Verlag: Wentworth Press, 2018
ISBN 10: 0274562375 ISBN 13: 9780274562374
Anbieter: Ammareal, Morangis, Frankreich
Softcover. Zustand: Bon. Ancien livre de bibliothèque. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Ammareal gives back up to 15% of this book's net price to charity organizations.
ISBN 13: 4035122651966
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
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Zustand: Neu. Neuware.
Verlag: Au Menestrel, Heugel & Cie. [H. 4663], Paris, 1930
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. (recto title within decorative border, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 100 pp. Named cast includes Potel, Darcier, Pfotzer, Simon, Taffanel, Mathen, Lecuyer, and Parent. Wrappers slightly worn, browned, and chipped, with minor loss; former owner's handstamp ("Wesley Boynton") to upper margin of upper wrapper; spine reinforced with paper tape. Former owner's handstamp to upper margin and publisher's small circular handstamp to lower margin of title. A re-issue from first edition plates. Monsieur et Madame Denis, to a libretto by Laurencin [Chapelle] and Delaporte), was first performed in Paris at the Bouffes-Parisiens on 11 January 1862. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN 9476], Paris, 1914
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's light pink wrappers. 1f. (recto title within decorative border by F. Baumgarten), 3-4 (introduction), 5 (recto cast list, notes on first performance, and named cast list, verso contents), 7-286 pp. Text in German only. Named cast includes A. Isaac, M. Ugalde, Dupuis, Talazac, Taskin, Gourdon, Belhomme, Troy, Chenevières, Grivot, and Teste. Wrappers slightly worn; upper partially detached; spine creased and with small tears. Some signatures split. Les contes d'Hoffmann, to a libretto by Barbier completed by Guiraud, was first performed in Paris at the Opéra-Comique on 10 February 1881. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Belwin-Mills [PN A544], [Melville, NY], 1985
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's illustrated wrappers printed in colour. 1f. (recto title, verso copyright statement), 2ff. (introduction, synopsis, and biogrpahical notes), 1f. (recto named cast list and contents, verso blank), 54 pp. With publisher's catalogue to verso of upper wrapper. La bonne d'enfant, to a libretto by Bercioux, was first performed in Paris at the Bouffes-Parisiens on14 October 1856. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online.
Verlag: Belwin-Mills [PN A607], [New York], 1985
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Octavo. Original publisher's decorative wrappers printed in colour. 1f. (recto title, verso copyright statement), 2ff. (notes, synopsis, biographical notes), 1f. (recto cast list and contents, verso blank), [1] (half title), 2-49, [i] (blank) pp. Named cast includes Cécile Gregoire, Esther Gregoire, Adèle Cuinet, Daubray, and Sanson. A re-issue of the Choudens edition. Pierrette et Jacquot, to a libretto by Noriac and Gille, was first performed in Paris at the Bouffes-Parisiens on 13 October 1876. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Belwin-Mills [PN A539], [New York], 1982
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's ivory wrappers printed in colour. 1f. (recto title, verso copyright), iii (note), iv-v (synopsis), vi (cast list), vii (contents), [i] (full-page illustration), 172, 173-200 (libretto) pp. Text in French and English. Les bavards [Bavard et bavarde], to a libretto by Nuitter after Cervantes' Los habladores, was first performed in Bad Ems on 11 July 1862; in Vienna at the Kaitheater on 20 November 1862; and in Paris at the Bouffes-Parisiens on 20 February 1863. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: G. Schirmer [PN 46699], New York, 1971
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's red and yellow decorative wrappers. [i] (title), ii-v (introduction and notes), vi (cast list and contents), 114 pp. Titling to spine in manuscript. Ba-ta-clan, to a libretto by Halévy, was first performed in Paris at the Bouffes-Parisiens on 29 December 1855. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Ménestrel, Heugel et Cie. [PN H. 2447], Paris, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. (recto title within decorative border, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 74 pp. Named cast includes Guyot, Geoffroy, Tautin, and Geoffroy. Annotations to cast list in pencil. Wrappers worn, soiled, and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. Le mari à la porte, to a libretto by Delacour, was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: C. Joubert [PN B. & Cie. 12614], Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. (recto title within decorative border, verso notes), 56 pp. Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux, to a libretto by Mestépès and Chevalet, was first performed in Paris at the Bouffes-Parisiens, Salle Marigny, on 31 August 1955. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online.
