ogbechie sylvester (25 Ergebnisse)

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Hardcover. Zustand: Brand New. 128 pages. 9.85x7.10x0.63 inches. In Stock.

Zustand: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

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Zustand: New. Diese Publikation dokumentiert und kontextualisiert erstmals Udondians kreative Auseinandersetzung mit Textilien und wandelbaren kulturellen Identitaeten innerhalb eines globalen Handelssystems, dessen Hauptmerkmal grenzueberschreitende Bewegungen von Waren u.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 32 cm, 408 Seiten/pages - Anthology of African Art: The Twentieth Century does not propose to document any one African art, but rather to open up this vast but underexplored field to include a diverse theoretical, historical, geographical, and critical map of this dense and ancient region. Contributions by more than 30 international authors recount the birth of art schools in the 1930s, the development of urban design and public art, and the importance of socially-concerned art during the Independence movements. From Ethiopia, Nigeria, and the Belgian Congo to Ghana, Senegal, and Angola, through the works of hundreds of artists working in every conceivable medium and context, this anthology manages the continental and unique feat of providing a thorough, expansive, diversified, and fully illustrated history of African art in the 20th century. Since 1991, Paris-based Revue Noire Editions has dedicated itself to the multidisciplinary artistic production of the African continent and the African diaspora. Publishers of the critically-acclaimed An Anthology of African Photography, a comprehensive chronicle of African photography from the mid-1800s to the present.

Taschenbuch. Zustand: Neu. Neuware -Winner - African Studies Association's 2009 Melville J. Herskovits AwardAn intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 332 pp. Englisch.

Buch. Zustand: Neu. Neuware - Diese Publikation dokumentiert und kontextualisiert erstmals Udondians kreative Auseinandersetzung mit Textilien und wandelbaren kulturellen Identitäten innerhalb eines globalen Handelssystems, dessen Hauptmerkmal grenzüberschreitende Bewegungen von Waren und Menschen von einem Teil der Welt zu einem anderen ist.Die Arbeiten von Victoria-Idongesit Udondian werden bestimmt von ihrem Interesse an Textilien und dem identitätsstiftenden Potenzial unserer Kleidung, das geprägt ist von der Geschichte alltäglicher Materialien und den unbewusst in ihnen mitschwingenden Bedeutungen. Die aus solchen Werkstoffen entstehenden interdisziplinären Projekte hinterfragen die Konzepte kultureller Identität und postkolonialer Haltungen, die sie in ihrer Jugend in Nigeria kennenlernte und in ihrer transnationalen Praxis als Künstlerin mit Sitz in den USA erlebt. Ihre Werke untersuchen komplexe Themen wie Migration sowie ethnische und kulturelle Identität im globalen Kontext.

Taschenbuch. Zustand: Neu. Neuware - Winner - African Studies Association's 2009 Melville J. Herskovits AwardAn intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.

Zustand: New. AUTOR: Sylvester Okwunodu OgbechieSylvester Okwunodu Ogbechie, Professor of History of Art and Architecture at the University of California Santa Barbara, is a 2022 Guggenheim Fellow in Fine Arts Research and the author of Ben Enwonwu: The Making o.

Taschenbuch. Zustand: Neu. Ben Enwonwu | The Making of an African Modernist | Sylvester Okwunodu Ogbechie | Taschenbuch | Rochester Studies in African History and the Diaspora | Einband - flex.(Paperback) | Englisch | 2025 | Boydell & Brewer Ltd. | EAN 9781648251061 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Victoria-Idongesit Udondian | How Can I Be Nobody | Sylvester Okwunodu Ogbechie | Buch | 128 S. | Englisch | 2024 | Hirmer | EAN 9783777442570 | Verantwortliche Person für die EU: Hirmer Verlag GmbH, Sabine Herri, Bayerstr. 57-59, 80335 München, mail[at]hirmerverlag[dot]de | Anbieter: preigu.

gebundene Ausgabe. Zustand: Wie neu. 128 S. Ungelesen. Der Einband ist etwas angestoßen. Der Buchschnitt ist als Mängelexemplar gekennzeichnet. Ein Rechnungsbeleg mit ausgew. MwSt. liegt der Lieferung bei. O_35.3 9783777442570 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 680.