paul schimmel lisa gabrielle mark (11 Ergebnisse)

Zustand: Used - Like New. 2011. Hardcover. Fine.

Hardcover. Zustand: Very good +. No Jacket. (1st Edition). 312p. Cover corners lightly worn. A comprehensive review detailing the work of California artists in the 1970s. Published on the occasion of the exhibition held at the Museum of Contemporary Art, Los Angeles, the Geffen Contemporary at MOCA, October 1, 2011 through February 13, 2012, part of "Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California." Includes bibliography and annotated chronology of group exhibitions. B&w photographs and b&w and color plates. (9-1/2"x9-1/2").

Gebundene Ausgabe, 4°. Zustand: Sehr gut. 1. 320 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783791351391 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1633.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket. Book & dust jacket show some shelf & handling wear. Pages are minimally worn on their external edges. Interiors are clean with unmarked text. Binding intact and firm.

First edition and first printing. Hardcover. 328 pages. Published in conjunction with a major show that ran October 29, 2007 through February 11, 2008 in Los Angeles and then traveled to Brooklyn, Frankfurt and Bilbao for additional dates. Features essays by Dick Hebdige, Midori Matsui, Scott Rothkopf, Paul Schimmel, and Mika Yoshitake. Includes numerous color illustrations a checklist, list of previous exhibitions and a bibliography. A clean near fine copy in cloth boards with some slight bumping to the bottom front corners and a very near fine dust jacket. Still one of the best books on this important contemporary Japanese artist.

328 pages, fully illustrated in colour. Hardback 25 x 32.5cms. ISBN: 9780847830039.

33 x 26cm 327pp colour illustrations hardcover in dustjacket very good+ Published for an exhibition at the Museum of Contemporary Art in Los Angeles organized by Paul Schimmel. Essays by Paul Schimmel Midori Matsui Mika Yoshitake & Scottt Rothlopf plates selected exhibition history and bibliography.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 327 pages over two hundred illustrations most in color with several fold-outs.Some fading to the dust-jacket along the spine and edges. Director's foreword by Jeremy Strick. Published on the occasion of the exhibition from the Brooklyn Museum of Art, Brooklyn NY 4 April-13 July 2008, Museum für Modern Kunst, Frankfurt September 10-December 16, 2008 and the Guggenheim Museum, Bilbao from February-May 2009. Checklist of the Exhibition. Selected Exhibition History and Bibliography. Book.

Schimmel, Paul (organizer) et al. MURAKAMI. 328 pp., illustrated throughout, mostly in color, including several gatefolds. 4to, cloth. Los Angeles, The Museum of Contemporary Art, New York, Rizzoli International, and Tokyo/New York, Kaikai Kiki Co., Ltd./Kaikai Kiki New York, LLC, 2007. Takashi Murakami is one of the most important and innovative artists of the moment. His wide-ranging oeuvre mixes high and low; he is known both for his original paintings and sculptures as well as mass-produced multiples and consumer objects. Exhibition at the Brooklyn Museum of Art, Museum of Contemporary Art, Los Angeles, Museum fur Moderne Kunst, Frankfurt, and Guggenheim Bilbao.

376 pp.; 32.3 x 25.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, October 28, 2007 ? February, 11, 2008. Texts by Paul Schimmel, Dick Hebdige, Midori Matsui, Scott Rothkopf, and Mika Yoshitake. "Takashi Murakami is one of contemporary art''s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami''s global impact socially, culturally, and art historically. Essays focus on Murakami''s early works, which were based on a social critique of Japan''s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami''s working methods within the tradition of the Western avant-garde." -- publisher''s statement. New. In publisher's shrink wrap. Due to size and weight additional shipping charges may be required.

Hardcover. First Edition, First Printing. Quarto, 327 pages. In Very Good condition with Very Good condition dust jacket. Spine is indigo and cream with white lettering. Dust jacket has mild shelving wear along extremities. Boards have mild shelving wear along spine head, spine tail, and joints. Signed flat and dated "2014" with a small illustration of a flower by Takashi Murakami. PO consignment. Shelved in Case 11. MURAKAMI accompanied Japanese contemporary artist Takashi Murakami's 2007-2009 retrospective of the same name. The exhibition garnered widespread attention from international audiences at its stops in Los Angeles, Brooklyn, Frankfurt, and Spain for hosting (amongst other attractions) a fully-functional Louis Vuitton boutique. Murakami excels at blurring these lines between fine art and the consumable, a movement he's coined "Superflat." Influenced by the blend of art and commerce that transpired within Japan's post-war economy, "Superflat" identifies postmodern art which draws inspiration from the two-dimensional color planes most prevalent in Japanese manga and anime. In order to make his work succeed in a society which already combines entertainment with art at both "high" and "low" levels, Murakami gained followers overseas before returning to his home country. His career began in 1994 after receiving a grant through the Asian Cultural Council to work at the PS1 Studio at New York City's MoMA, learning to repackage subcultural concepts as "high-art." Upon his return to Japan, Murakami would use these aesthetics to probe deeply into the fracture between "otaku" (that is, an American obsession with Japanese anime, manga, and culture) and Japanese people living in the wake of atomic bombs dropped on Hiroshima and Nagasaki. His bright, smiling flowers are one example; while they may have a cheery facade, the flowers represent the complex emotions and trauma inflicted during WWII. Today, Murakami's work is internationally unmistakable, having fortified his position in the art world throughout the 2000s via celebrity collaborations with artists and brands such as Marc Jacobs, Kanye West, Kid Cudi, and, of course, Louis Vuitton. MURAKAMI testifies to the growth of a great artist whose impact will have deep reverberations beyond modern art. 1389882. Shelved Dupont Bookstore.