moy john (27 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Very Good. The Lion Roars: LETTERS TO THE CHARISMATIC CHURCH This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Fine.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Soft cover. Zustand: Near Fine. Moy, Seong (illustrator). 5th or later Edition. Quarto Softcover. Illustrated glossy wrappers. Glued binding. 224 pages, copious photographs and full color diagrams with detailed labels, glossary, index. 5th edition, 1st printing (full number line); no remainder mark. CONDITION: NEAR FINE, binding square and tight, pages crisp and unmarked; faint shelf wear, else FINE. >Guaranteed prompt shipment, secure packaging, and free tracking.

Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0412103109.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0412103109.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Zustand: fine. Aaron Lopresti; Randy Green; Rob Haynes; Carlos Pacheco; Casey Jones; Terry Dodson; Jeff Moy; David Williams (illustrator). l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Paperback. Zustand: Brand New. 1st edition. 339 pages. 9.25x7.25x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. OSPF: Anatomy of an Internet Routing Protocol | John Moy (u. a.) | Taschenbuch | 360 S. | Englisch | 2024 | Pearson Business | EAN 9780201634723 | Verantwortliche Person für die EU: Pearson Studium im Verlag Pearson Benelux B.V. Zweigniederla, Sankt-Martin-Str. 82, 81541 München, buchhandel[at]pearson[dot]com | Anbieter: preigu.

Zustand: Very Good. Addison-Wesley, 1998. 3rd printing. Sm 4to Hardcover. 345pp. Text figures and tables. Very Good book. Stamped on front free endpaper. (computers, computer science, internet) Inquire if you need further information.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [.] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear. Thomas has noted on the reverse of the last leaf: 'Letter to Hare about Grundy's Comedy An Old Jew produced at the Garrick Janry 6 1894.' Grundy wrote 'An Old Jew' for Hare, who portrayed the main character Julius Sterne. Draft of long letter, with numerous minor emendations. He was glad to read Hare's letter, despite its 'lingering trace of the languor of the sick room'. 'To me, so many years your senior, it seems strange indeed to find you speaking of the close of your stage career. I can only say on that head that I hope to live to see you for many more years gathering fresh laurels'. On the subject of Grundy's play, he states that he does not believe that 'the journalistic world has any claim to be exempt from the satire or even the [extreme?] caricature which is freely allowed in the case of other classes. Literary cliques & côteries undoubtedly do exist as they existed in the days of Delatouche's Tour de Faveur & Delavigne's Comédiens and Scribe's Camaraderie'. He deplores critics who 'will now fall down & worship certain Scandinavian idols & their crude & offensive methods'. He cannot conceive of 'editors who give instructions to critics to denounce plays contrary to their real opinions'. He can 'only say that I have never met with any such editor. For five & twenty years I have been the theatrical critic of the Daily news & the Graphic & for some years of that time I occupied the same post on The Academy besides writing drama notices occasionally for other journals. Altogether I have served under at least thirteen editors and I can conscientiously affirm that never did any one of these attempt to entice me to speak ill of what I thought or might think a good paly or performance or vice versâ.' After some more observations he concludes: 'Depend upon it the whole thing will be forgotten ere long or remembered only to excite wonder that any sensible journalist of decent standing should have made a fuss about it'.