oswald morris (11 Ergebnisse)

Paperback. Zustand: Brand New. 157 pages. 8.75x6.00x0.50 inches. In Stock.

Zustand: Wie neu. Minimale Gebrauchspuren an der Hülle ansonsten neu! Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 83 DVD, Maße: 18 cm x 13.8 cm x 1.5 cm.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 320 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. &Uumlber den AutorOswald Morris was Director of Photography on nearly 60 films, including Sleuth, Oliver! and The Wiz, the latter two of which earned him Academy Award(R) nominations. In 1972 he won the Oscar(R) for Best Cinematography .

Buch. Zustand: Neu. Neuware - In this captivating memoir, Oscar®-winning cinematographer Oswald ('Ossie') Morris looks back over his 58-film career as Director of Photography for such front rank directors as John Huston, Carol Reed, Joseph L. Mankiewicz, Stanley Kubrick, Ronald Neame, Vittorio De Sica, Franco Zeffirelli, Norman Jewison and Sidney Lumet. Though he eschews 'kiss-and-tell,' Ossie provides many personal and amusing insights into the making of many films, including Moulin Rouge, Moby Dick, The Guns of Navarone, Lolita, The Hill, Fiddler on the Roof, The Man Who Would be King and Oliver!Morris photographed many of the top stars-Elizabeth Taylor, Richard Burton, Sophia Loren, Marlon Brando, Humphrey Bogart, Gregory Peck, Robert Mitchum, James Mason, Paul Newman, Michael Caine, and Sean Connery, among others-and relates a fund of intimate anecdotes about them. He also recounts his run-ins with legendary producer, David O. Selznick, who battered him with his infamous memos throughout the making of Stazione Termini, Beat The Devil and A Farewell to Arms. Morris also offers many technical revelations about making films in the pre-digital era, including groundbreaking innovations and camera tricks. For all those interested in the history of film, both at a personal and technical level, this is a rich and rewarding look into the world of cinema.

Zustand: Good. Original photograph, 16.5 cm x 14 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner, Jr, the founder of Gale Research, Detroit.

Paperback. Zustand: Good. First Edition. 50 pages. Features: ads for 'Cross of Iron' and 'The Last Tycoon'; The Right Look - interview with Oswald Morris on the changing role of the cinematographer as truth competes with illusion; 'In Nome del padre' (In the Name of the Father) - photos; article entitled 'Italnoleggio'; Photo-illustrated article on the cult movie 'Singin' in the Rain'; 'Jabberwocky' - photos; Reviews - 'Joseph Andrews', 'The Story of Adele H', 'The Sentinel', 'Shadowman', 'A Star is Born', 'The Little Girl Who Lives Down the Lane', 'The Fate of Lee Khan', 'Charlotte', 'When the North Wind Blows', 'The Pink Telephone', 'Le Puritan', 'Exhibition', 'Le Baron Fantome', 'Sweeney', 'Les Violons Du Bal', 'Blue Belle', 'Black Moon'; 'East of Elephant Rock' - photos; 'The Little Girl Who Lives Down the Lane' - photos; 'The Brute' - photos; 'The Devil's Playground' - photos; and more. Average wear. Unmarked. A sound vintage copy.

London, Early English Text Society, 1872-1873. 3 ouvrages en 1 vol. in-8 rel. pleine percaline rouge de l'époque, dos lisse à 4 faux-nerfs formés de filets à froid, pièce de titre basane verte, titre et filets dorés, tête dorée, XVI-308 -XXVI-271-VIII-90 pp., index. /46E Good condition.

8vo, pp. 276. Original black boards, lettered in gilt to spine. Photographically illustrated dustwrapper. a fine copy in a fine dustwrapper. 16 pp. b&w illustrations. First edition, SIGNED BY THE AUTHOR, AND WITH AN INSCRIPTION (PROBABLY DICTATED) TO HIS FRIEND, THE DOUBLE OSCAR-WINNING CINEMATOGRAPHER FREDDIE FRANCIS: 'To Freddie, I taught you everything you know! Ossie Morris'. Forewords by Michael Caine and Sidney Lumet. Oswald Morris [1915-2014] was one of Britain's most distinguished and versatile cinematographers. Early credits include John Huston's Moulin Rouge (1952) and Beat the Devil (1953), two of eight films he made with Huston (and both of them employing Freddie Francis as Camera Operator). He worked with Stanley Kubrick on Lolita (1962); shot Look Back in Anger (1959), The Spy Who Came in from the Cold (1965), Oliver! (1968) and The Man with the Golden Gun (1974); and won the Oscar for his work on Fiddler on the Roof (1971) -- most of which he shot through hosiery stretched across the lens to give the film its required earthen tones. Early in his career Freddie Francis [1917-2007] had worked as Camera Operator on Powell and Pressburger's The Small Back Room (1949) and The Tales of Hoffmann (1951). Morris and Francis had met in 1936 working on quota quickies at Pinewood, and by the 1950s they were working together as Cinematographer and Camera Operator. Morris said of Francis: 'He was a wonderful operator, very experienced. [.] Our characters worked wonderfully well. Our interests were the same, we loved ribbing each other and there was great banter between us.' Their friendship lasted more than seventy years. Huston, We Have a Problem was published in 2006, when Morris was ninety-one. The signature is in a very shaky hand; the inscription uses a different ink and is much more assuredly written, and was almost certainly added by someone else in accordance with Morris's instructions, before being presented to his friend.

Vintage black-and-white reference photograph of director David Lean, cinematographer Oswald Morris, and lighting cameraman Guy Green on the set of the 1948 film. With a mimeograph snipe detailing who is in the shot. From the estate of Guy and Celia Green, with a letter of provenance attesting to same. 8 x 10 inches. Near Fine. Criterion Collection 32.