paul brutsche (14 Ergebnisse)

Zustand: New. &Uumlber den AutorrnrnPaul Brutsche, Ph.D., has a doctorate in philosophy from the University of Zuerich. He graduated from the C.G. Jung Institute Zuerich in 1975 and is a training analyst and supervisor at the International School of Analytical.

Zustand: New. &Uumlber den AutorrnrnPaul Brutsche, Ph.D., has a doctorate in philosophy from the University of Zuerich. He graduated from the C.G. Jung Institute Zuerich in 1975 and is a training analyst and supervisor at the International School of Analytical.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 316 | Sprache: Englisch | Produktart: Bücher | We don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? This book does not claim to reveal this secret. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 316 | Sprache: Englisch | Produktart: Bücher | We don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? This book does not claim to reveal this secret. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 316 | Sprache: Englisch | Produktart: Bücher | We don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? This book does not claim to reveal this secret. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man.

Buch. Zustand: Neu. Creativity | Patterns of Creative Imagination as Seen Through Art [ZLS Edition] | Paul Brutsche | Buch | Gebunden | Englisch | 2020 | Chiron Publications | EAN 9781630518844 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Creativity | Patterns of Creative Imagination as Seen Through Art | Paul Brutsche | Buch | Gebunden | Englisch | 2020 | Chiron Publications | EAN 9781630518769 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - We don't know where creativity comes from. Is it inspired from above Welling up from below Picked up from the air 'Creativity is a mystery wherever you encounter it?' (Rupert Sheldrake).This book does not claim to reveal this secret. It does not attempt to reduce creativity to a 'nothing but,' for example to explain it as a special ability of certain creative individuals with special abilities. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man, without attributing it to a simple cause.The creative imagination is unlimited in its richness of design. At the same time, however, there is a canon of basic forms of creative experience and creative ideas. In other words, creative design is infinitely complex in its respective contents and at the same time follows a limited formal grammar.To work out the basic forms of this grammar of creativity, this book examines 25 selected works by artists in detail. The guiding idea here is that artists often consciously or unconsciously address the riddle of their creative drive in their works, especially in their self-portraits. Artists are empiricists and experts in the creative process. All their work is shaped by the experience of being stimulated and guided by creative imagination.Their depiction of this enigmatic creative factor, from which their self-understanding and their creative perspective are derived, thus allows us to sketch, as it were, a general phenomenology of creative expression. In other words, the works of painters show in a both vivid and empirically evidenced way how creativity is basically experienced and in which forms it is expressed and realized.In order to be able to recognize pictures by artists in this sense as statements about the essence of creativity, they must be understood as symbolic reality, in which the riddle of creativity itself, which is at work in painting, is expressed in the form of a picture. The artist usually does not himself address this reflection on artistic creation in an explicit form. This would be questionable and in the best case lead only to an allegorical paraphrase of the phenomenon of art. Real statements about the essence of the creative are possible, however, if creativity itself is expressed in a pictorially symbolic form, i.e. if the artist does not try intentionally to illustrate his opinion about creativity, but if he allows the creative gestalt itself to appear as such.This book presents art as something that invites symbolic understanding. In this way, art appears not only as an aesthetic experience, but also as a deep symbolic discovery, in which rich psychological knowledge can be found.Table of ContentsIntroductionII Manifestations of CreativityIII Dimensions of Creative Consciousness in Examples of PaintingIV Creativity as Interaction Between Masculine and Feminine FactorsV The Creative IndividualVI Creative ExistenceVII Creativity and the Experience of Transcendence 'VIII Concluding Reflections on the Nature of CreativityOverview of IllustrationsNotesIndex.

Buch. Zustand: Neu. Neuware - We don't know where creativity comes from. Is it inspired from above Welling up from below Picked up from the air 'Creativity is a mystery wherever you encounter it?' (Rupert Sheldrake).This book does not claim to reveal this secret. It does not attempt to reduce creativity to a 'nothing but,' for example to explain it as a special ability of certain creative individuals with special abilities. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man, without attributing it to a simple cause.The creative imagination is unlimited in its richness of design. At the same time, however, there is a canon of basic forms of creative experience and creative ideas. In other words, creative design is infinitely complex in its respective contents and at the same time follows a limited formal grammar.To work out the basic forms of this grammar of creativity, this book examines 25 selected works by artists in detail. The guiding idea here is that artists often consciously or unconsciously address the riddle of their creative drive in their works, especially in their self-portraits. Artists are empiricists and experts in the creative process. All their work is shaped by the experience of being stimulated and guided by creative imagination.Their depiction of this enigmatic creative factor, from which their self-understanding and their creative perspective are derived, thus allows us to sketch, as it were, a general phenomenology of creative expression. In other words, the works of painters show in a both vivid and empirically evidenced way how creativity is basically experienced and in which forms it is expressed and realized.In order to be able to recognize pictures by artists in this sense as statements about the essence of creativity, they must be understood as symbolic reality, in which the riddle of creativity itself, which is at work in painting, is expressed in the form of a picture. The artist usually does not himself address this reflection on artistic creation in an explicit form. This would be questionable and in the best case lead only to an allegorical paraphrase of the phenomenon of art. Real statements about the essence of the creative are possible, however, if creativity itself is expressed in a pictorially symbolic form, i.e. if the artist does not try intentionally to illustrate his opinion about creativity, but if he allows the creative gestalt itself to appear as such.This book presents art as something that invites symbolic understanding. In this way, art appears not only as an aesthetic experience, but also as a deep symbolic discovery, in which rich psychological knowledge can be found.Table of ContentsIntroductionII Manifestations of CreativityIII Dimensions of Creative Consciousness in Examples of PaintingIV Creativity as Interaction Between Masculine and Feminine FactorsV The Creative IndividualVI Creative ExistenceVII Creativity and the Experience of Transcendence 'VIII Concluding Reflections on the Nature of CreativityOverview of IllustrationsNotesIndex.

