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Christ healing the centurion's servant; Jesus Christ and the centurion's servant at right, surrounded by trees and several figures, a large castle in right background; after Nicolaas de Bruyn; from a series of 130 engravings (plus title-page) forming a Picture Bible.View of a sixteenth-century castle with gardens and woods on the left.Lettered with production details, in lower left and right of the image: N. de Bruyn invent. and CIVißcher Excudit (JCV monogrammed) . Lettered in the lower margin with biblical verse in Latin and four columns containing four lines of Dutch verse: INGRESSUM AUTEM IESUM CAPERNAUMUM ADIIT CENTURIO. Matthæ 8. 5. Further text below missing.[NL] In Kafarnaüm komt een Romeinse centurio bij Christus en vraagt hem zijn knecht te genezen. De hoofdman heeft zijn hoed afgenomen. Rechts van Christus staan Petrus en Johannes. In het landschap diverse omstanders. Onder de voorstelling de titel in het Latijn, vier vierregelige verzen in het Nederlands en een verwijzing naar de Bijbeltekst in Mat. 8:5. De Amsterdamse uitgever Claes Jansz. Visscher (II) produceerde vanaf de jaren '30 van de zeventiende eeuw grote Bijbelse prenten op zogenaamd royaal-formaat papier (ca. 480 x 580 mm). Na zijn dood in 1652 zette zijn zoon Nicolaes Visscher (I) het bedrijf voort en zo ook de uitgave van Royaalbijbelprenten. Toen Nicolaes in 1679 overleed nam zijn zoon Nicolaes Visscher (II) het bedrijf over en gaf kort hierna, omstreeks 1680, een fondslijst uit. Hierin worden 130 prenten met Bijbelse voorstellingen op royaalpapier beschreven (zie documentatie J. van der Waals). Complete prentbijbels op royaal-formaat werden door vader en zoon Nicolaes Visscher uitgegeven onder de titel Historiae Sacrae Veteris et Novi Testamenti. De bladen werden echter ook los verkocht en konden worden gecombineerd met Royaalbijbel-prenten van andere uitgevers. Verschillende Amsterdamse uitgevers brachten namelijk ook bijbelprenten op royaal-formaat uit, onder wie Clement de Jonghe en Cornelis Danckerts. De door de firma Visscher uitgegeven prenten zijn veelal vervaardigd door anonieme prentmakers naar voorbeeld van verschillende zestiende- en zeventiende-eeuwse Bijbelse prenten en prentreeksen. Veelal moesten de composities worden aangepast aan het grotere en langgerekte royaal-formaat. Daarnaast zijn er ook grote bladen van bekende prentmakers zoals Jan van Londerseel, Pieter Nolpe, Jacques de Gheyn (II) en Jan Harmensz. Muller opgenomen in de categorie 'Bybelsche Figuren, op Royaal-bladen' in de fondslijst van Visscher. Prent mogelijk gebruikt in: Historiae Sacrae Veteris et Novi Testamenti (Royaalbijbel). Amsterdam: Nicolaes Visscher (I) en (II), [1652-1702]. In de fondslijst van Nicolaes Visscher II (ca. 1680) is het onderwerp van deze prent onder de titel 'Bybelsche Figuren, op Royaal-bladen. bestaande uyt de volgende historien.' als volgt genummerd: 79. Engraving on two sheets of laid paper, with margin on top and bottom of the plate; total: 435 x 515 mm; repaired tear on the bottom, not affecting the plate, some minor tears on the bottom external margin; on the verso traces of previous mountings; Hollstein 73 copy.
Erscheinungsdatum: 1680
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
Amsterdam, c.1680. Original colour. 505 x 530mm. Repairs to centre fold. A fine map of Portugal with decorative cartouches for the title and scale, both in full colour.
Erscheinungsdatum: 1670
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
Amsterdam, c.1670. Fine original colour. 460 x 555mm. A very fine example of this map of Denmark, decorated with cartouches for the title, dedicated to Christian V and scale.
