Murphet richard (5 Ergebnisse)

Paperback. Zustand: new. Paperback. The Victorian College of the Arts was founded in 1972 to provide education and training in all the visual and performing arts within the one institution. It has remained unique in Australia in that charter. Since 2009, however, it has made headline news as a training institute in crisis, a situation fed by government intervention, public commentary and disputes with the University of Melbourne which now administers it. What financial pressures began has now become a deeper struggle about the nature of arts training in the 21st century.This period of crisis, writes Murphet, brought to the school a new vitality and purpose, and raised questions that go way beyond the VCA case alone. As the college begins its restoration, he presents the case for repositioning the VCA as a centre of artistic invention, shifting the debate from the maintenance of past traditions to the creation of a new paradigm in arts training for a world in which instability has become the norm. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Zustand: Brand New. 276 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. Explores the Nobel Prize-winning author immersed in the new media of his time. Intersecting with twentieth-century technology such as photography, film, and sound recording, these twelve essays portray Faulkner as not only as a writer looking back on the hi.

Zustand: New. &Uumlber den AutorRichard Murphet completed a Ph.D. (2018) at the University of Melbourne, where he is also an Honorary Lecturer in Performance. In addition to training actors, directors, playwrights and theoreticians and heading the Th.

Buch. Zustand: Neu. Neuware - In Acts of Resistance in Late-Modernist Theatre, Richard Murphet presents a close analysis of the theatre practice of two ground-breaking artists - Richard Foreman and Jenny Kemp - active over the late twentieth and the early twenty-first century. In addition, he tracks the development of a form of 'epileptic' writing over the course of his own career as writer/director. Murphet argues that these three auteurs have developed subversive alternatives to the previously dominant forms of dramatic realism in order to re-think the relationship between theatre and reality. They write and direct their own work, and their artistic experimentation is manifest in the tension created between their content and their form. Murphet investigates how the works are made, rather than focusing upon an interpretation of their meaning. Through an examination of these artists, we gain a deeper understanding of a late modernist paradigm shift in theatre practice.…