noot jan (29 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Randen boekblok verbruind.

Zustand: Good. Dust jacket slightly frayed.

Assen, 1956. Cloth. XIV,274 pp. (3).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Original publisher's light-brown cloth hardback, gilt lettering spine and frontcover, oblong shaped large 8vo: 370pp.illustrations, footnotes & references. Very fine copy., Volume 18: Utrechtse Herdrukken.

Original publisher's cream cloth hardback, gilt title spine, oblong shaped 4to: 370pp., [ij], illustrations, appendices, index first lines poems.

Zwolle, 1953. 66 pp. (ZDH; 5).

Ingenaaid, in prima staat, 66 pagina's.

Zwolle, 1958. Omslag. XXXII,54 pp. (ZDH; 24).

Original publisher's light-brown cloth hardback, gilt lettering spine and frontcover, oblong shaped large 8vo: 370pp.illustrations, footnotes & references.Very fine copy.

1e dr. - Linnen.

Originele bedrukte omslagen. Omslagen wat verkleurd, paar lichte gebruikssporen, inhoud verder zeer goed. Please see description or ask for photos.

Oblong 8vo, 15x22cm. 369 blz. gedrukt in dubbele kolom, enige illustr. in tekst (emblemata), bijlagen, noten, register. Geb., orig. linnen band. Uitstekend exemplaar. - Herdruk in kleiner formaat van de originele editie in 1953 verschenen bij de Wereldbibliotheek.

369 (2) p. Gebonden in de bruin-linnen uitgeversband, oblong (In goede staat.).

Original cloth, but rather discoloured and a bit worn. Contents good, rare reprint edition of a very rare original. Please see description or ask for photos.

Assen, Van Gorcum & Comp., 1966. 274 pp. B./w. ills. Orig. hardcover (navy blue cloth, gilt lettered spine, gilt ornament on front boards). 8vo. (Neerlandica Traiectina, 3).

Zustand: Very good.

Oblong 4to, 20.5 x 27 cm. 369,[3] blz. gedrukt in dubbele kolom, talr. illustr. (emblemata) in tekst, bijlagen. Geb., orig. linnen band. Uitstekend exemplaar. - Originele editie. Een herdruk in kleiner formaat (15x22cm) verscheen in 1979 in Utrecht bij HES Publishers.

A'dam 1895. vii,164 p. Linnen.

Taschenbuch. Zustand: Neu. Neuware - Verken de rijke traditie van de Nederlandse poëzie met 'Gedichten' van Jan Van Der Noot. Deze collectie, voor het eerst gepubliceerd rond 1895, biedt een kijkje in de literaire gevoeligheid van de late 19e eeuw. Van Der Noot, een gevierd dichter in zijn tijd, staat bekend om zijn lyrische vers en doordachte reflecties op de menselijke conditie en de natuur. Deze uitgave bundelt een selectie van zijn meest memorabele werken, waardoor het een onmisbare toevoeging is aan de bibliotheek van elke liefhebber van Nederlandse literatuur. 'Gedichten' is niet alleen een verzameling poëzie, maar ook een belangrijk historisch document dat de culturele en intellectuele stromingen van zijn tijd weerspiegelt.

Buch. Zustand: Neu. Neuware - Verken de rijke traditie van de Nederlandse poëzie met 'Gedichten' van Jan Van Der Noot. Deze collectie, voor het eerst gepubliceerd rond 1895, biedt een kijkje in de literaire gevoeligheid van de late 19e eeuw. Van Der Noot, een gevierd dichter in zijn tijd, staat bekend om zijn lyrische vers en doordachte reflecties op de menselijke conditie en de natuur. Deze uitgave bundelt een selectie van zijn meest memorabele werken, waardoor het een onmisbare toevoeging is aan de bibliotheek van elke liefhebber van Nederlandse literatuur. 'Gedichten' is niet alleen een verzameling poëzie, maar ook een belangrijk historisch document dat de culturele en intellectuele stromingen van zijn tijd weerspiegelt.

A facsimile edition of 'Das Buch Extasis', 'een cort begryp der XII. Boecken Olympiados' and 'Aberge des douze Livres Olympiades'. Edited by C.A. Zaalberg. Assen, Van Gorcum, 1956. Cloth with dustwrappers. Illustr. 274 pag. « As new » [Poëzie / Poetry / [Nederlandse Poëzie] ].