Erscheinungsdatum: 1690
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
No Binding. Zustand: Very Good. Amsterdam, c.1690. Original colour. Two sheets conjoined, total 760 x 570mm. Repaired tear at fold. A detailed map of Holland, a province in the west of the Netherlands. The elaborate title cartouche celebrates the region's maritime accomplishments.
Erscheinungsdatum: 1698
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
Amsterdam, 1698. Original colour. 455 x 560mm. A very fine example. A decorative and detailed map of the Morea or Peloponnese, published at when it was in the tenuous possession of Venice. Thus the title cartouche features the campanile of St Mark's and the Venetian lion surrounded by vanquished Turks. ZACHARAKIS: 2350.
Erscheinungsdatum: 1680
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
Amsterdam, c.1680. Original colour heightened in gold . 470 x 570mm. A very fine map of Spain and Portugal with decorative cartouches for the title and scale, both in full colour.
Verlag: Nicolaes Jansz. Visscher c. 1683, Amsterdam, 1683
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Karte
Fourteen city views decorate the upper and lower borders of this handsome map of France under Louis XIV, while colourful depictions of various members of the First and Second Estates decorate the two sides of the map, with merely two dedicated to the massive Third Estate, "Cives" and "Rustici"., Size : 470x555 (mm), 18.50x21.85 (Inches), Hand Colored Small restoration at the upper margin, otherwise Very Good.
Erscheinungsdatum: 1651
Anbieter: Altea Antique Maps, London, Vereinigtes Königreich
Karte
Amsterdam: 1651. Coloured. 430 x 540mm. Highly decorative map of Russia, based on Hessel Gerritz's map of 1613, with a large inset plan of Moscow to the top left, and to the right five prospects of Archangel, Narva and the Kremlin, and depiction of Russian steam baths. The map covers the European part of the Russian Empire extending from Poland to the steppes of Tartary, and from the Mourmanskoy More (Barents Sea) to the Black and Caspian Seas. The map is richly decorated with a large title cartouche surmounted by Russian gentlemen, sailing ships, and a compass rose.
Verlag: [1594-1635]., Amsterdam,, 1594
Anbieter: Daniel Crouch Rare Books Ltd, London, Vereinigtes Königreich
Buch
An album of engravings from the most famous natural history artists of the late sixteenth and early seventeenth centuries, collected and bound for an English patron Oblong quarto (260 by 170mm), 176 engraved plates, numbered in an early hand 1-46, 48-54, 57-69, 80-189, including 8 title-pages, all with fine contemporary hand-colour in full, occasionally heightened in silver, two plates torn with slight loss to image and with early repairs, six plates with slight worming to margins, and three plates trimmed to neatline and laid down on old paper, front free endpaper with later ownership inscription; mid-seventeenth century English red morocco, elaborately gilt, silver clasps and catches. A magnificent album of natural history engravings, collected and bound for an English patron, containing two complete suites of plates: Hoefnagel's 'Diversæ insectarum volatilium'; and Woutneel's 'Cognoscite lilia agri quomodo crescent', often bound as the fifth part, 'Altera Pars', to the Crispin de Passes' 'Hortus Floridus' - the "most ambitions, if not the first, early effort to employ Continental resources to produce a set of [botanical] engravings designed for the English market" (Gerard); and nine near complete, or partial suites, including an early issue of tulip plates from the 'Hortus Floridus'. All plates have been numbered consecutively in manuscript at the time of binding to a rudimentary scientific rubric: insects first, then aquatic animals, quadrupeds, birds, and botanicals last, but not least. As a result, some plates are bound with like subject rather than with their original publications. The album represents the work of some of the most famous natural history artists of the late sixteenth and early seventeenth centuries. The majority are published by Claes Jansz Visscher (1587-1652), the most important