Zustand: New.

Hardcover. Zustand: gut. Auflage: 2. Warum hassen Menschen, wenn sie lieben? Warum finden sie rationale Gründe, um Kriege plausibel zu machen? Warum ist Gehorsam gefährlich, und warum macht Angst menschlich? Warum tut Ärger gut? Worin liegt der Sinn neurotischen Leidens? Warum fühlen sich viele Menschen so unlebendig, obwohl das äussere Leben keinen Anlass zur Klage gibt? Und wer hat sich nicht schon als Fremder unter Eingeweihten gefühlt? Solche Fragen und menschliche Erfahrungen geben den Rahmen für die Gespräche mit den profilierten Psychoanalytikern aus Zürich. Seien es Jungianer, Freudianer oder Daseinsanalytiker - ihre lebensnahen und überraschenden Auskünfte zeigen vor allem: Lebendigkeit als Lebensgefühl hat viel mit der Anerkennung des Widersprüchlichen und Verwirrenden der menschlichen Existenz zu tun. In diesem Buch kommen zu Wort: Kathrin Asper, Aron Ronald Bodenheimer, Paul Brutsche, Mario Erdheim, Arno Gruen, Adolf Guggenbühl-Craig, Daniel Hell, Heinz Stefan Herzka, Alice Holzhey-Kunz, Mario Jacoby, Verena Kast, Ulrich Moser, Paul Parin, Peter Passett, Ingrid Riedel, Berthold Rothschild, Ambros Uchtenhagen, Detlev von Uslar, Jürg Willi, Hanna Wintsch, Ilka von Zeppelin. Die Psychoanalyse hat in Zürich Tradition - und damit auch Fragen, die den Kern unserer Existenz bestimmen. Bedeutende Psychoanalytiker, einfühlsam befragt von Angelika Schett und porträtiert von Loretta Curschellas, sprechen über Glück und seelisches Leid.Warum hassen Menschen, wenn sie lieben? Warum finden sie rationale Gründe, um Kriege plausibel zu machen? Warum ist Gehorsam gefährlich, und warum macht Angst menschlich? Warum tut Ärger gut? Worin liegt der Sinn neurotischen Leidens? Warum fühlen sich viele Menschen so unlebendig, obwohl das äussere Leben keinen Anlass zur Klage gibt? Und wer hat sich nicht schon als Fremder unter Eingeweihten gefühlt? Solche Fragen und menschliche Erfahrungen geben den Rahmen für die Gespräche mit den profilierten Psychoanalytikern aus Zürich. Seien es Jungianer, Freudianer oder Daseinsanalytiker ihre lebensnahen und überraschenden Auskünfte zeigen vor allem: Lebendigkeit als Lebensgefühl hat viel mit der Anerkennung des Widersprüchlichen und Verwirrenden der menschlichen Existenz zu tun. Illustrationen Loretta Curschellas Zusatzinfo Duplext-Abb. Sprache deutsch Maße 165 x 215 mm Einbandart Leinen Geisteswissenschaften Psychologie Psychoanalyse Tiefenpsychologie Gespräche Psychoanalyse Gespräch Psychoanalytiker Zürich ISBN-10 3-03823-530-X / 303823530X ISBN-13 978-3-03823-530-9 / 9783038235309 Nzz Libro Was die Seele bewegt Zürcher Psychoanalytiker im Gespräch [Gebundene Ausgabe] Angelika Schett (Autor) In deutscher Sprache. 224 pages. 22 x 17 x 2,2 cm.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. &Uumlber den AutorrnrnPaul Brutsche, Ph.D., has a doctorate in philosophy from the University of Zuerich. He graduated from the C.G. Jung Institute Zuerich in 1975 and is a training analyst and supervisor at the International School of Analytical.

Zustand: New. &Uumlber den AutorrnrnPaul Brutsche, Ph.D., has a doctorate in philosophy from the University of Zuerich. He graduated from the C.G. Jung Institute Zuerich in 1975 and is a training analyst and supervisor at the International School of Analytical.