The most complete set known of the extremely rare series of laudatory poems - in Dutch, French, Italian, Spanish, German and Latin - written by the Dutch Renaissance poet Jan Baptista van der Noot (1539-post 1595). Van der Noot had each of his poems in the Poeticsche werken printed as a 4-page folio, so a single bifolium per poem (with one exception that required two bifolia). The author himself assembled these in different collections as circumstance, opportunity and his own interest dictated, issuing them with a preliminary bifolium that included a dated title page and sometimes a second preliminary bifolium. As a result, no two copies are the same. Larger collections, like ours, were most likely compiled for and/or commissioned by very wealthy bibliophiles. They were interested not only in the contents of the poems - which serve primarily to praise them and/or their relatives and prominent acquaintances and at the same time show off the author's stylistic and rhetorical skill - but also in the decorative aspects of the work, which explains the wide variety of highly decorative pages including many woodcut illustrations.The present collection comprises the series of poems printed and published in Antwerp in the years 1588 to 1595 by Daniël Vervliet and Arnout s'Conincx (or Coninx), some bifolia by Vervliet and others by s'Conincx. Gillis van den Rade, also in Antwerp, had published an earlier and completely different series of Van der Noot poems from 1580 to 1587. Van der Noot's Poeticsche werken - whether the Van den Rade or the present Vervliet/s'Conincx series - almost never appear on the market.The complete description and a full list of the contents of the present copy are available upon request.The bifolium Chefs [2] is quired in Chefs [1] to make a quire of 4 as intended, but three other pairs of bifolia have been inappropriately quired: Arnesto in Inkomste, Farneze in Sterckheyt and Euterpe in Langhart. With a small bookplate (ca. 1860/90?) on the front pastedown: "Bibliothèque V[ict]or Quénescourt". With a professionally restored tear in the title page, and a small stain in 1 leaf, but otherwise internally in very good condition. The binding is rubbed, and the chemicals that the binder used to blacken the spine and outer field of the boards have caused superficial damage, but the binding remains structurally sound and the tooling within the central fields remains clear.l Belg. typ. 4631; Iberian books 19054-19062; Palau 351519; Peeters-Fontainas 842; Pettegree, French vernacular books, 50378-50384; STCN 385907680 (1 copy with 17 bifolia (1590), mistakenly(?) described as 8vo); STCV 12925589, 12925593, 12925600 (3 copies with 3 (1588), 19 (1592) & 4 (1594) bifolia); USTC 79811, 79816, 80797-80799, 80880, 83007, 349442-349444, 349930, 350699, 440595, 443357 (several of the "24" copies listed are multiple entries for the same copies, 3-20 or 21 bifolia, in spite of erroneous records of "182" leaves); W. Waterschoot, ed., De "Poeticsche werken" van Jonker Jan van der Noot. I. Analitische bibliografie, PW 1588-1595 on pp. 64-170 (21 copies with 2-49 bifolia); WorldCat 68782943, 902545995, 1153618208, & possibly others (at least 5 copies); for the author: Vermeylen, Leven en werken van Jonker Jan van der Noot (1899). Blind-tooled calf (ca. 1725/30?) by the so-called "Minnewit" bindery in Amsterdam, sewn on 6 supports (supports 2 and 5 cut flush with the book block, the others fastened in the boards), each board with two double-fillet frames, the inner field sprinkled and the outer field blackened, with a large centrepiece and 2 different corner pieces, the smaller inside and the larger outside each corner of the inner frame (18 impressions of 3 stamps), headbands in red and green, red sprinkled edges, plain endpapers. With the general title page bearing Vervliet's 1594 imprint, the only part-title (for the Inkomste bifolium) bearing s'Conincx's 1594 imprint, 7 small bust portraits, 2 portraits of the author, 10 small rectangular illustrations, 2 medium illustrations (of a column and a "trophée": a fireworks tower) and 8 full-page illustrations (on integral leaves), all woodcut, some (and the 2 title pages) in architectural and/or arabesque woodcut frames. The text is variously set in 1, 2 or 3 columns, sometimes even mixing them on one page, each page in a frame (made partly from rules) and with the running titles in Dutch and French at the foot of the page. An occasional bifolium includes a woodcut decorated initial. The text, in Dutch, French, Spanish, Italian, German, Latin, and Greek, is set in dozens of roman, italic, textura, civilité, fraktur and Greek printing types plus interlaced typographic capitals and arabesque typographic ornaments. The types were cut by Granjon, Van den Keere, Guyot, Tavernier and others. Pages: [102] ll.

