Nicandro pereyra (6 Ergebnisse)

20x13. 116 pgs. 617285.

110 páginas. 8vo., rústica.

Tapa blanda. Zustand: Muy buena. Grabados Originales de Antonio Berni, Rodolfo Cavilla, Alfredo De Vicenzo, Albino Fernandez, José M. Moraña, Norberto Onofrio y Víctor L. Rebuffo. Xilografía de la tapa Albino Fernández. 23 X 32 Cms., 72 Pp. Varios (illustrator).

Tapa blanda. Zustand: Muy buena. Poemas ilustrado con 7 xilografías de Antonio Berni , Rodolfo Cavilla , Alfredo De Vincenzo , Albino Fernandez , José M. Moraña , Norberto Onofrio , Victor L. Rebuffo. Esta edición consta de 700 ejemplares. NOTA :los envíos se hacen por courrier, con tarifa especial, por lo tanto tenga en cuenta que los gastos de envío a veces no coinciden con los propuestos por Abebooks. 23,5 x 32 Cms , 72 Pps. Antonio Berni , Otros (illustrator). …

Zustand: Buen estado. Firmado por el autor. Poesías argentinas.

Encuadernación de tapa dura. Zustand: Muy bien. 1ª Edición. In-8. 57(2)p. Bound in original half blue cloth. Nicandro Pereyra (October 21, 1914, Santiago del Estero - March 1, 2001, Buenos Aires) was the founder of the literary newspaper Tuco and a member of the association of writers from the Argentine Northwest La Carpa (Literary Group) . A prolific writer, he has an extensive body of work, mostly poetic.In 1943, the association of young writers La Carpa was founded. This group was made up of Raúl Galán (1913-1963) from Jujuy; Julio Ardiles Gray (1922-2009) and María Elvira Juárez (1917-2009) from Tucumán; Nicandro Pereyra (1914-2001) and Sara San Martín (1921-2001), who lived in Tucumán at the time; María Adela Agudo (1912-1952) from Santiago de Cuba; and three figures from Salta: Raúl Aráoz Anzoátegui (1923), Manuel J. Castilla (1918-1980) and José Fernández Molina (1921-2004). The members were united by ties of friendship, editorial work and a shared literary commitment. The emergence of La Carpa projected a climate of profound artistic novelty in the regional sphere, becoming a main reference for poetry in the Northwest of the country. In these meetings, certain principles and values; took shape that influenced, to a greater or lesser extent, the poetic production of both the members of the group and later generations. Under the belief that poetry has three dimensions: Beauty, Affirmation and Prophecy, the group bet on a poetry attentive to nature and the subjects that inhabit it and the defense of regional identity, without falling into ornamental regionalism. Washol.…