Verlag: Ed. Bote & G. Bock [PN 14613], Berlin, 1910
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Disbound. 1f. (recto title within decorative border, verso blank), 3 (cast list and contents), [4] (blank), 5-102 pp. Text in German and French. Remnants of wrapper to spine. Lower outer corner of title lacking. M. Choufleuri restera chez lui, to a libretto by Saint-Rémy [Duc de Morny], L'Epine, Crémieux, and Halévy, was first performed at the Présidence du Corps Législatif on 31 May 1861 and at the Bouffes-Parisien on 14 September 1861. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN A.C. 4740], Paris, 1947
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's gray wrappers with title within decorative border. 1f. (recto title within decorative border by Buval, verso blank), [1] (notes on first performance, named cast list, and contents), 2-232, 1f. (blank) pp. Named cast includes Simon-Girard, Girard, Vernon, Lestrade, Reval, Luco, Lepers, Simon-Max, Maugé, Bartel, and Henriot. Wrappers partially detached; spine reinforced with tape. Some signatures split; minor chipping to upper margins. Reprint from first edition plates. La fille du tambour-major, to a libretto by Chivot and Duru, was first performed in Paris at the Folies-Dramatiques on 13 December 1879. [Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: J. B. Cramer [PN J. B. C. & Co. 11657], London, 1915
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Quarto. Red cloth0-backed gray stiff printed wrappers. 1f. (recto title, verso cast list), 1f. (recto argument, verso contents), 315, [i] (publisher's catalogue) pp. Text in English and French. Publisher's advertisement to verso of lower wrapper. Occasional performance markings in pencil. Titling to spine in black ink; handstamp to upper margin of upper board. Some signatures split; handstamp to upper margin of title. Fifth version. Les contes d'Hoffmann, to a libretto by J. Barbier completed by Guirard, was first performed in Paris at the Opéra-Comique on 10 February 1881. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN A. C. 2692], Paris, 1947
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's decorative gray wrappers. 1f. (recto title within decorative border, verso blank), [i] (recto named cast list and contents) 2-79, [i] (blank) pp. Named cast includes Théo, Dartaux, and Daubray. Short splits to wrappers at joints. Printed from first edition plates. Pomme d'api, to a libretto by Halévy and Busnach, was first performed in Paris at the Renaissance on 4 September 1873. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Bote & Bock [PNs B & B 4801-4807], Berlin - Wiesbaden, 1961
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's dark ivory printed wrappers. 1f. (recto title, verso copyright), 1f. (recto cast list, contents, and notes on first performance, verso blank), [3]-77, [i] (blank) pp. Text in German and French, dialogue in German. Titling to spine in black. Small label to title with "Léon Morand" as librettist. Le mari à la porte, to a libretto by Delacour, was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Éditions Salabert [PN R. L. et Cie. 6742], Paris, 1960
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's dark ivory printed wrappers. 1f. (recto title within decorative border, verso blank), [i] (notes on first performance, named cast list, and contents), 2-243, [i] (blank) pp. Named cast includes Brasseur, Hyacinthe, Gil Pérès, Priston, Lassouche, Martal, Ferdinand, Zulma Bouffar, C. Montaland, Honorine, Thierret, Paurelle, Massin, Ledard, Breton, and Henry. Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates. La vie parisienne, to a libretto by Meilhac and Halévy, was first performed in Paris at the Palais-Royal on October 31, 1866. Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers, La belle Hélène, La vie parisienne, La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN A. C. 2744], Paris, 1945
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's decorative dark ivory wrappers. 1f. (recto decorative title, verso blank), [i] (named cast list and contents), 4-223, [i] (blank) pp. Named cast includes Théo, Grivot, Fonti, Lyon, Castello, Jane Eyre, Bonnet, Daubray, and Troy. Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204, not affecting music. La jolie parfumeuse, to a libretto by Crémieux and E. Blum, was first performed in Paris at the Renaissance on 29 November 1873. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online.
