nishida hiroko (10 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. 1st Edition. English text.; Hardcover (with dust jacket); 23.5 x 29 cm.; 1.5 kg.; 284 pages with colour and black and white illustrations.; Used with signs of wear. The exterior shows edge wear, scuffs and scratches. The spine is chipped at the top and has a tear at the bottom. Interior in very good condition apart from a wear mark on first page, most likely due to a removed sticker. Good copy overall.; Catalogue from an exhibition shown at Japan House Gallery, New York from May 15-July 27, 1986 and at The High Museum of Art, Atlanta from December 2, 1986- February 1, 1987. The exhibition traveled to Japan through December 1988.; Burghley House is the magnificent Elizabethan home of the Marquess of Exeter at Stamford, England built by William Cecil, the great Minister and Lord High Treasurer to Queen Elizabeth I. The House, which King William III said in 1690 was "too large for a subject!" has among its outstanding collections of paintings, furniture, tapestries, and silver, a rare and superb group of Chinese, Japanese, and European porcelains. The Burghley porcelain collection is distinguished by its early Japanese wares, and is unique among the surviving private and royal porcelain collections in Europe for a number of pieces that can be identified in the House's Inventory of 1688, drawn up by the secretary to the fifth Earl of Exeter, or in the 1690 written bequest of Elizabeth, dowager Countess of Devonshire. The inventories, which only came to light in 1982 after centuries of neglected storage in the archives, are Europe's earliest known record of Japanese porcelains. The porcelains selected here from the Burghley collection tell much about the British canons of taste and achievements in connoisseurship from the Elizabethan through Victorian eras, and shed light as well on the history of Chinese and Japanese export ware and its influence on European culture.

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text.; Paperback.; 23 x 28 cm.; 1.2 kg.; 284 pages with colour and black and white illustrations.; Used with signs of wear. The exterior shows edge wear, two small bumps on the top and bottom of the spine and a wear mark at the bottom left side of the back cover. Interior shows three ex-library stamps on the first three pages, and the top right side shows signs of have bent on all pages. The outside text block shows a wear mark at the bottom right side. Good copy overall.; Catalogue from an exhibition shown at Japan House Gallery, New York from May 15-July 27, 1986 and at The High Museum of Art, Atlanta from December 2, 1986- February 1, 1987. The exhibition traveled to Japan through December 1988.; Burghley House is the magnificent Elizabethan home of the Marquess of Exeter at Stamford, England built by William Cecil, the great Minister and Lord High Treasurer to Queen Elizabeth I. The House, which King William III said in 1690 was "too large for a subject!" has among its outstanding collections of paintings, furniture, tapestries, and silver, a rare and superb group of Chinese, Japanese, and European porcelains. The Burghley porcelain collection is distinguished by its early Japanese wares, and is unique among the surviving private and royal porcelain collections in Europe for a number of pieces that can be identified in the House's Inventory of 1688, drawn up by the secretary to the fifth Earl of Exeter, or in the 1690 written bequest of Elizabeth, dowager Countess of Devonshire. The inventories, which only came to light in 1982 after centuries of neglected storage in the archives, are Europe's earliest known record of Japanese porcelains. The porcelains selected here from the Burghley collection tell much about the British canons of taste and achievements in connoisseurship from the Elizabethan through Victorian eras, and shed light as well on the history of Chinese and Japanese export ware and its influence on European culture.

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. English text; Hardcover (cloth with dust jacket); 23.2 x 25.7 cm; 0.797 Kg; 136 pages with more than 100 illustrations, 15 in colour, are accompanied by detailed notes on the pieces. Also included are two maps showing kiln and excavation sites, a glossary, and extensive bibliography.; Used with signs of wear, namely on the dust jacket front cover, spine and back cover. The interior is in very good condition.; Exhibition of Chinese ceramics from public and private collections in Japan organized under the joint sponsorship of the agency for cultural affairs of the Japanese government and the participating institutions in the United States. Held at Asia House Gallery New York; Seattle Art Museum Kimbell Art Museum, Fort Worth; and Asian Art Museum of San Francisco, The Avery Brundage Collection.; Chinese ceramics have been treasured in Japan for over 1200 years. This volume, which focuses on excavated pieces and heirlooms (densei-hin) brought to Japan between the eight and seventeenth centuries, provides a new perspective on China's ceramic art. Assembled here are some of the finest examples of Chinese ceramics acquired by Japanese connoisseurs over the centuries. They range from bold T'ang three-colour wares to luminous Sung celadons and delicate Ming porcelains decorated in vivid polychrome overglazed enamels. The prized possessions of courtiers, warlords, tea masters, and merchants, many of these pieces became so well-known that they were given evocative nicknames. Several, made to order for Japanese customers, have no counterpart in Western collections. In their introductory essays, Seizo Hayashiya, Curator of Applied Arts at the Tokyo National Museum, and Henry Trubner, Associate Director of the Seattle Art Museum, outline the history of Chinese ceramics in Japan and discuss the cultural relationship that has long linked these two countries.

Zustand: new.

Zustand: NEW.

Paperback. Zustand: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Looks and feels unread. Thus the contents are crisp, fresh and tight; no pen-marks. And so a very nice book in great condition, now offered for sale at a reasonable price.

Zustand: New. Tamara H. Bentley is Professor of Asian Art History at Colorado College in the United States. She has published a book on the Chinese 17th century painter and printmaker Chen Hongshou, and she also writes about art and international trade.Combining stri.

Soft cover. Zustand: New. 367 pages : illustrations (some colour) ; 28 cm. Catalogue of an exhibition held at the Museo d'arte orientale Edoardo Chiossone, Genoa, Italy, March 31, 2017-January 13, 2019. The 'Edoardo Chiossone' Museum of Oriental Art in Genoa holds the Japanese and Chinese art collections which Edoardo Chiossone (Genoa 1833-Tokyo 1898), distinguished Genoese professor of design and engraving techniques, gathered during his over 23-year stay in Japan, from 1875 until his death in early April 1898. Thanks to their ample variety, the collections allow for studying and researching both the history of Japanese art and the artistic and cultural relations between Japan and China. In this regard, of particular importance is the bronze and metal ware collection, featuring archaistic pieces datable from the Song dynasty (960-1279) until the late Qing dynasty (1644-1911). Besides documenting the plurisecular, multifaceted Chinese interest in Antiquity, the Chiossone collection also attests to the Japanese taste and tradition of gathering Chinese bronze vessels between the 13th and 19th centuries, that is, from the Kamakura and Muromachi periods up to the Meiji era. Initially cultivated by Buddhist clergy in the Kamakura period and then passing to the military aristocracy of the Muromachi period, this collecting tradition spread in the 16th century amongst the masters of flower arrangement and of chanoyu, the tea ceremony, and, from the mid-18th century until the late 19th century, amongst the senchajin and bunjin, adepts of the 'way of steeped tea' (senchado) and men of letters, respectively, who fervently admired Chinese civilization.

Zustand: Sehr gut. 152 S. Umschlag leicht berieben, sonst gutes Exemplar. - List of plates also in English. - Kutani ware is a style of Japanese porcelain. Goto Saijiro, a member of the Maeda clan, set up a kiln in the village of Kutani (now part of the city of Kaga) on the order of Maeda Toshiharu, ruler of the Kaga domain. The porcelain style is known for multiple colors-such as greens, blues, yellows, purples, and reds-and bold designs covering most of the surface of each piece. ja Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband mit Schutzumschlag.

1975. 33 x 26 cm. Hardcover. Richly illustrated in color and b/w. NEAR FINE COPY [Japan Keramiek / Ceramics / Keramik ].