Moser colby (14 Ergebnisse)

Zustand: Very good. First Edition. Quarterly publication "sent to advertising agencies, photographers, production companies, stylists, magazine publishers, fashion houses and designers". This issue includes a feature on Jeff Ayeroff and reproduces a number of his music video stills and album covers. Wraps. Large 4to. Coral and black wraps. Mild edgwear and soil to covers. Light toning to page edges. Very good. …

SC. Zustand: Gut. Obr., Folio, 90s., + Beilagen., in gutem Zustand, [LSB5,1], LSD6,1b], ? Deu 400g.

HC. Zustand: Gut. Obr., Folio., n.p. c.a 500s., in gutem Zustand, . [APA34,0]., Deu 1200g.

Zustand: gut Großformatiges Paperback / Versandkosten 5,5 Euro da über 1kg Gewicht / mäßige Gebrauchsspuren.

Soft cover. Zustand: Very Good. No Jacket. Folio Photographic Showcase.

33,5 x 24 cm, kt. Zustand: Gut. Mit zahlr. Abb. o.p. 1 Ecke leicht gestaucht. Gutes Expl. Sprache: Englisch Gewicht in Gramm: 1100.

gr.4°, ca. 200 n.pag. S. mit wunderbaren farb- und s/w-Abb., Werbeanzeigen etc., blaue original Kartonage (Paperback), mit rotem Rücken und roter Deckelbeschriftung, gutes, sauberes Exemplar. Die Select wurde weltweit an über 16.000 'creativ decision makers' verschickt. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

70 x 49 cm. 36 Seiten Quentin Crisp, Jean Paul Gaultier, Human Race. As new. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Near Fine. 1st Edition. Oversized newspaper-type magazine (70 x 50 cm), 40 pages. Front cover photograph Franco Moschino by Stefano Pandini. - First edition. Photographs by Henry Leutwyler - The Trite Slack Press; furthermore, photographs by Stephano Pandini, Wilhelm Moser, and others.

Taschenbuch. Zustand: Very Good. minor wear---. nein.

Zustand: Fine. 1st Edition. Oversized newspaper-type magazine (70 x 50 cm), 52 pages. Front cover photograph by Wilhelm Moser. - First edition. Contributions by Bruce Weber - Broken Noses; an article on Hans Richter's magazine "G" by Hubert Lachmayer and Andreas Puff-Trojan; an article by Herbert Bolz on Berlin - Lob der Mauer; furthermore, photographs by John du Plessis and Spencer Rowel.…

214 nicht nummerierte Seiten, Mit zahlreichen teils farbigen Fotos. Die Texte der Zeitschrift in deutscher und englischer Sprache. Die vordere obere Einbandkante an einer Stelle etwas bestoßen, sonst gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 941 Original-Broschur, 24x34cm, Zustand: 3.

Folio (70 cm x 50 cm). Stunning large-format photography, including full-page poster-sized plates. Fashion, design, architecture, history. Cover image photograph Brad Branson, model and collage Fritz Kok. Subscription card loosely inserted. Worn to edges, including several small closed tears carefully repaired. Good condition. "The Manipulator" was published from 1984 to 1994 and is an icon of its times: a ground-breaking magazine, from the glory days of analog photography. Includes advertising campaigns, articles on fashion and history, archival photography.…

XLformat, 70 x 50 cm, pages not numbered, complete. Rare photography magazine. Good condition ISBN 01783556. THE MANIPULATOR was born in 1984 into a world of analog photography, almost unimaginable today: no cellphones, no internet, no Photoshop, no digital cameras. In those quondam times, it was the cordless phone, the fax machine, the colour-copier and the Apple IIc that defined the technologically-savvy. These were the golden years of independent publishing. The once-rigid separation between commercial and fine-art photography was fast collapsing and some of the most exciting, new work began appearing, not on gallery walls, but in magazine editorials and advertising campaigns. With the drama of photographic aesthetics being played out on so egalitarian a stage, everyone was soon spectator, analyst, arbitrator and fan. THE MANIPULATOR was a champion for photography. The Over-large format had been used on occasions in the past, particularly for picture-heavy publications, but this was the biggest by far (50 cm x 70cm), able to reprint images in gargantuan, poster-like proportions. Its content reflected an obvious bias towards architecture, design, art and photography, but it was also one of the first consumer magazines to start addressing the looming ecological plight facing the world. De-forestation; rising sea-levels; suspect animal-husbandry; acid-rain: these were issues regularly confronted in the pages of The Manipulator, made all the more compelling by the huge pictures that accompanied the articles. Archival photography was another favourite. Hand-tinted images taken in Japanese brothels in the late-1800s; sepia-toned shots of Spanish bull-fighters from the turn of the century; murky photographs from the albums of the Victorian Egyptologists: all found a home in the pages of THE MANIPULATOR. When the USSR began crumbling under the onslaught of Gorbachev?s glasnost, the Novosti archives, which had been closed to the world since the revolution of 1917, were made available for reproduction in a 1989-edition of the magazine. The romance between THE MANIPULATOR and photography would span a full decade. Over the ensuing years, from time to time, ghosts of The Manipulator have been spotted here and there. Naturally, other extra-large format clones followed, but they didn?t hang around for too long. The odd back-issue of THE MANIPULATOR would pop up as part of the set-dressing on a movie, or grace a pop-star?s album cover, or be a prop in some music video, or a feature in some exhibit. Even Helmut Newton admitted to its influence when he published his giant book SUMO. Publishers Wilhelm Moser and David Colby shut things down in 1994 when the U.S. editor, Johno du Plessis, took the decision to return to his native South Africa ? better to end it while the magazine was still cherished and esteemed. To date, they have revived it just once, in collaboration with the photographer Bruce Weber and Babelsberg Film Studios, for a special Berlin issue. 0 g.…