palladio scamozzi ottavio bertotti (7 Ergebnisse)

Vicenza, 1975. 172 pp. 100 b./w. & 4 col. plts. Boards, d./j.

Quarter leather. Scamozzi, Ottavio Bertotti (illustrator). 1st edition thus. 1st ed. thus, being the first Italian edition in Quarto, Vol. 1 (of 4), text in Italian, pp.iv, 128, b&w engraved fronts port of Palladio, light chipping to edges, 52 engraved plates (some folding), lacks plate 2 but includes additional plate (facing page 35), some foxing to title page and several other pages, rear free endpapers possibly removed. Bound in original contemporary quarter leather marbled boards, heavily rubbed with some loss to cnrs, remnants of paper covering to front board. good condition. The first edition was published in1776-1783. This is the small quarto editon of the same work published in 1796. The Buildings and Designs of Andrea Palladio. A reasonably early reprint of part of the work of Andrea Palladio (1508-1580), the highly influential architect. Palladio is best known for Quattro Libri dell'Architettura (The Four Books of Architecture), which was published in 1570 and is considered the foundation of modern architecture. This edition was published in Vicenza (the city in which Palladio practiced) and was edited by Ottavio Bertotti Scamozzi, who began studying Palladio's work in 1776.

Hardcover. Zustand: very good. Full title: "Le fabbriche e i disegni. raccolti ed illustrati da Ottavio Bertotti Scamozzi. Opera divisa in quattro Tomi con Tavole in rame rappresentanti le Piante, i Prospetti, e gli Spaccati." Vicenza, Italy: Giovanni Rossi, 1796, 1797, Tome I, II, III, IV (complete) The 4 books bound in 2 volumes. 616 pages total. This is the first quarto edition of the same work published as folio earlier), bound together with "The Baths of the Romans". Two works with a total of over 230 plates, (including many fold-outs) illustrating a large part of the architectural works created by Palladio and his studies of classical architecture. --- The volume dealing with the 'Baths of the Romans' present here is rather rare and very often missing, which is why few complete series exist. First Italian edition in 4to, abridged copy of the major work published in Vicenza by the same printer in 1776-1783, containing Palladio's entire work, edited by the architect Bertotti Scamozzi (Vicenza 1719-1790). --- --- Beautiful clean copy with 5 volumes bound in 2 volumes. Later marbled hardback binding with gold title on a tag on the smooth spine. The frontispiece is a portrait of Palladio drawn by Davide Rossi and engraved by Pietro Bonato. 208 copper-engraved plates and mostly fold-outs on 207 sheets, plate 33 is missing, (almost always missing), . --- Copy also contains 'The Baths of the Romans' drawn by Andrea Palladio and republished with the addition of some observations by Ottavio Bertotti Scamozzi in 1797 with a portrait of Palladio and 25 copper-engraved plates by Antonio Mugnoni and partly folded. Good state of conservation of the work. In VERY GOOD condition. Some pages are uncot. Light foxing on only a fe pages. Otherwise very clean, printed on very good paper. ---- ---- Palladio is best known for his Quattro Libri dell'Architettura (The Four Books of Architecture), published in 1570 and considered the foundation of modern architecture. This edition was published in Vicenza (the city where Palladio practiced) and was edited by Ottavio Bertotti Scamozzi, who began studying Palladio's work in 1776. These books are part of the 1796 edition of the complete collection of the architectural works of Andrea Palladio, one of the greatest architects of the Renaissance. Andrea Palladio, pseudonym of Andrea di Pietro della Gondola (Padua, November 30, 1508 Maser, August 19, 1580), was an Italian architect, architectural theorist and scenographer of the Renaissance, citizen of the Republic of Venice. Influenced by Greco-Roman architecture, especially by Vitruvius, he is considered one of the most influential personalities in the history of Western architecture. He was the most important architect of the Venetian Republic, in whose territory he designed numerous villas that made him famous, as well as churches and palaces, the latter mainly in Vicenza, where he trained and lived. He published the treatise The Four Books of Architecture (1570) through which his models had a profound influence on Western architecture; the imitation of his style gave rise to a movement destined to last for three centuries, Palladianism, which harks back to the principles of classical antiquity. Most of his buildings are protected as a UNESCO World Heritage Site, called City of Vicenza and the Palladian Villas of the Veneto. Andrea Palladio's cultural education took place under the guidance and tutelage of the humanist Gian Giorgio Trissino dal Vello d'Oro, probably the most prominent intellectual in a city where the most famous artist at the time was Valerio Belli, an engraver, in contact with Michelangelo Buonarroti and Raffaello Sanzio, and whose house had so amazed Vasari. Gian Giorgio Trissino, a cultured and refined nobleman, a scholar of the Italian language and an amateur architect, in 1535 wanted to renovate his villa on the outskirts of Vicenza, purchased by his father Gaspare in 1482: in designing the main façade facing south he drew inspiration from Raphael's solutions for Villa Madama, with a loggia with double arches placed between two turrets, one of which pre-existed: the tower at the side of a body composed of a portico with a loggia on the upper floor is a typical scheme of 15th-century Vicenza architecture. Trissino breaks with this tradition and, in keeping with the humanistic and neoplatonic spirit, composes the interior spaces following a rigorously proportional and symmetrical scheme: the lateral rooms are linked to each other by a system of interrelated proportions 1:1; 2:3; 1:2. In this way Trissino anticipated the model that would later become a significant feature of the organization of the rooms with Palladio. Tradition has it that among the workers employed in the works was the young Andrea, noted by Trissino for his ability. It was Gian Giorgio Trissino himself who took him with him to Rome on his educational trips in contact with the classical world and introduced him to the Vicenza aristocracy. This is the small quarto edition of the same work published in folio in 1796.

Zustand: Good. Folio. 26 x 40cm. 3 vols. One volume of text and two volumes with366 plates. Light foxing on some pages.; heavier on a few text pages. 19th Century qtr. calf and marbled boards. OCLC Number / Unique Identifier:13421070.3 volumes in-folio , .de 216 pp., pl. 1-183 et pl.184-365, demi-veau violine, dos à faux nerfs ornés, titre et tomaison dorés (reliure post. milieu 19e s.). Nombreuses rousseurs, prononcées par endroits pour les planches (avec plusieurs planches brunies).Total de 366 planches gravées (pas de planche VII mais une 54 BIS et une n. ch. avant 153).

6 leaves, 116 pp. in 2 columns. Oblong 4to. Orig. boards, slipcase. Clean copy.

15. Vicenza, Da Tommaso Parise, 1810, small in-4°, 23.5 cm, engraved frontispiece with the bust of Palladio within aedicule + title (verso blank) + pp 3-48 + 18 folding engraved plates, bound in contemporary supple vellum over boards, vellum with minor soiling, a handsome copy. This is the fourth edition. The first edition appeared also in Vicenza , by Francis Modena in 1785. The plates in our in-4° edition are drawn and engraved by Mugnon. The second edition ( Vicenza, Rossi, 1797) is considered as the 5th volume to Scamozzi's '' Le fabbriche e i disegni di Andrea Palladio.''. In our edition plates 18-25 are not present. Allthough they are still mentioned in the text and were included in previous editions they were omitted here. These 7 plates depict capitals to be found in other works of Palladio and have as such nothing to do with the subject of this book.

Complete set of 3 volumes in 5 parts. Editrice Dedalo, Roma, 2012. First edition. Folio & in-4. Modern half-leather, a fine set. Language: Italian/Italiano. This set ships from the USA, shipping costs will be updated accordingly (TXR). Relevant subjects: Rome.