Paik t (7 Ergebnisse)

Zustand: New. pp. 192 115 Figures Map.

Hardbound. Zustand: As New. New. Contents Preface. About the book. 1. Prologue. 2. Contemporary studies. 3. The background. 4. Methods and approaches. 5. Productivity and diversity analysis. 6. Description productivity diversity and intervention. 7. Epilogue. Bibliography. Index. India has been blessed with bounty of nature. Our biodiversity is one of the richest in the world. We can be boast of having about fifty thousand plant diversity and around eighty thousand animal diversity. Occupying only four per cent of the geography of the world we are possessing eight per cent of the world's biodiversity. The unfathomable spate of urbanizations changing style of consumption and skewed depletion of natural resources have amounted to the enlarging entropy and mounting anarchy in the biosphere. Global warming has earned the worst Alb Edo ever since the change of traditional life into a ruthlessly consumptive mode of urbanite life. In the face of global warming and swallowing urbanizations the worst victim is the ichthyofaunal diversity which has been sustaining the human civilization since inception. So the need of the hour is to screen out the critical factors amounting to productivity level and remaining resilient to the ecological balances. And logically this approach needs a peoples participatory tools and techniques for both identifying the reasons of erosion vis a vis extinction and there by application of participatory tools to combat the viscitudes of ecological imbalanced. The book has been neatly designed to describe and analyze the biophysical factors of productivity time and trend analysis to present the fisher folk wisdom in predicting the slope of erosions calculating the Fish Magnitude Volume (FMV) and to statistically analyze the direct and indirect impact of different factors causing erosion of fish species in different Lentic Aqua Systems. Singhbhum of Jharkhand State as a research locale has become an excellent choice since the region can represent the fragility of ecological balances as India is facing to day at large. This book is the output of comprehensive researches enlighten discourses and strong predicting values to highlight the need and essentiality of biodiversity conservation as well as topping up of productivity through a complete fusion of biophysical and social realms. The authors of this book are eminent scientist and scholars have long been engaged in biodiversity researches teaching and extension activities beyond institutional confinement even. This book could provide a road map for selecting and applying some of the participatory tools to initiate a unique research approaches for identifying scoring and customizing traditional and local estimating techniques for sustaining our balanced growth with nurturing the pristinely of ecological expanse. This book would go useful for both the researchers and professionals of social sciences environmentalist social activists conservation specialist and also to the chores of scientists unconventional sciences like botany zoology etc. 192 pp.…

New taxa: Leptoneta coreana n. sp., Leptoneta hogyegulensis n. sp., Leptoneta soryongensis n. sp., Leptoneta yongdamulensis n. sp., Nesticus coreanus n. sp., Nesticus quelpartensis n. sp., Leptyphantes cavernicola n. sp., Mengea coreana n. sp., Jacksonella sexoculata n. sp., Blabomma uenoi n. sp., Coelotes coreanus n. sp., Coelotes songminjae n. sp. 50 pp., 69 figs, br. gr. 8. …

Criqui, Jean-Pierre. ELLSWORTH KELLY at Ninety. 56 pages with 30 color and b&w plates. Folio, cloth. New York, Matthew Marks Gallery, 2013.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

[56] pp.; 32.8 x 27.8 x 6.5 cm. (slipcase) ; 31.5 x 27.8 cm. (binder); spiral bound; slipcase; black-and-white & color; edition size 100; unsigned and numbered; offset-printed Extensive survey of Fluxus in Holland in the 1960s housed in a three-ring-binder, with clear plastic sheet protectors and house in a grey bookcloth covered slipcase. Published in an edition of 100 the volume features facsimile reproductions of photographs, flyers, letters, postcards, artist's projects, exhibition brochures, newspaper clippings, a DVD, and more. Organized by Galerie A and Harry Ruhé and artKitchen Gallery and Jeannette Dekeukeleire. Text by Harry Ruhé. Artists include Willem de Ridder, Wim T. Schippers, Stanley Brouwn, Bob Lens, Misha Mengelberg, George Maciunas, Wolf Vostell, Nam June Paik and many others. Includes an extensive chronology of Fluxus in Holland from 1960-69. Also includes a list of photos and printed matter. Fine. New, as issued. Numbered 36/100. Due to large size and weight additional shipping charges will be required for international orders.…