nechvatal joseph (29 Ergebnisse)

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Mar 9 (SALE item)* 65 pp., softcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

1. Auflage. 120 Seiten. OBr., 2 Bände in Pappschuber, Quer-Quart 21 cm x 27 cm, 51 S. & 64 (5) S.; sehr gut erhalten.

Zustand: New. pp. 270.

paperback. Zustand: Very Good. Color Plates (illustrator).

Paperback. Zustand: Brand New. 270 pages. 8.90x5.98x0.87 inches. In Stock.

Quer 4° Broschur; 51 Seiten; erschien anlässlich der gleichnamigen Ausstellung in Paris, Santa Monica, New York und München; mit zahlr., überwiegend farb. Abb.; Biographie und Bibliographie; in englischer Sprache Zustand: Gut 600 gr.

Soft cover. Zustand: Fine. Large octavo, 78 pages, illustrated throughout. Printed wrappers. Design catalogue Willoughby Sharp, Frederick Steinway and Carol Parkinson. Stapled. - First edition of this catalogue for the Public Arts International/Free Speech Performance festival that was held from may 15-19, 1979.

Zustand: New.

Erste Auflage. 20 x 16 cm. 40 S. Illustrierter OKarton. Einbandkanten etwas lichtrandig und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar. Durchgehend mit farbigen Abbildungen versehen. Text in englischer Sprache.

Zustand: New. &Uumlber den AutorJoseph Nechvatal s digital paintings conjure up an enigmatic world of an almost dreadful depth that signals the dynamic critical intricacy of a contemporary practice engaged in the fragile wedding of image production a.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Joseph Nechvatal's epic passion poem, Destroyer of Naivetes, takes up a position of excess from within a society that believes that the less you conceal, the stranger you become. We live and love in a culture where surveillance/intrusion is tied to our drive for self-revealing everything (an anti-private-life culture of curiosity, egotism, solitude, fear, voyeurism, exhibitionism and resentment - where the feeling is that nothing could or should remain unknown to us).The sex farce poetic overindulgence of Destroyer of Naivetes takes inspiration from the books of Jean Genet, Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, drawings by Hans Bellmer, film/performances of Bradley Eros, and the erotic scribblings of Giacomo Casanova, Georges Bataille, Petronius, Vladimir Nabokov, Marquis de Sade, Yukio Mishima, Ovid, Leopold von Sacher-Masoch, Kathy Acker and I Am a Beautiful Monster by Francis Picabia.

371 pp.; 28.5 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held July 29 - October 2, 1988. Curated and with text by Tricia Collins and Richard Milazzo. Artists include Ross Bleckner, James Welling, Kevin Larmon, Sarah Charlesworth, Joel Otterness, Peter Nadin, Peter Nagy, Richard Prince, Gretchen Bender, Allan McCollum, Joseph Nechvatal, Peter Halley, Jeff Koons, Tyler Turkle, Jonathan Lasker, Philip Taaffe, Gary Stephan, Haim Steinbach, David Diao, Jon Kessler, Annette Lemieux, Saint Clair Cemin, Charles Clough, Suzan Etkin, Tishan Hsu, John Dogg, Salvatore Scarpitta, The Starn Twins, Robert Gober, Donald Baechler, Peter Fend, Claudia Hart, Meg Webster, Ford Beckman, Holt Quentel, Nancy Shaver, David Carrino and Lawrence Carroll. Includes a list of illustrations. Texts in English and Swedish. Very Good. Light bumping of corners including 1.1 cm. dog-ear to upper right corner and 1.3 cm. to lower right corner of recto. Light wear to spine. Contents are clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover. Zustand: Very Good. 1st Edition. Sm.8° - 40 Color Plates. First edition, text in English language. Original covers. In very good condition.

Taschenbuch. Zustand: Neu. Neuware - During the Paris pandemic confinement period of 2020, with the dread of viral death in the air, artist Joseph Nechvatal finished his second book of poetry, titled Styling Sagaciousness: Oh Great No!

