noll tom (12 Ergebnisse)

Zustand: As New. Fall, Brandon (illustrator). Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Zustand: Very Good. Fall, Brandon; Nishio, Kimiyo (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Fall, Brandon; Nishio, Kimiyo (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Fall, Brandon (illustrator). 1st Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Very Good. Fall, Brandon (illustrator). 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Fall, Brandon; Nishio, Kimiyo (illustrator). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Fall, Brandon (illustrator). 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Very Good. No Jacket. Fall, Brandon; Nishio, Kimiyo (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Fall, Brandon (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Fall, Brandon (illustrator). Signed Copy . Inscribed by author on title page.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.