Oushakine serguei (25 Ergebnisse)

Softcover. Zustand: Bon. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2009. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Zustand: New. Series: Culture and Society After Socialism. Num Pages: 312 pages, 34. BIC Classification: JHMC. Category: (G) General (US: Trade). Dimension: 225 x 161 x 19. Weight in Grams: 434. . 2009. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 1st edition. 312 pages. 9.00x6.00x0.50 inches. In Stock.

1. Auflage. Gr-8vo. 299 S. OKt. Fine copy. = Coronells Paperbacks. Culture & Society after Socialism. A series edited by Bruce Grant and Nancy Ries.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Zustand: New. Examines the aftermath of the collapse of the Soviet Union, graphically described in spray paint by a graffiti artist in Barnaul: We have no Motherland. Once socialism disappeared as a way of understanding the world, what replaced it in people s minds.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 640 pages. 9.00x6.00x1.73 inches. In Stock.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. This collection offers a variety of scholarly views on illustrated books for Soviet children, covering everything from artistic innovation to state propaganda.&Uumlber den AutorEdited by Marina Balina and Serguei Alex Oushakine.

Buch. Zustand: Neu. Neuware - In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children?s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads - communist goals, pedagogy, and propaganda - The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate. …

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Gebunden. Zustand: New. Examines the aftermath of the collapse of the Soviet Union, graphically described in spray paint by a graffiti artist in Barnaul: We have no Motherland. Once socialism disappeared as a way of understanding the world, what replaced it in people s minds.

Hardcover. Zustand: Brand New. 304 pages. 9.10x6.20x1.00 inches. In Stock.

Zustand: New. pp. 302.

Hardcover. Zustand: Brand New. 302 pages. 9.10x6.20x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - Using diverse historical and ethnographic materials, this collection explores the various relationships between people and things that were actively fostered during the seven decades of Soviet socialism. It demonstrates how things, not always fully socialist, energized social relations, shaped communities, cultivated new identities, objectified emerging attitudes, and provoked affective attachments. In particular, this collection pays close attention to what Viktor Shklovsky, the founder of Russian Formalism, called 'long-term things'--palpable, non-fictitious objects that refuse to disappear, insisting instead on their active presence and enduring relevance.…