patterson jacqueline (20 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Signed Copy . Signed by Bloch on title page.

Hardcover. Zustand: Very Good. HARDCOVER; this is NOT ex-library; minor shelfwear; o/w in very good condition with NO highlighting, underlining, etc. This is a heavy volume; extra shipping might be required for priority mail or international orders. Book.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 288 pages. 9.00x6.00x0.70 inches. In Stock.

Zustand: New. Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters. Editor(s): Bloch, R. Howard; Calhoun, Alison; Cerquiglini-Toulet, Jacqueline; Kupper, Joachim; Patterson, Jeanette. Num Pages: 288 pages, 7, 7 black & white halftones. BIC Classification: DSBB. Category: (U) Tertiary Education (US: College). Dimension: 152 x 228 x 17. Weight in Grams: 396. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Zustand: Gut. VI, 280 Seiten / p. sehr guter Zustand / very good condition - In the early 1990s, Stephen Nichols introduced the term "new medievalism" to describe an alternative to the traditional philological approach to the study of the romantic texts in the medieval period. While the old approach focused on formal aspects of language, this new approach was historicist and moved beyond a narrow focus on language to examine the broader social and cultural contexts in which literary works were composed and disseminated. Rethinking the New Medievalism offers both a historical account of the movement and its achievements while indicating - in Nichols's innovative spirit - still newer directions for medieval studies. -- The essays deal with questions of authorship, theology, and material philology and are written by members of a wide philological and critical circle that Nichols nourished for forty years. Daniel Heller-Roazen's essay, for example, demonstrates the conjunction of the old philology and the new. In a close examination of the history of the words used for maritime raiders from Ancient Greece to the present ( pirate, plunderer, bandit ) , Roazen draws a fine line between lawlessness and lawfulness, between judicial action and war, between war and public policy. -- CONTENTS -- Introduction. The New Philology Comes of Age -- R. HOWARD BLOCH -- New Challenges for the New Medievalism -- STEPHEN G. NICHOLS -- Reflections on The New Philology -- GABRIELLE M. SPIEGEL -- Virgil's "Perhaps": Mythopoiesis and Cosmogony in Dante's Commedia ( Remarks on Inf. 34,106-26 ) -- GERHARD REGN -- Dialectic of the Medieval Course -- DANIEL HELLER-ROAZEN -- Religious Horizon and Epic Effect: Considerations on the Iliad, the Chanson de Roland, and the Nibelungenlied -- Joachim Küpper -- The Possibility of Historical Time in the Crónica Sarracina -- MARINA BROWNLEE -- Good Friday Magic: Petrarch's Canzoniere and the Transformation of Medieval Vernacular Poetry -- ANDREAS KABLITZ -- The Identity of a Text -- JAN-DIRK MÜLLER -- Conceiving the Text in the Middle Ages -- JACQUELINE CERQUIGLINI-TOULET -- Dante's Transfigured Ovidian Models: Icarus and Daedalus in the Commedia -- KEVIN BROWNLEE -- Ekphrasis in the Knight's Tale -- ANDREW JAMES JOHNSTON -- Montaigne's Medieval Nominalism and Meschonnk's Ethics of the Subject -- JACK ABECASSIS -- The Pèlerinage Corpus in the European Middle Ages: Processes of Retextualization Reflected in the Prologues, -- URSULA PETERS -- Narrative Frames of Augustinian Thought in the Renaissance: The Case of Rabelais -- DEBORAH N. LOSSE -- From Romanesque Architecture to Romance -- B. HOWARD BLOCH. ISBN 9781421412412 Sprache: Englisch Gewicht in Gramm: 383 15,2 x 1,8 x 22,9 cm, Broschiert / Paperback.

Zustand: New. &Uumlber den AutorReponsal Perkins is a Christian and a Evangelist and founder of Jesus Christ New Life Ministry outreach. Her vision is unity and peace and sharing her stories with the world as an author and illustrator. She love writi.

Zustand: New. Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters. Editor(s): Bloch, R. Howard; Calhoun, Alison; Cerquiglini-Toulet, Jacqueline; Kupper, Joachim; Patterson, Jeanette. Num Pages: 288 pages, 7, 7 black & white halftones. BIC Classification: DSBB. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 24. Weight in Grams: 499. . 2014. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 288 pages. 9.00x6.00x0.95 inches. In Stock.

Gebunden. Zustand: New. Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters.&Uumlber den AutorR. Howard Bloch is chair of the Department of French and Romance Philology at Columbia U.

Final draft script for the 1963 film, seen here under both the final title and the working title "The Yellow Golliwog." Director Robert Hartford-Davis' working copy, with his manuscript ink and penciled annotations, deletions, and drawings throughout. Call sheet bound behind the back wrapper, dated Friday, 5th April, 1963. A group of English school girls begin wearing yellow teddy bear pins on their uniform to signify that they have lost their virginity. Though instantly packaged at the time as a sexploitation film, "The Yellow Teddybears" is very much a pre-Swinging London message picture. Set in England, shot on location in London and Surrey, England. Red untitled wrappers with a die-cut window in the British style. Title page present, dated February 1963, noted as Final, with credits for screenwriters Donald and Derek Ford. 104 leaves, with last page of text numbered 85. Mimeograph duplication, rectos only, with pink and goldenrod revision pages throughout. Pages Very Good plus, wrapper Very Good plus, bound in a custom tall, green, titled spring-back binder.

Collection of 14 vintage black-and-white still photographs from the US release of the 1963 UK film. A exemplary film of pre-"Swinging London," about a group of girls at an all-girls boarding school who wear a small yellow teddy bear on their lapels to show they have lost their virginity. Released in the US as "Gutter Girls" (1964) by Topaz Film Corp., the company responsible for the distribution of Terence Young's 1960 crime drama, "Too Hot to Handle" (with Jayne Mansfield). Originally released in the UK ("The Yellow Teddybears,"1963) after censorship in the country began to dissipate, the film was instantly packaged at the time as a sexy exploitation film, but it actually served as a serious message to young women about premarital sex. Set in England. 8 x 10 inches. One still with faint soil, else Near Fine.