palmer conner (20 Ergebnisse)

Zustand: New. In.

Soft cover. Zustand: Good. 4th Edition. 4th EDITION booklet (40 pages) (c. 1929), staple-bound with illustrated cover and lettering in brown ink, is in G+ condition, having tiny pencil mark near bottom of front cover (in illustration), some edge-creasing; back cover has a vertical crease which affects (in diminishing degree as you move from back to front) all pages; moderate rubbing to both covers; interior pages show some foxing. Illustrated with b&w photographs of early Los Angeles, including the Old Plaza Church, Malibu coast, La Brea tar pits, San Fernando Mission. Also included is a folding map showing the old Spanish and Mexican ranchos. State and local. California. History. Spanish and Mexican land grants. DB.

Taschenbuch. Zustand: Neu. Neuware - Journey back in time to experience the captivating 'Romance of the Ranchos,' a historical exploration of Los Angeles County during the era of Mexican California. Delve into the heart of a bygone era, where sprawling ranchos defined the landscape and shaped the region's cultural identity.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In English.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Screening Modern Irish Fiction and Drama | R. Barton Palmer (u. a.) | Taschenbuch | Palgrave Studies in Adaptation and Visual Culture | xv | Englisch | 2018 | Springer | EAN 9783319822204 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O'Flaherty, Christy Brown, Edna O'Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland's literary andcinematic establishments.

Paperback. Zustand: Brand New. 292 pages. 8.27x5.83x0.62 inches. In Stock.

Taschenbuch. Zustand: Neu. Screening Contemporary Irish Fiction and Drama | Marc C. Conner (u. a.) | Taschenbuch | Palgrave Studies in Adaptation and Visual Culture | xiv | Englisch | 2023 | Springer | EAN 9783031045707 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Hardcover. Zustand: Brand New. 292 pages. 8.27x5.83x0.69 inches. In Stock.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 282 pages. 8.50x6.00x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21stCentury works that have had an impact on the Irish and global cinema and literary landscape.A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland's struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation's growth pains and travails. Whereas Irish literature had long stood as the nation's foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland's key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O'Flaherty, Christy Brown, Edna O'Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland's literary andcinematic establishments.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21stCentury works that have had an impact on the Irish and global cinema and literary landscape.A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland's struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation's growth pains and travails. Whereas Irish literature had long stood as the nation's foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland's key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 292 | Sprache: Englisch | Produktart: Bücher | In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland¿s struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation¿s growth pains and travails. Whereas Irish literature had long stood as the nation¿s foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland¿s key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.

58 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "Winslow Homer at Arizona," by Marlan Miller; "Four Drawings," by Bruce Conner; "The Suppression of Art," by Gerald Nordland; "Emblems of Sorrow: The WPA Art Project in San Francisco," by Mary Fuller; "Three California Artists"; "A Reg Butler Retrospective in Kentucky" "Pre-Columbian Art, by Proctor Stafford. Reviews by Palmer D. French, Joanna C. Magloff, James Monte, E.M. Polley, Philip Leider, and Margary Mann. Cover: Winslow Homer, "Deer Drinking," 1892. Good / Very Good. Rubbing of covers and bumping of corners. Light soiling on bottom right corner of recto. Contents clean and unmarked.