nancy netzer (23 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

23.0 x 15.0cms 232pp b/w illusts very good paperback with very good- cover (some edge wear) These multi-dimensional essays investigate Ireland's pictorial tradiitons between the 17th & the 20th centuries. They explore the ways Ireland's visual culture complements and challenges its written representations as well as the paintings' social & political attitudes.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Published by Museum of Fine Arts, 1991. Quarto. Hardcover. Book is very good. Dust jacket is very good with shelf/edgewear and nicks.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

1. Aufl. XXVI, 171 S. mit zahlr. farb. u. s/w. Abb. Erste Ausgabe. -Ein gutes Exemplar. -Mit 6-zeiliger hs. Widmung der Mitautorin. -In Englischer Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Englisch Gewicht in Gramm: 850 28x20 cm. Farb. illustr. OKart.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Soft cover. Zustand: Very Good.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Previous owner's name on first blank page, otherwise the pages are very clean and tight. Binding and cover are very good. Dust jacket shows light wear. 258 pages.

8° Broschiert. Zustand: Sehr gut. 169 S. Ausstellungskatalog geringfügig berieben. Das Buch ist in einem sehr guten Zustand. B03-04-02A Sprache: Englisch Gewicht in Gramm: 630.

Paperback. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Minor wear to covers and spine. The text block includes extensive photographs to supplement the text. Secure packaging for safe delivery.

Zustand: Fair. Acceptable condition. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Soft cover. Zustand: Fine. 1st Edition. 119 pages, 96 pages of plates : illustrations (chiefly colour) ; 31 cm. Issued in conjunction with the exhibition of the same name, held at the McMullen Museum of Art, Feb. 19-June 4, 2006. Summary:Studies nearly 100 works from the vast collections of the Boston Public Library and the Museum of Fine Arts, Boston, to determine the multiple ways that medieval and early modern objects communicated both secular and sacred messages to their viewers. This book includes essays on a broad range of topics on the medieval and early modern periods.

Zustand: Very good.

Zustand: New. 2016. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. reprint edition. 378 pages. 12.00x9.00x1.10 inches. In Stock.

Zustand: New.

Hardcover-Großformat. Zustand: Gut. 171 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Original-Schutzumschlag vorhanden. Sprache: Deutsch Gewicht in Gramm: 1010.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first detailed study of the Trier Gospels manuscript and its implications for early book production.

Paperback. Zustand: Very Good. Trade PB. 4to. Boston College Museum of Art, Boston, MA. 1995. 106 pgs. Illustrated throughout. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Exhibition catalogue of art objects, manuscripts, and printed books related to memory in the Middle Ages. With essays on various aspects of memory and its preservation EB; 8.4 X 5.9 X 0.7 inches; 106 pages.

Hardback, xxxii + 361 pages, Size:228 x 304 mm, Illustrations:91 b/w, 200 col., Language: English. ISBN 9780888442215. Summary In the fall of 2016 an international scholarly conference accompanied the exhibition Beyond Words: Illuminated Manuscripts in Boston Collections. The speakers were chosen because of their expertise and because they were known to have research underway pertaining to important manuscripts in the exhibition. The aim of both exhibition and conference was to provide a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted. Most of the papers delivered at the conference have been collected as essays in this abundantly illustrated volume which, while still linked to the exhibition, now has an independent purpose. Just as the essays cover a wide range of topics, all relating to the history of the book, but also, inter alia, to the history of law, liturgy, literature, and libraries as well as to devotion, theology, and art, so too the approaches adopted by the contributors are as varied as the materials they study, ranging from paleography, codicology, and provenance research to painstaking reconstructions of historical patterns of patronage and the interpretative strategies of authors and artists. What results is not simply a wealth of fascinating insights into individual illuminated books, their makers, and their readers, but also an indication of how much remains to be learned about the materials to which the exhibition served as no more than an introduction. TABLE OF CONTENTS List of Figures Contributors Abbreviations Introduction ? JEFFREY F. HAMBURGER Monastic Manuscripts Gilbert de la Porrée: The Man and His Manuscripts ? PATRICIA STIRNEMANN Writing Culture and Society over the longue durée: The Charters of Sawley Abbey, from Medieval Yorkshire to Present-Day Harvard, Houghton Library ? BRIGITTE MIRIAM BEDOS-REZAK Boston Public Library MS q Med. 86 in the Context of Manuscript Production in Delft ? KATHRYN M. RUDY Courtly Culture and Patronage Jean Bourdichon's Boston Hours and the Miniature-as-Object ? NICHOLAS HERMAN Rereading Boccaccio in Étienne Chevalier's Les cents nouvelles (Houghton Library, MS Richardson 31) ? ANNE D. HEDEMAN Picturing and Collecting Virgil in Mid-Fifteenth Century France ? CHRISTINE SEIDEL Vicarious Entertainment for the Mature Aristocrat and Bibliophile Louis of Gruuthuse (Houghton Library, MSS Typ 129 and 130) ? SCOT McKENDRICK Court Patronage in Renaissance Italy: Hercules in Illuminated Manuscripts Given as Diplomatic Gifts ? FEDERICA TONIOLO Princes, Patricians, Prelates, and Pontiffs Illumination in Rome and L'Aquila during the Schism and in Florence during the Council: Artists and Patrons of the Calderini Pontifical (Harvard, Houghton Library, MS Typ 1) ? FRANCESCA MANZARI Niccolò da Ferrara's Polistorio (Houghton Library, MS Typ 329): New Proposals on Don Simone Camaldolese and Mantuan Artistic Culture on the Eve of the Renaissance ? ADA LABRIOLA Cristoforo Cortese and the Donato Master: Venetian Liturgical Manuscripts in American Collections ? LILIAN ARMSTRONG Illuminating Law and Order in Venice ? HELENA K. SZÉPE Illuminating History Kings as Kin: Picturing the English Monarchy in Houghton Library, MS Typ 11 ? ALIXE BOVEY The Shapes of History: Houghton Library, MS Richardson 35 and Chronicles of England in Codex and Roll ? SONJA DRIMMER Hannibal's Journey: Ancient History, Material Philology, Medieval Illumination ? JESSICA BERENBEIM Manuscripts in the Modern Era Medieval Manuscripts from the Collection of Captain Jack Ball ? PETER KIDD Notes Index of Manuscripts General Index 0 g.