moskowitz peter (21 Ergebnisse)

Hardcover. Zustand: Brand New. 1st edition. 272 pages. 9.50x6.50x1.00 inches. In Stock.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 270 pages. 7.00x0.57x10.00 inches. In Stock.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

[168] pp.; 30.6 x 23 cm.; sewn bound; black-and-white & color; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 16 - August 10, 1986. Essay by Christopher Knight. Introduction by Richard Koshalek. Artists include John Ahearn, Carl Andre, Richard Artschwager, Jennifer Bartlett, Jean-Michel Basquiat, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, Scott Burton, Larry Clark, Peter Drake, Eric Fischl, Dan Flavin, Bryan Hunt, Mark Innerst, Neil Jenney, Donald Judd, Ellsworth Kelly, Anselm Kiefer, Rex Lau, Barry LeDoux, Robert Mangold, Brice Marden, Agnes Martin, Michael McClard, Malcolm Morley, Robert Moskowitz, Elizabeth Murray, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Joel Shapiro, Cindy Sherman, Frank Stella, Cy Twombly, and Terry Winters. Includes exhibition checklist. Very Good. Rubbing of cover edges with 1.5 cm. dog-ear to bottom right corner of recto and 2.7 cm. crease to bottom left corner of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 1st edition. 240 pages. 9.25x6.00x0.75 inches. In Stock.

[112] pp.; 22.8 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the art of the 1980s written by Barbara Rose. Artists include Carl Apfelschnitt, Dennis Ashbaugh, Frances Barth, Anna Bialobroda, Howard Buchwald, Louisa Chase, Elaine Lustig Cohen, William Conlon, Leonard Contino, Susan Crile, Rachelle Epstein, Robert Feero, Hermine Ford, Sam Gilliam, Ron Gorchov, Nancy Graves, Pierre Haubensak, Richard Hennessy, Stewart Hitch, Bill Jensen, Meredith Johnson, Lois Lane, Vered Lieb, Joanna Mayor, Robert Moskowitz, Elizabeth Murray, Georges Noël, Pete Omlor, Peter Pinchbeck, William Ridenhour, Susan Rothenberg, Mark Schlesinger, Gary Stephan, Susanna Tanger, Joan Thorne, Catharine Warren, Thornton Willis, and Edward Youkilis. Includes a one page illustration of each of the artists' work, an artists' statement, and a portrait photograph of the artist by Steven Sloman. Good. Mild wear to covers and partially removed price sticker on recto with light scratching. Yellowing of pages. THIS COPY SIGNED by Barbara Rose in black ink on title page. Contents otherwise clean and unmarked.

Zustand: NEW.

Paperback. Zustand: Very Good. While the mainstream media publishes style pieces about mustached hipsters brewing craft beers in warehouses in Brooklyn, global businessmen are remaking entire cities. While new coffee shops open for business in previously affordable neighborhoods, residents ignore the multi-million-dollar tax giveaways that have enabled real estate developers to build skyscrapers on top of brownstones. As journalist Peter Moskowitz shows in How to Kill a City, gentrification is not a fad or a trend. Hipsters and yuppies have more buying power than the neighbors they often displace, but individual actors cannot control housing markets and remake cities on their own. Nor can gentrification be fully explained by developers either: while they might have similar interests, the part-time house flipper who owns five houses in New Orleans and the condo owner in Detroit do not coordinate policy with each other. There's a losing side and a winning side in gentrification, but both sides are playing the same game--they are not its designers. How to Kill a City uncovers the massive, systemic, capitalist forces that push poor people out of cities and lure the young "creative class." Gentrification, Moskowitz argues, is the logical consequence of racist, historic housing policies and the inevitable result of a neoliberalized economy: with little federal funding for housing, transportation, or anything else, American cities are now forced to rely completely on their tax base to fund basic services, and the richer a city's tax base, the easier those services are to fund. Moskowitz explores the changing landscapes of four cities--New Orleans, Detroit, San Francisco, and New York--and captures the lives that have been altered by gentrification. He also identifies the policies and policymakers who paved the way for the remaking of these cities. When we think of gentrification of some mysterious, inevitable process, we accept its consequences: the displacement of countless thousands of families, the destruction of cultures, the decreased affordability of life for everyone. How to Kill a City serves as a counterweight to hopelessness about the future of urban America that enables readers to see cities are shaped by powerful interests, and that if we identify those interests, we can begin to control them. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. 1. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: New. &Uumlber den AutorrnrnNeil Baum, MD, is a practicing physician in New Orleans, LA, and is a Professor of Clinical Urology at Tulane Medical School. He is the author of seven books, including The Complete Business Guide to a Successful Medical P.

71 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September 24-30, 1980 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Film Special: Bringing Godard Back Home," an interview with Jean-Luc Godard by Jonathan Rosenbaum; "Jurasas: Exile on B'Way," by Spencer Golub; "Slow Death at Sydenham," by Tim Weiner; "Your Own TV Station for $30,000," by Bob Brewin; "Underground Upstate: Viva's Tales of Hoffman," Viva on Johanna Lawrenson and Abbie Hoffman. Art reporting includes "Pfaff Made Pfathomable," John Perreault on Judy Pfaff; "Art Reviews," William Zimmer on Italo Scanga, Frank Kolbert, Ed McGowin, and Peter Berg and "The Nude Stripped Bare: Irving Penn," by Andy Grundberg. Cover photograph by Sonia Moskowitz. Good. Folded in two. Moderate yellowing of paper from age and overall bumping and tearing of page edges. 7.5 cm. dog-ear to lower right corner of recto. Multiple 5 mm. tears to spine edge and to edges of page 35-38.

37.8 x 29.4 cm. (unfolded) ; 19.5 x 29.4 cm. (folded); [16] pp.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; "The Power of Art / The Art of Power," special insert to the October 18, 1983, issue of The Village Voice, with cover artwork by Barbara Kruger. Edited by Jan Hoffman, art direction by Ernest Lynk, and production by Susan Moskowitz. Contents include: "Power: The Art World," by Roberta Smith, Photographs by Fred W. McDarrah; "Power: The East Village," by Kim Levin; "Power: Critics," by John Perreault; "Power: Control," by Lucy R. Lippard and "Power: New York," by Peter Fuller. The insert is only pages 73-88 from the full issue. Good / Very Good. Sunning of covers and moderate wear to edges of covers and pages with a 2.4 cm. loss to the top right corner of recto and chipping along spine edge. 4 cm. tear to top edge of verso. Contents clean and unmarked. Insert only, does not include full issue of The Village Voice.

[2] pp.; 13.3 x 17.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with show held May 1 - 29, 1977. Includes works by Nicholas Africano, Milet Andrejevic, Jake Berthot, Pinchas Cohen Gan, Leonard Contino, Brad Davis, Helen DeMott, Porfirio di Donna, Carol Engelson, Heidi Glück, Denise Green, Edith Gwathmey, Jan Hafstrom, Mary Heilmann, Stuart Hitch, Neil Jenney, Bill Jensen, Jane Koplowitz, Harriet Korman, Lois Lane, Don Leicht, Marilyn Lenkowsky, Sylvia Mangold, Robert Moskowitz, Judith Murry, Blinky Palermo, Harvey Quaytman, Edda Renouf, Judith Rifka, Michael Robbins, Susan Rothenberg, Doug Sanderson, Ted Stamm, Pat Steir, Gary Stephan, Susanna Tanger, Ellie Thompson, Peter Tkacheffa, John Torreano, Carolynn Umlauf, and Terry Winters. Fine. Unsent copy, clean and unmarked.