nicholas balaisis (7 Ergebnisse)

Hardcover. Zustand: Brand New. 8.50x6.00x0.75 inches. In Stock.

Zustand: New. Series: Global Cinema. Num Pages: 201 pages, 4 black & white illustrations, 19 colour illustrations, biography. BIC Classification: 1KJC; APF; JFD; JPFF. Category: (P) Professional & Vocational. Dimension: 210 x 148. Weight in Grams: 411. . 2016. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware -This book maps the aesthetic experience of late socialism through Cuban film and media practice. It shows how economic and material scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a characteristic described as imperfect aesthetics. The films examined in the book draw attention to the unique temporal experience of late socialism, a period marked both by rapid change and frustrating stasis, nostalgia for Cubäs past and anxiousness about its future. Aesthetic modes such as melodrama and irony, and stylistic elements such as direct address and the long take, communicate the temporal experience of late socialism in Cuba, where new global traffic and a globalizing economy co-exist with iconic socialist features of the Cuban revolution. Film aesthetics constitute an important public dimension within this context, serving as a site of political and cultural critique amidst political uncertainty. In examining large-scale international co-productions as well as regional film collectives and amateur media making, the book traces the aesthetic continuities between contemporary film practices and those of the immediate post-revolutionary period, showing how the Cuban revolution continues to be an important touchstone for contemporary Cuban filmmakers in the face of new and imminent change.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 216 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -This book maps the aesthetic experience of late socialism through Cuban film and media practice. It shows how economic and material scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a characteristic described as imperfect aesthetics. The films examined in the book draw attention to the unique temporal experience of late socialism, a period marked both by rapid change and frustrating stasis, nostalgia for Cubäs past and anxiousness about its future. Aesthetic modes such as melodrama and irony, and stylistic elements such as direct address and the long take, communicate the temporal experience of late socialism in Cuba, where new global traffic and a globalizing economy co-exist with iconic socialist features of the Cuban revolution. Film aesthetics constitute an important public dimension within this context, serving as a site of political and cultural critique amidst political uncertainty. In examining large-scale international co-productions as well as regional film collectives and amateur media making, the book traces the aesthetic continuities between contemporary film practices and those of the immediate post-revolutionary period, showing how the Cuban revolution continues to be an important touchstone for contemporary Cuban filmmakers in the face of new and imminent change.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 216 pp. Englisch.

Taschenbuch. Zustand: Neu. Cuban Film Media, Late Socialism, and the Public Sphere | Imperfect Aesthetics | Nicholas Balaisis | Taschenbuch | xii | Englisch | 2018 | Palgrave Macmillan | EAN 9781349954896 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Softcover. Zustand: Wie neu. Mark Dion, Abbas Kiarostami, Adam Krawesky, Lorna Simpson (illustrator). 1. Auflage. Public # 32, Art/Culture/Ideas. Urban Interventions. Saara Liinamaa, Janine Marchessault, Karyn Sandlos Hrsg. Toronto, York University/ Public Access, 2005. 240:190mm. 141S. Mehr. Abb. + 16 farb. Inserts. Or.-Brosch. "Devoted to the idea and practice of urban interventions, Public 32 is tied to Urban Interventions: A Symposium on Art and the City which took place in April 2005 in Toronto and brought together critical theorists, filmmakers, visual artists, architects and designers who use visual culture to investigate, document and describe the changing relationships between art, urban environments, and citizenship."Enthält Texten u.a. von George Yúdice, Saara Liinamaa(Of Treasures and Trash: BookCrossing, Mark Dion's Tate Thames Dig and the (lost) objects of urban intervention), Kaja Silverman, The Pedestrian Mob, Vera Frenkel, Lorna Simpson ((31)), Nicholas Balaisis (Driving Affect: The Car and Kiarostami's Ten ), Adrian Blackwel, An Te Liu (Chinatown in the Ether ), Michael Awad, David Tomas, Rosemary Donegan, Catherine Sicot, Darren O'Donnell, Adam Krawesky (Inserts).