painting drawing (15 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

(26)pp. Prof. illus. Sm. 4to. Wraps.

Original Wraps. Zustand: Very Good. Zustand des Schutzumschlags: No Jacket, as Issued. Simon Bussy and George Richmond [Painting & Drawing] (illustrator). First Edition. 1946 Vol. XIII, No. 77 - May MCMXLVI. With monochrome reproductions of a painting by Simon Bussy and a drawing by George Richmond. ***Very good in blue printed cream wrappers. Covers somewhat discoloured with age and handling. Fragile spine worn with some slight loss, and split along the lower front edge, but largely intact. Pages slightly creased at the top corner. Printed on paper that is noticeably thinner than the pre-war and later post-war issues, due to post-war economy paper rationing. Contents very good. 215mm x 140mm. 70 pages [pp.290-360], including three pages of period adverts. ***An early post-war issue of this literary journal, published by Cyril Connolly as editor, and Stephen Spender as associate editor. This issue includes the following contributions: 'Novelist-Philosophers IX - R. L. Stevenson and G. D. Brown: The Myth of Lord Braxfield' by J. D. Scott, 'Some Recollections of Paul Valery' by Dorothy Bussy, 'A Letter About Architecture' by E. Maxwell Fry, with illustrations, 'Samuel Palmer's Friends' by Geoffrey Grigson, 'Design and Function in Typography' by Holbrook Jackson, 'Portrait of a Town' by Bernard Gutteridge, Poems by Olivier Larronde and Reviews by Julia Strachey. ***'Horizon: A Review of Literature and Art was a literary magazine published every four weeks in London, between December 1939 and January 1950. The magazine was edited by Cyril Connolly, who made it into a platform for a wide range of distinguished and emerging writers. It had a print run of 120 issues. The magazine had a small circulation of around 9,500, but an impressive list of contributors, and it made a significant impact on the arts during and just after the war.' [Wiki] ***An early post-war issue of this magazine in nice condition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

9, (15)pp. 25 illus. Lrg. sq. 8vo. Wraps. Drawings by the distinguished art historian.

9, (15)pp. 25 illus. Lrg. sq. 8vo. Wraps. Drawings by the distinguished art historian.

Versand ins Ausland (je nach Gewicht und Größe) erst nach Rücksprache. Shipping abroad due to the weight and size of the book only after consultation. Livraison à l'étranger en raison du poids et de la taille du livre seulement après consulation. Hardcover / Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

No Binding. Zustand: Very Good. An original antique anastatic illustration of a drawing , printed circa 1871. Mounted/matted and ready to frame. Mount size 10 x 8 ins, 25 x 20 cms. A fine opportunity to purchase an attractive and decorative illustration of Ancient Wall Painting , Bramfield Church - Mediaeval Frescoes.

No Binding. Zustand: Very Good. DAvid Cox (illustrator). A SPLENDID ORIGINAL ANTIQUE PRINT, UNDATED CIRCA 1897 . . MOUNTED - MATTED - AND READY TO FRAME . MOUNT SIZE APPROX 12 X 8 INCHES 33 X 22 CMS . EXCELLENT CONDITION - fine old print entitled ' THE WINDMILL' AFTER A PAINTING BY DAVID COX, ENGRAVED BY E.P. BRANDARD.

No Binding. Zustand: Very Good. Gainsborough (illustrator). A SPLENDID ORIGINAL ANTIQUE PRINT, UNDATED CIRCA 1897 . . MOUNTED - MATTED - AND READY TO FRAME . MOUNT SIZE APPROX 12 X 8 INCHES 33 X 22 CMS . EXCELLENT CONDITION - fine old print THE WATERING PLACE' AFTER A PAINTING BY GAINSBOROUGH, ENGRAVED BY C.O. MURRAY.

Zustand: Good. [Exhibition catalogue]. 4to. 48 pp. Stiff beige and color illustrated wraps with green and black lettering. Very good. Black and white plates. Includes an acknowledgments and an essay by Stacey Moss, as well as an introduction by Steven A. Nash. Includes artist C.V. and exhibition checklist. Catalogue created to accompany the exhibition "Mark di Suvero: The Hands", held from September 17 through November 9, 1996 at the Weigand Gallery, Belmont, CA before traveling to New York to be held from April 24 through May 31, 1997 at the New York Studio School of Drawing, Painting and Sculpture. Includes, as inserts, a small, single-sided sheet with printed text: "With Compliments of the Wiegand Gallery, College of Notre Dame", which includes a signature and inscription from Stacey Moss to the book's previous owner: "Dear Peter, Looking Forward to You Joining Us on October 13 -- Stacey Moss." Also includes as insert, typed, single-sided release ("For Immediate Release") announcing the exhibition and dated August 19, 1996. Scarce. From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. Stapled Wrap [ ca. 20 pp.] B&W Plates, Very good with Creasing. Provenance: Richard Diebenkorn Foundation, Berkeley, CA.

Zustand: Good. 8vo. Stapled Wrap [ ca. 18 pp.] B&W Plates, Very good with Creasing. Provenance: Richard Diebenkorn Foundation, Berkeley, CA.

Zustand: Good. Steel line and stipple engraving. 24 x 33.5 inches. Marginal tears and abrasions., partially mounted on linen.left to right: Henry T. Tuckerman (1813-1871), Oliver Wendell Holmes (1809-1894), William Gilmore Simms (1806-1870), Fitz-Greene Halleck (1790-1867), Nathaniel Hawthorne (1804-1864), Henry Wadsworth Longfellow (1807-1882), Nathaniel Parker Willis (1806-1867), William H. Prescott (1796-1859), Washington Irving (1783-1859), James Kirke Paulding (1778-1860), Ralph Waldo Emerson (1803-1882), William Cullen Bryant (1794-1878), John Pendleton Kennedy (1795-1870), James Fenimore Cooper (1789-1851), and George Bancroft (1800-1891).This imaginary scene shows fifteen celebrated literary figures gathered at the home of Washington Irving, author of such popular tales as "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820). Advertisements published in the New York Times in December 1863 announced the painting's exhibition at a Manhattan art gallery, where visitors could purchase a fifty-four-page booklet describing the work. "It is, in the truest and completest sense, a National picture," the anonymous author declared, and its production "will be universally regarded as a National event."The painting resulted from a collaborative effort. The photographer Mathew Brady captured the likeness of each writer (including Nathaniel Hawthorne, Henry Wadsworth Longfellow, Ralph Waldo Emerson, and Irving himself), and the artist F. O. C. Darley designed the group composition. Working from those materials, Christian Schussele painted this canvas while Thomas Oldham Barlow engraved a widely reproduced print.From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.

Glorification of Cornelis de Witt: the commander in armour, holding a commandostaf, is represented on the left, being crowned with laurel by flying putti while a Fame is blowing a trumpet. On the background the trip to Chatham (June 1667). On the left also a cornucopia with symbols of the prosperity of land and wealth. This illustration was used in Jan Wagenaar's "Vaderlandsche historie", published in Amsterdam between 1749-1759, in 21 volumes. This pint belongs to vol. XIII, p. 478. The original painting in the town hall of Dordrecht was destroyed in 1672, soon after the horrifying death of the de Witt brothes. Signed lower right corner: "S.Fokke fec"; on the left corner: "A. Schoumann del, naar 't Originele Model" l Etching on laid paper; tot.213 x 282 mm with margins, some damages along the margins. Signs of folding. PH4F.