Verlag: Ed. Bote & G. Bock [PN 5000], Berlin, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Disbound. 1f. (recto title, verso cast list and contents), 3-66 pp. Text in French and German. Remnants of dark orange wrapper to spine. Small publisher's label to lower margin of title. La chanson de Fortunio, to a libretto by Crémieux and Halévy, was first performed in Paris at the Bouffes-Parisiens on 5 January 1861. [Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN A.C. 5301], Paris, 1907
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Quarter dark yellow cloth with green cloth boards, spine with raised bands. 1f. (recto title illustrated by E. Buval, verso blank), 1f. (recto publisher's note in French and German, verso blank), 1f. (recto notes on first performance, cast list, and contents, verso blank), 1f. (recto contents, verso blank), 3-344 pp. Text in Italian and German. Binding slightly worn, rubbed, bumped; lower stained. Some signatures split or partially split; occasional reinforcement to inner margins; minor soiling and creasing to corners of title; tape repair to lower margin of publisher's notes; small tear to blank outer edge of p. 15. Fifth version. Les contes d'Hoffmann, to a libretto by J. Barbier completed by Guirard, was first performed in Paris at the Opéra-Comique on 10 February 1881. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens [PN A.C. 5100], Paris, 1907
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Quarter mid-tan calf with marbled boards, dark brown leather title label gilt to spine, marbled endpapers. 1f. (recto title, verso blank), 1f. (recto cast list and contents, verso blank), 327 pp. Binding very slightly worn, rubbed, and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann, to a libretto by J. Barbier completed by Guirard, was first performed in Paris at the Opéra-Comique on 10 February 1881. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens Fils [PN A.C. 3825], Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Quarter dark red calf with red textured blindstamped cloth boards, spine in decorative compartments gilt, titling gilt, marbled endpapers. 1f. (recto title within decorative border, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 224 pp. Named cast includes J. Girard, Gélabert, Lepers, Luco, Simon Max, Maugé, Octave, and Speck. Binding slightly worn, rubbed, and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150, not affecting music. Madame Favart, to a libretto by Chivot and Duru, was first performed at the Folies-Dramatiques on 28 December 1878. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Maquet [B. et Cie. 12614], Paris, 1895
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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1f. (recto title with first performance information, named cast list, and contents within decorative border, verso copyright), 1f. (blank), 56 pp. Named cast includes Berthelier, Darcier, and Schneide. Printed from Brandus plates. Browned. First performed, to a libretto by Mestépès and Chevalet, in Paris at the Bouffes-Parisiens, Salle Marigny, on 31 August 1955. Bound with: Planquette, Robert 1848-1903. Les Chevau-Légers Opérette en un acte. [Piano-vocal score] [Paris]: [Ch. Egrot [PN Ch. E. 1009], [ca. 1881].1f. (recto notes on first performance, named cast list, and contents, verso blank), 118 pp. Lithographed. Named cast includes Perrin, Gaillard, Antony, Villé, Chretienno, d'Estrées, Mazedier, Briot, Liovent, Boulard, and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on 1December 1881. Large octavo. Quarter dark brown cloth with marbled boards, spine in gilt-ruled compartments, titling gilt. Binding slightly worn, rubbed, and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper, title, and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens Père & Fils [PN A.C. 5024], Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Full red cloth, titling gilt to spine, marbled endpapers. 1f. (recto title within border by L. Denis, verso notes), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 3-234 pp. Binding slightly worn. Some browning; former owner's signature to free front endpaper dated 1936; tape reinforcement to outer edge of verso of title. Printed from first edition plates. Belle Lurette, to a libretto by Blum, Blau and Toché completed by Delibes, was first performed in Paris at the Renaissance on 30 October 1880. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Bote & Bock [ PN B & B 15516 (531)], Berlin, 1970
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Folio. Original publisher's light gray printed wrappers. 1f. (recto title, verso copyright statement), 1f. (recto cast list and orchestration, verso contents), 230 pp. Text in German and French. Second version. La vie parisienne, to a libretto by Meilhac and Halévy, was first performed in Paris at the Palais-Royal on October 31, 1866. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.