Erste Auflage. 22 x 15,5 cm. 47 S. OPappband. Einbandkanten mit minimalen Bereibungen und kleiner Druckstelle. Sonst sehr gutes Exemplar. Katalog zur Ausstellung Saline Royale d'Arc et Senans 10. September bis 1. November 1993. Durchgehend mit Abbildungen versehe. Text in englischer und französischer Sprache.

Taschenbuch. Zustand: Neu. Immersive Ideals / Critical Distances | A Study of the Affinity Between Artistic Ideologies Based in Virtual Reality and Previous Immersive Idioms | Joseph Nechvatal | Taschenbuch | 592 S. | Englisch | 2009 | LAP LAMBERT Academic Publishing | EAN 9783838304458 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware -This book researches into the ideals behind Virtual Reality technology (and its central property of total-immersion) by looking at VR through the prism of a philosophy of visual art. Its conclusive understanding is achieved through a broad formulation of an aesthetic theory of immersive consciousness (indicative of an emerging immersive culture) by joining choice immersive examples of simulacra technology into mental connections with relevant examples culled from the histories of art, architecture, information-technology, sex, myth, space, consciousness and philosophy.Books on Demand GmbH, Überseering 33, 22297 Hamburg 592 pp. Englisch.

Emboîtage. Zustand: Très bon. Joseph Nechvatal (illustrator). Edition originale. 2 volumes IN4 oblongs brochés sous emboîtage d'éditeur . Un des 50 exemplaires signés et numérotés par l'artiste. Exemplaire bien complet du tirage sur papier Agfa signé et numéroté au dos. Signé par l'illustrateur.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.

27 pp.; 41.9 x 27.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 12 of ZG Magazine, edited by Rosetta Brooks. Contents include: "Editorial: The New Fundamentalism;" "Extract from an Interview with British Jan Wandja; "All Things Being Equal," by Silvia Kolbowski; "Auras: Dilation to Overthrow," by Stuart Piggott; "Advertising Death's Space," by Rosetta Brooks; "Fashion: Sacred Symbols/Magical Rites," by Krystina Kitsis; "Interview with Rhys Chatham & Joseph Nechvatal"; "The Frozen Land," by Peter Halley; "Disco Inferno," by Carlo McCormick; "Works," by Holly Warburton; "What is Love? Describing Quenelle," by Paul Taylor and Adrian Martin; "Transcendence & Titillation," by Dena Shottenkirk; "Duchamp: Lower East Side," by Richard Flood; "The Geography of Time," by Jonathan Miles and "The Shadow Reflected," by Robert Kleyn. Back cover by Michael Smith. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 312. Fair / Good. 6.2 cm. water damage to bottom of recto carrying through to first four pages with dark soiling. Contents otherwise clean and unmarked. Rubbing and light creasing of spine edge and rubbing off cover edges with 6 mm. tear to top edge of recto and 2 mm. tear to top edge of verso and 7 mm. tear to bottom edge of verso. Bumping off top and bottom edge of periodical and additional light rubbing of covers. Due to size additional shipping charges will be required for international orders.

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 11/12 of Real Life Magazine, edited by Thomas Lawson. Contents include: "Group Material," an interview by Peter Hall; "Radical Culture," by Mundy McLaughlin; "Past Present Future," by Julie Ault; "Particles, 1980-83," by Tim Rollins; "Kiss of Death," by Doug Ashford; "Paintings by Adolf Hitler," reprinted from LIFE, October 30, 1939; "The Secret Agent," an interview with Jacki Ochs by Robin Winters; "Repression and Resistance at the University of El Salvador, 1968-83," by Coosje van Bruggen; "Komar and Melamid," an interview by Thomas Lawson; "Epic Images and Contemporary History," by Joseph Nechvatal; "Alcohol and Advertising," by Elizabeth Winter; "Brie Popcorn," an interview with the directors of Nature Morte Gallery by Rex Reason; "Born in Flames," by Carole Spearin McCauley; "A Conversation with Lawrence Weiner," by Robert C. Morgan and "A Blinding Light," by Judith Kirschner. Reference : No. 7.7 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 195, 291. Very Good. Light soiling of covers, rubbing of spine edge, and very mild bumping of top right corner of publication. Light yellowing of pages. Contents clean and unmarked.

