schmidt Jochen Gerz Boltanski Emmanuel Pereire Jean Schuster Henri Chopin Carlo A. Sitta Jean Le Gac Vito Acconci ? Très bon état. Très bon état.

[2] pp.; 70.9 x 55.9 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Large-scale folded poster published in conjunction with a series of six readings held May 20 - 25, [1968] at the homes of six artists and writers in celebration of the publication of "The Young American Poets Anthology," edited by Paul Carroll with an introduction by James Dickey. Readings were held at the homes of Jasper Johns, Norman Mailer, Red Grooms, Frank Stella, Claes Oldenburg, and Robert Rauschenburg with introductions by Kenneth Koch, Norman Mailer, John Ashbery, James Wright, and Paul Carroll and readings by Bill Berkson, Ted Barrigan, Tom Clark, Norman Mailer, Kenward Elmslie, Louise Glück, Robert Hass, Red Grooms, Richard Kostelanetz, Lou Lipsitz, Ron Padgett, Peter Schjeldahl, Frank Stella, Charles Simic, Mark Strand, Tony Towle, Claes Oldenburg, Allen Van Newkirk, Diane Wakoski, Anne Waldman, Lewis Warsh, Robert Rauschenberg, Vito Acconci, Michael Benedickt, Clark Coolidge, John L'Heureux, Lewis MacAdams, and John Perreault. Very Good. Folded in 8 as issued, with torn closure sticker, unmailed copy. Light yellow soiling along fold lines. Price correction sticker on recto, original to poster. Light handling wear. Five small pin holes to poster. Otherwise clean and unmarked.