Verlag: Choudens, Paris
Anbieter: studio bibliografico pera s.a.s., LUCCA, Italien
Brossura. Zustand: discrete. Testo francese. Cm.33,7x23,8. Pg.6. Frontespizio decorato. 10 gr.
Verlag: Galliard [PN 18682R], n.p., 1963
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Signiert
Folio. Original publisher's white illustrated wrappers printed in red and black, with preface to verso of upper. 1f. (recto title, verso production notes), 22 pp. With an autograph letter from Joseph Horovitz, addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed, we might indeed join forces one day and mount an evening of Offenbach one-acters ." Upper wrapper stamped "Professional Copy." Wrappers slightly soiled. Les deux aveugles, to a libretto by Moinaux, was first performed in Paris at the Bouffes-Parisiens, Salle Marigny, on 5 July 1855. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Joseph Horovitz (b. 1926), an Austrian-born British composer, conductor, and pianist, was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility, graceful wit and an enviable ability to communicate, whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
EMI Electrola, Köln, 1994. 2 CDs mit Begleitheft und einer Spieldauer von ca. 63 und 29 Minuten, in original Kunststoff-Hülle--- - gute Exemplare/Gespielt von Philharmonia Hungarica/dirigiert von Willy Mattes - 176 Gramm.
Verlag: Choudens [A.C. 3825.], Paris, 1887
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Large octavo. Contemporary quarter dark red morocco with dark red paper boards, spine with gilt rules and titling; marbled endpapers. 1f. (title printed within pictorial border), 1f. (named cast list for the first performance and table of contents), 224 pp. Lithographed. Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866. Madame Favart, to a libretto by Alfred Duru and Henri Charles Chivot, premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris, it was a welcome success for Offenbach. "A satire on 18th-century manners and morals, with a lively and varied score, the work featured Juliette Simon-Girard as Madame Favart and her husband, Simon-Max, as the police official Hector de Boispréau (tenor)." Andrew Lamb in Grove Music Online.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
Membran, ohne Ort, 2011. 10 CDs in original kartonierten Hüllen in Pappbox---Verlag: Membran Verlag: Membran - gutes Exemplar - 278 Gramm.
Verlag: C. Joubert & Cie. [PN B. et Cie. 12542], Paris, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
1f. (recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist, verso copyright statement), 1f. (notes on first performance, named cast list, and contents, verso blank), vi, 22 pp. Named cast includes Pradeau and Berthelier. First performed, to a libretto by Moinaux, in Paris at the Bouffes-Parisiens on July 5, 1855. A re-issue from Brandus plates. Bound with: Offenbach. Une Nuit Blanche, Opéra comique en un acte, Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. [Piano-vocal score]. Paris: G. Brandus, Dufour et Cie. [PN B. et Cie. 9579], [ca. 1890]. 1f. (blank), 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 56 pp. Named cast includes Darcier, Berthelier, and Macé. First performed, to a libretto by Plouvier, in Paris at the Bouffes-Parisiens, Salle Marigny, on July 5, 1855. A re-issue of the first edition. Bound with: Offenbach. Mesdames de la Halle . Paroles de Lapointe. [Piano-vocal score]. Paris: Brandus & Dufour [PN B. et. D. 9956], [ca. 1890]. 124 pp. Upper outer corner of title lacking, just affecting text. First performed, to a libretto by Lapointe, in Paris at the Bouffes-Parisiens on March 3, 1858. Large octavo. Quarter dark green leather with marbled boards, spine with raised bands in decorative compartments gilt, titling gilt, marbled endpapers. Binding slightly worn, rubbed, and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.