63 pp.; 25.5 x 18 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with touring exhibition [no venues or dates noted within catalogue]. Show organized by Livet Reichard Co, Inc., New York to promote the work of Alan Belcher, Gretchen Bender, Jennifer Bolande, Sarah Charlesworth, Clegg & Guttman, Jessica Diamond, Peter Halley, Kevin Larmon, Richard Milani, Peter Nagy, Joseph Nechvatal, Joel Otterson, Steven Parrino, David Robbins, Laurie Simmons, Haim Steinbach, and Julie Wachtel. Includes essays by Nagy, Trow, and Lawson. Biographical texts for each artist with biography / bibliography and selected bibliography for this Po-Mo movementlette. Very Geo-Neo. Good / Very Good. Mild wear to dust jacket. Contents clean and unmarked.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. Light curl to left side of publication. 4 mm. tear to bottom edge of recto. Light dust soiling of covers and edgewear. Contents clean and unmarked. Includes a slipped-in, folded handwritten note on Cover letterhead addressed to Walter [De Maria] from Cover's editor, Judith Aminoff.

[26] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Exhibition catalogue published in conjunction with show held April 10 - May 12, 1992. Curated by Max Schumann. Includes artists'' statements by some of the artists in the exhibition including: Liz Was, Paul Dean/Paper Shrine, Stokley Towles, Carol Stetser, Dana Henry, Karen M. Wirth, Frank Moore, Susan Gold, Larry Walczak, Marcello Diotallevi, Christian Rigal, Simon Ford, Judith Weinperson, Daniel Plunkett, J. Nebraska Gifford, Robert Drake, Deborah Small, Elizabeth Sisco, Carla Kirkwood, Scott Kessler, Louis Hock, David Avalos, Stephen Willats, Harold Lohner, Art Strike Action Committee, Joseph Nechvatal, Joan Mathews, Paul Weinman, Sabra Moore, Peter Silvia, Bern Porter, Sharon Gilbert, Heino Partanan, Miekal And, Tom Scarpino, Andrea Scott, David Thorne. "This book gathers together artists'' statements from participants in the exhibition BY ANY MEANS NECESSARY: Photocopier Artists'' Books and the Politics of Accessible Printed Technologies, held at the Printed Matter bookstore at Dia, from April 10 to May 12, 1992. The texts were generated from a questionnaire circulated by the curator Max Schumann." -- publisher''s statement. Good. 3 cm. dog-ear to top left corner of recto. Additional bumping along spine edge and rubbing of covers. Contents clean and unmarked.

[38] pp.; 13 x 20.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed Catalogue of artists' books, records, multiples, and apparel produced by artists and members of Collaborative Projects available at Printed Matter Inc. from [December 1982] through March 31, 1983. Artists include Jane Dickson, Christy Rupp, Ame Gilbert, Marc Blane, Peter Fend, Paulette Nenner, Tom Otterness, Debbie Davis, Brian Piersol, Becky Howland, John Hogan, Ellen Cooper, Christof Kohlhofer, Richard Bosman, Tom Lawson, Sharon Gilbert, Carol Parkinson, Jenny Holzer, Cara Perlman, Nancy Linn, Jonathon Borofsky, Andrea Callard, Peter Grass, Joseph Nechvatal, John Cavanaugh, Lisa Kahane, Teri Slotkin, Tom Warren, Stefan Eins, Kiki Smith, John Fekner, Jody Culkin, Bobby G, Sally Beers, Sol LeWitt, Mike Glier, Matthew Geller, Sarah Charlesworth, Joseph Kosuth, Kathy Acker, Max Blagg, Ken Tisa, Richard Mock, Barbara Kruger, Mike Metz, Laura Buckles, Jeannette Ingberman, Dona Ann McAdams, Verge Piersol, Philip Zimmermann, and others. Cover design by Tom Otterness. Good. This copy mailed to Artists Space with mailing marks and mailing wear. Yellowing of covers, two 5 mm. closed rips along right cover edge, and 5 mm. loss to bottom edge of recto. Contents clean and unmarked.