Oriley michael (16 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. Includes dust jacket. DJ shows minor wear, minor underlining.

Cloth. Zustand: Very Good. No Dust Jacket. vi + 229 pp. Index, works cited. White cloth covers with red stripe, blue spine. Bit of shelf soil to covers, mostly clean and unmarked, interior has small mark to front end paper, otherwise clean and tight.; 8vo - over 7¾" - 9¾" tall.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Taschenbuch. Zustand: Neu. Neuware - A darkness has risen from the depths of the Earth. Grabbing hold of susceptible souls, which is anyone that lacks, or has lost sight of their basic human decency. Turning them into nearly mindless beings that have one objective, the extinction of mankind.

Zustand: Very Good.

Hardcover. Zustand: Brand New. 232 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: New. &Uumlber den AutorMichal A O Riley released his debut novel Ablution The Beginning in September 2016. It is the first in a modern apocalyptic series. Michael is a copywriter and freelance article writer. His passion for fictional sto.

cloth, 198 pp, dustwrappers.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 232 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Buch. Zustand: Neu. Neuware - Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive that frequently plays into the vision of terrorism.Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective-one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory-cultural, spatial, and ideological-and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word.Michael F. O'Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar's New Novels. …

Paperback. Zustand: Very Good. A major survey of the visual arts that lie outside the Western tradition.   In this major survey of the arts of Africa, Western and Central Asia, India, Southeast Asia, China, Korea, Japan, the Pacific, and the Americas, author Michael Kampen-O?Riley presents the vast range of arts that lie outside of the Western tradition.  Within a predominantly geographic and chronological framework, he explores the arts of these areas from pre-history to present day.  The first dedicated survey of ?non-Western? art, Art Beyond the West is amply illustrated and accessibly written.      Learning Goals Upon completing this book, readers will be able to:   To recognize regional and period styles. To understand styles in terms of the basic ideals around which they were created See the connection between idea and form.…

1st Ed. Slim 8vo. [x] + 148pp. Very good in white lettered brown pictorial laminated boards. From the Library of Roy Armes (born 1937) British professor emeritus and film scholar who has written numerous books on the history of filmmaking and select filmmakers. US$45.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Postcolonial Haunting and Victimization: Assia Djebar's New Novels treats one of the central problems within the current geo-political conflict between Islam and the West: how the memory of imperialism fuels fundamentalist claims to territory and creates a paradigm of victimization through which martyrdom and terrorism prevail. Through an examination of the most recent works by the award-winning Algerian author Assia Djebar, this book considers how the culture of victimization prevails in postcolonial thought and practice, not only in the West but in formerly colonized territories as well. It examines the work of important postcolonial critics, such as Achille Mbembe and others, in dialogue with the works of Djebar, one of the most popular international postcolonial authors treating these questions from within the contemporary framework. Both in theory and in practice, this book reveals how pervasive haunting and victimization are in the wake of September 11th and provides an alternative way of responding to them. It demonstrates how Djebar's reticence to explore the details of colonialism marks an important shift in postcolonial literature and criticism and an important attempt to address the dynamics of victimization. Postcolonial Haunting and Victimization will be a great resource to all those interested in the question of Islam and the West as well as to a wide array of readers in the fields of literary and postcolonial studies.…