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Verlag: GRIN Verlag, 2015
ISBN 10: 3656945187ISBN 13: 9783656945185
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2012 in the subject Art - History of Art, grade: 92.4, , course: BA(Hons), Fine Arts, language: English, abstract: Throughout the late 1960s and 1970s the pronouncement that painting was dead was often heard. In 1966 Andy Warhol had an exhibition at the Leo Castelli Gallery that featured hot pink and yellow wallpaper with large images of a cow's head. It was as though Warhol were saying that the painting was expensive wallpaper. 'Andy killed painting,' was the popular conventional wisdom of the day.But painting did not die, only the limited assumptions of what a painting was, or could be.Painting, freed of the restraints of a modernist creed, is reborn into an art form that is not only more accessible to the masses but also more multifaceted than it has ever been before. Once more the emergence of new art forms has forced painting to greater heights just as the arrival of photography did more than a century ago.
Verlag: GRIN Verlag, 2015
ISBN 10: 3656947244ISBN 13: 9783656947240
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2013 in the subject Art - Miscellaneous, grade: A, , course: BA (Hons) Fine Arts, language: English, abstract: In Robert Rosenblum's book 'Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko', Rosenblum traces a continuing tradition in art from the 18th century to the 1960s, which centres upon the term 'sublime'. In the past many artists (amongst them Caspar David Friedrich, Turner, Wassily Kandinsky, Mark Rothko, Barnett Newman) and theorists (amongst them Edmund Burke, Immanuel Kant, Jean-Francois Lyotard) have explored the transcendental nature of the sublime in art. Today we live in an age that prides itself on the loss of illusion. Ideas of transcendence in art are often seen as sentimental and viewed with skepticism. The word sublime seems to be stripped down to 'the shock of the new' (often centered on horror). This essay explores how the transcendental sublime is situated in contemporary art. The 'transcendental sublime' will here refer to how looking at a work of art can enable one to be transported, going beyond the given limits to a place of accessing one's spiritual side. Art that has used shock and terror to achieve a sense of the sublime will be excluded from this discussion.
Verlag: GRIN Verlag, 2015
ISBN 10: 3656948968ISBN 13: 9783656948964
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2013 in the subject Art - Art Theory, General, grade: A, , course: Issues in Contemporary Art, language: English, abstract: Seventeenth century scientists (Descartes, Bacon, and Newton) made discoveries that brought us scientific method and a vision of secular progress through technological achievement. But in this vision the purpose of knowledge was proposed as utilitarian, the domination of nature. The world we live in today is based on this vision of technological achievement.Art, because it is not shackled by the purposes of science, has an important role to play in enhancing our awareness of the true nature of things. Its negotiations with the natural world are intuitive and imaginative and this can enable it to bring to light much that is concealed from our everyday perception.
Verlag: GRIN Verlag, 2015
ISBN 10: 3656948844ISBN 13: 9783656948841
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Bachelor Thesis from the year 2014 in the subject Art - Miscellaneous, grade: 83%, , course: BA (Hons) Fine Arts, language: English, abstract: This thesis aims to understand the underlying motivations and contexts of artists who question the disconnection between urban life and nature especially with respect to aspects of time.The methodology used is largely about the analysis of artwork. The strategies adopted by the artists discussed here vary from critiquing the ambitions of city builders in their pursuit of controlling time to shunning urban time altogether and reaching for the rhythms of nature. In order to ground this understanding of artwork in the contemporary context the thesis explores how contemporary urban life changes our experience of time and how this separates us from the natural world. Theories regarding the relationship of the human, the natural world and the passage of time are covered in order to contextualize this analysis. These include the study of entropy by Robert Smithson, Martin Heidegger's theory of the 'earth and the world' and Georges Bataille's ideas about the human impulse to annul the passage of time. The eastern philosophy of Zen and the aesthetics of Wabi Sabi that in many ways corroborate the ideas proposed by western thinkers have also been considered.It was concluded that the connection with the natural world is governed by the experience of time and its relationship to the human ego. The time of the cities is so controlled by the demands of the human ego that it is increasingly difficult for urban dwellers to connect with the time of nature that is beyond our control. It is only by immersing ourselves in the time of nature that we can distance ourselves from aspects of our ego (like desires, concerns, ambitions) and return to a state of connection.