Verlag: D.C. Heath and Company, 1969
Library buckram. Ex-library. Rebound with buckram library. Slight pencil underlining throughout. Foxing throughout. 110 pages. 110 pp.
Verlag: Newark: New Jersey Institute of Technology, 1990, 1990
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Opie, John, 1934-, ed. Environmental History Review, Volume 14, Number 4, Winter 1990. Newark: New Jersey Institute of Technology, 1990, 95pp., PAPERBACK, very good. Complete issue including essays by Christopher V. Hill on colonial Bengal, James M. Glover on the life and work of Bob Marshall, Gilbert F. Lafreniere: "Rousseau and the European Roots of Environmentalism".
Zustand: New. "This edition is wonderfully rich. It is a pleasure to know that the text that made Opie's reputation in her own day is back in print and prepared by such able hands." -- Christine M. Cooper, University of Massachusetts, Amherst Editor(s): King, Shelley; Pierce, John B. Num Pages: 377 pages, illustrations. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 216 x 140 x 18. Weight in Grams: 435. . 2003. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Erstausgabe
Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 300 pages, 16 b/w illustrations - Edited and introduced by John C. Welchman, The "Aesthetics of Risk" is based on the third SoCCAS symposia, held at the J. Paul Getty Museum. The anthology collects 16 essays and conversations about the nature and consequences of risk in and out of the art world, beginning with the premise that the modern subject is caught up in an ever-expanding network of predictive and proactive stratagems for the management of risk. Discussion includes general issues in the relation between risk and modernity (John C. Welchman, Gerda Reith); a case study from the Occupied Territories in the Middle East (Neve Gordon and Dani Filc); Andy Warhol's films (Douglas Crimp); several arenas and strategies for activist practice (Keiko Sei and Chris Hill, Critical Art Ensemble); social and aesthetic contexts for performance art in the UK (Chrissie Iles) and the US (Jane Blocker); experimental video in Brazil in the 1970s (Elena Shtromberg), and recent work in the US (Glenn Phillips). It also features interviews with Catherine Opie, Brock Enright and Paul McCarthy; a text by Henry Flynt; discussion of Barnett Newman, Bridget Riley, and Richard Serra (Richard Shiff); of recent art in Mexico City (Gabriela Jauregui); and of the technological reconstitution of risk (Jordan Crandall).
Soft cover. Zustand: Very Good. 1st Edition. Undated, circa 2007. 8" x 11" book in card wraps. Unpaginated with b/w illustration and 2 color sticker pages, all stickers present. Front cover with spots of soiling and a patch of dampstain at lower edge. Rear cover with small 1/2" tear to fore-edge, hints of dampstain/rubbing. Page interiors unmarked and fresh. Coloring book featuring works by Vito Acconci, Rita Ackerman, Assume Vivid Astro Focus, Chris Astley, Donald Baechler, John Baldessari, Ed Baynard, Libby Black, Ann Craven, R. Crumb, Michele Oka Doner, Mark Grotjahn, Keith Haring, Jane Hammond, Charles Hinman, Gary Hume, Geraldine Lau, Sol Lewitt, Jim Medway, Jason Middlebrook, Julian Opie, Tom Otterness, Graham Parker, Alexis Rockman, David Row, Kenny Scharf, William Wegman. This initial issue begat many subsequent volumes; this present one is quite uncommon. Overall very good condition.
Verlag: Henry G. Bohn, London, 1848
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
EUR 93,82
Anzahl: 1 verfügbar
In den WarenkorbLeather. Zustand: Very Good. Not Stated (illustrator). First edition. The first edition of this collection of lectures on painting by Fuseli, Opie, and Barry, in a handsome prize calf binding. The first edition of this collection of lectures on painting. In a full calf prize binding with extensive gilt detailing. This is an informative work containing lectures on painting carried out by painters James Barry, John Opie, and Henry Fuseli.Lecture contents include 'On the History and Progress of the Art', 'On Chiaroscuro', 'Ancient Art', 'On Design', and 'On the present State of the Art, and the Causes which check its progress'.Edited 'with an introduction and notes critical and illustrative' by Ralph N. Wornum (1812-1877), a British artist, art historian, and administrator. Illustrated with a frontispiece. With a prize bookplate of the Cheltenham College Military and Civil Department to the front pastedown. In a full calf prize binding with extensive gilt detailing. Light rubbing to back strip head and tail, otherwise externally excellent. Front hinge strained and firmly held. Prize bookplate to front pastedown. Internally, firmly bound. Pages clean and bright. Very Good. book.
Verlag: Oxford University Press, Oxford, 1955
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
EUR 195,96
Anzahl: 1 verfügbar
In den WarenkorbCloth. Zustand: Very Good Indeed. John Hassall (illustrator). First edition. An illustrated collection of poems, compiled by Iona and Peter Opie with numerous letters hand written by Iona Opie. The first edition of this collection of nursery rhymes. All the poems have been published previously in various editions and works.Includes a post card and two letters written by Lana Opie, the editor of this work, addressed to a 'Mrs C. M. Wilson', whom this volume belongs to with their bookplate to the front. Each letter is signed by Opie, and discusses the creation of the work, which was aided by contributions from Mrs Wilson, to whom Opie thanks for her assistance.Illustrated by John Hassell with many monochrome vignettes.This work features a collection of nursery rhymes collected by Lana and Peter Opie , a married duo who specialised in folklore and children's literature. This charming collection features over 800 rhymes.Hand written notes from Mrs Wilson, a contributor to the work, throughout. The notes range from anecdotes, extra rhymes and information on the origin of the poems and illustrations.In the publisher's original cloth. Lacking the original scarce dust wrapper. In the publisher's original cloth. Lacking dust wrapper. Externally excellent with only the slightest shelf wear. Offsetting to the endpapers with a bookplate belonging to a 'C. M. Wilson' to the front. Letters and postcard adhered to the half title and opposite page. Internally firmly bound with bright pages with hand written notations to many of the pages. Very Good Indeed. signed by author. book.