Gent, 1975. 3 Delen. Omslag. gr.4to. 212,IV,502 en 429 pp. Met facs. Vol. I: Analytische bibliografie. II: Tekstuitgave. III: Verklarende aantekeningen.

Inleiding en aantekeningen door W.A.P. Smit met medewerking van W. Vermeer. Utrecht, H&S, 1979. Linnen. 369 pag. * * Ongewijzigde herdruk van de uitgave A'dam/Antw., 1953. [Poëzie / Poetry / [Nederlandse Poëzie] ].

Gent 1975. 3 delen. Kl-Folio. 220-iv,497-429 p. (Kon.Ac.Ned.Taal-en Letterk.).

Ad 1: Rare first edition in the original Dutch (a German translation appeared in the same year at Cologne) of one of the most important poetical works by the Dutch Renaissance poet Jan (Baptist) van der Noot (ca.1539-ca.1595) illustrated by the famous engraver and theologian, Dirck Volkertsz. Coornhert (1522-1590). The 17 finely engraved illustrations show episodes from the 12 books of the poem. Two bear the signature of the engraver Dirck Volkertsz. Coornhert, the latter, depicting Van der Noot's conversation with Theude, dated 1571. This shows that Van der Noot was already working on his Olympia epics by that time and that Coornhert, Hendrick Goltzius's master, engraved the plates while living in exile in the German Rhineland. The work was probably largely finished at that time. The woodcut with the allegorical obelisk with "hieroglyphs" (pictorial images in a wholly Western style) is one of the earliest examples of mystical interest in ancient Egypt.Ad 2: First and only edition of a poem glorifying the Duchy of Braband. Ad 3: First edition of a collection of laudatory poems in honour of Van der Noot's patrons, originally meant to serve as some kind of prologue to the Cort Begryp and Lofsang (ad 1 & 2). There are no page numbers or quire signatures, and Waterschoot notes, "For each new buyer Van der Noot arranged the leaves differently" (E Codicibis Impressisque, p. 436).Some occasional minor thumbing, a few spots and a couple small waterstains in the upper margin, otherwise in very good condition. Binding slightly rubbed along the extremities, spine professionally restored, and otherwise good.l Belg. Typ. 4625 (ad 1), 4626 (ad 2); 4632 (ad 3); Funck, p. 369 (ad 1); Hollstein (Dutch and Flemish) IV, p. 231, 260-76 (ad 1); Vermeylen, Leven en werken van Jonker Jan van der Noot, pp. 63-72, 87 ff. & bibliography: p. 147, III, A. 1 (ad 1); IV (ad 2); V, B. 22 (ad 3); Werner Waterschoot, ''Rond een convoluut van Jonker Jan van der Noot'', in: E Codicibis Impressisque. Opstellen voor Elly Cockx-Indestege (2004), vol. II, pp. 425-36. With 1 engraved plate (portrait of the author), 17 full-page engravings (ca. 16 x 11.5 cm) by Dirk Volkertsz. Coornhert after designs of the monogrammist CVSK and a full-page woodcut of an obelisk at the end, signed with the monogram "HE". Pages: [14], 87, [1]; [8], 33, [4]; [40] pp. plus 1 plate. With:(2) NOOT, Jan van der. Lofsang van Braband . Hymne de Braband. Antwerp, Gillis van den Rade, 1580. With 4 full-page woodcuts (portrait of the author, allegorical illustration, arms of Brabant and the other 16 provinces, and an obelisk).(3) NOOT, Jan van der. Verscheyden poeticsche werken . Divers oeuvres poetiques. Antwerp, Gillis van den Rade, 1581. With full-page woodcut portrait of the author, and a full-page woodcut obelisk at the end. All 3 works with text in Dutch and French. 3 works in 1 volume. Folio. Early 18th-century gold-tooled mottled calf in a panel design with a large built-up centrepiece, gold-tooled board edges.

Amsterdam, (Vijf Ponden Pers), 1944. 16 x 10 cm. Ingenaaid met omslag en titeletiket. (20) p. Gezet uit de Civilité en de Romanée en gedrukt in een oplage van 55 exemplaren op geschept papier van Barcham Green door Joh. Enschedé. Een van de weinige moderne boeken die (grotendeels) gezet is uit de van oorsprong zestiende-eeuwse letter Civilité. Typografie van Jan van Krimpen. Egaal blauw omslag. Clandestiene oorlogsuitgave: De Jong 606.