publisher of prints and maps in Amsterdam of his day. Recorded as an engraver in Amsterdam as early as 1608, he built a distinctive inventory of prints after the designs of Flemish artists, which proved extremely popular and formed the basis ofVisscher'searly success as a publisher. INSECTS HOEFNAGEL, Jacob. Diversæ insectarum volatilium: icones ad vivum accuratissmè depictæ per celeberrimum pictorem D.I. Hoefnagel typisq. Mandatae a Nicolao Ioannis Visscher anno 1630 Engraved title-page, complete with 15 numbered plates of insects, misbound including some upside-down, bound with plates 11 and 12 from 'Volatilium varii generis effigies' after Nicolaes de Bruyn, all with contemporary hand-colour heightened in silver, consecutively numbered in an early hand 1-18. North German insects, with the exception of the tarantula and scorpion. Engraved by Visscher after those by Jacob Hoefnagel, 1573-1632, court painter for Emperor Rudolph from 1607, son of Joris Hoefnagel, whose drawings of animals, flowers and insects he engraved and published as the 'Archetypa Studiaque Patris Georgii Hoefnagelii' (1592). He also engraved plates for Braun and Hogenburg's 'Civitates Orbis Terrarum' (1512 - 1617). Ebert 798; Hagen I, 371f; Hollstein IX, 46, 1-16; Nissen 1955; Horn-Schenkl. 10473. AQUATIC ANIMALS BRUYN, Nicolaes de. Libelius [sic] varia genera piscium compectens, pictoribus, sculptoribus etc mire utilis et necessaries Nicolaes de Bruyn inventor Claes Ianss. Visscher excudit. [interspersed with]: COLLAERT, Adrian. Piscium vivae icones inventae ab Adrian Collardo et excusae a Nicolao Ioannis Visscher anno 1634 Engraved allegorical title-page for 'Libillus', 11 (of 12, without the sea-horse) plates of aquatic animals and sea-monsters; 19 (of 20) engraved plates of aquatic animals, numbered in an early hand 19-44, followed by the allegorical title-page for 'Piscium', numbered 45, all with contemporary hand-colour, all annotated in an early hand with common names in English. An early state of the title-page for de Bruyn's 'Libellus' before correction. Nicolaes de Bruyn (1571-1656) is best known for his large engraved landscapes "after designs by artists such as Gillis van Coninxloo and David Vinckboons from around 1600 his pupil and brother-in-law [was] Jan van Londerseel" (Hollstein online) A near complete suite of plates from a later edition of Collaert's famous work on fish, first published in about 1598, in which the original engravings included elaborate landscape backgrounds. For his version, Claes Visscher has incorporated his harpoon monogram into the dramatic title-page. Collaert (1560-1618) married engraver and publisher Philippe Galle. WEYER, Gabriel. Monstra marina dat is verscheydon zee-monsters ge inventeert door Gabriel Weyer gedrucht by Claes Ianss. Visscher a.o 1634 Engraved allegorical title-page, 7 (of 12) plates of mermaids and mermen, all with contemporary hand-colour, numbered in an early hand 46, 48-54. Berliner 'Ornamentstichkatalog' 4292 I; Nagler XXIV, S. 220, I QUADRUPEDS BOLSWERT, Boetius Adams, after Adrien BLOEMAERT. Natus Dei solius ad servitium, cinctis homo, per hund, creates imperat. Volentibus promisq.e; ut huic puessulo blande Leo Jouisq.e ales submittitur. ABloemaert invent: BA. Bolsuerd: sculp C Visscher excudebat 1632 G. Ryckius [interspersed with]: BRUYN, Nicolaes de. [Animalium quadrupedum varii generis effigies Allerley viervuessiger thier eigentliche abbildung, den goltschmieden dienlich], 1594. 8 (of 14, without plates 1, 5 and 11, plates 12, 13, 14 bound below with 'Volatilium') engraved plates of pastoral scenes from 'Natus'; 11 (of 12, bound without the title-page) engraved plates of animals from 'Animalium', all with contemporary hand-colour, numbered in an early hand 57-69, and 80-85, allegorical title-page for 'Natus' numbered 86, annotated with the common names in English. The artistic Bolswert and Bloemaert families of Utrecht seem to have been very close, frequently working together. Bloemaert met a grisly death at the hands of one of his students in 1666. 'Animalium' cf Hollstein 303-310; 'Natus' cf Hollstein 406-419 BIRDS BRUYN, Nicolaes de. Vola.