morley john charles (10 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Gebunden. Zustand: New.

Zustand: very good. Stephen Gray, John Barrell, Nick Humphrey, Mark Lushington (eds), GRANTA Vol. 68 No. 1231, GRANTA, Cambridge, 1963. 218 x 280. Printed blue and black on white, orange and pink stock. The Modern Art Issue features an Essay on Kinetic Art and Frank Malina by Reg Gadney (cover design also features Galaxy by Malina), alongside 'Notes on Alberto Giacometti' by Stephen Bann, 'Pop Art' by Robert Harvey, 'The Importance of Ben Nicholoson' by Charles Harrison, 'Annie and Child' by Jules Lubbock. The issue also features poems from Thomas Clark, John Roe and Jeremy Hilton. Condition: very good.

34pp., 8vo. Drophead title. Disbound, with front leaf loose, otherwise in good condition, lightly-aged, without wraps. Including a seven-page speech by John Stuart Mill (pp.7-13); a speech of three and a half pages by the Rev. Charles Kingsley (pp.14-17); and others by Mrs Taylor; Thomas Hare; Boyd Kinnear; Lord Houghton; John Morley; Sir Charles Wentworth Dilke, P. A. Taylor; Professor Masson; Mr Stansfield. Three copies on COPAC, and none (other than surrogates) on OCLC WorldCat. No other copy curently on the market.

Cloth. Zustand: Very Good. Ernest W. Haslehust (illustrator). A beautiful illustrated ten volume collection of works from the Our Beautiful Homeland Series. In the publisher's original pictorial cloth bindings.These copies are undated. Dated here using Jisc, from copies held at the National Library of Scotland and the University of Birmingham Libraries.This is a eight-volume set of this charming early 20th-century travel series showcasing the historic towns, rural landscapes, and iconic landmarks of Britain.Each copy of Our Beautiful Homeland features 48 full-page colour plates of watercolours, painted by Ernest W. Haslehust, R.B.A.This set includes volumes exploring: Norwich: Shakespeare Land: The Peak District: The Dukeries, described by Walter Jerrold & R. Murray Gilchrist Exeter: Heart of Wessex: Dartmoor: Bath and Wells, described by Sidney Heath & Arthur L. Salmon Hereford: Chester: Oxford: Warwick & Leamington, described by Charles Edwards, F. D. How & George Morley Canterbury: Winchester: The Isle of Wight: Swanage, described by Edward Thomas, Sidney Heath & Canon Danks York: Ripon and Harrogate: The English Lakes: Scarborough, described by George Benson, A. G. Bradley & R. Murray Gilchrist The Thames: Windsor Castle: Hampton Court: Dickens Land, described by G. E. Mitton, Edward Thomas, Walter Jerrold & J. A. Nicklin Edinburgh: The Scott Country: The Shores of Fife: Loch Lomond: Loch Katrine & The Trossachs, described by John Geddie & George Eyre Todd The Heart of London: Through London"s Highways: In London"s By-Ways: Rambles in Greater London, described by Walter Jerrold In original publisher's cloth bindings. Externally, smart. Slight rubbing and bumping to extremities. Slight age toning to cloth, more so to spines, particularly "Norwich". The odd minor handling mark to boards. slight soiling to cloth. The odd hinge strained, but firm. Internally, generally firmly bound, aside from pages 13-16 in "Oxford", which are fully disbound. Pages bright and clean, if slightly age toned. The odd spot, heavier to first and last few leaves and fore edge. Very Good. book.

Zustand: Fine. Handsomely bound collection of "modern" essays, illustrated with portraits of each author "in permanent photography." A late Victorian production meant for a casual literary audience, anthologizing some of the most respected critics of the era: Ralph Waldo Emerson's "Compensation" (first his first book of ESSAYS), De Quincey's "Conversation," Washington Irving's "The Mutability of Literature," Thomas Carlyle's "On History," and more. What distinguishes it from many others of its kind in this era is the inclusion of photographic portraits of each contributor (including photographs of paintings or drawings for those whose photos were never taken). This particular copy further boasts a beautifully finished full morocco binding by Bickers & Son. A stunning representative of the era. 8.25'' x 5.25''. Contemporary full navy crushed morocco by Bickers & Son, triple-gilt rules and elaborate floral border, raised bands, gilt-stamped spine. Gilt edges, marbled endpapers, all edges gilt. Illustrated with 12 photographic portraits of contributors. With half title. [10], 395, [1] pages. Ink owner name dated 1897. Only a few traces of rubbing.

Hardcover. Mixed Editions. The present collection includes: Six works inscribed by Ogden Nash to his wife, Frances; Three works by Nash bearing edits in Nash's hand; and 48 books inscribed by various authors to Nash (most notably, 12 books inscribed by S. J. Perelman). It also includes 132 uninscribed books not authored by Nash, 45 of which bear his ownership inscription (and 10 of which bear the ownership inscription of Frances Nash). Books written by Nash: 59 total (two of which are co-authored by another individual) Volumes edited in Nash's hand 2 volumes in publisher's bindings 1 volume in "Author's Copy" half leather binding, with dozens of pages removed (presumably to assemble a new collected edition of poems) Books inscribed to Frances Leonard Nash 5 works by Ogden Nash 4 works in original bindings 1 work in "Author's Copy" half leather binding 1 work by Anthony Trollope (The Chronicles of Barsetshire: 1. The Warden) 1 volume signed by numerous members of Little, Brown and Co. publishing staff 27 Author's copies bound in half leather, not already accounted for in list above 1 volume bound in full red leather 21 volumes, unmarked, in standard publisher's bindings Books not authored by Nash: 180 in total Volumes inscribed to Nash: 48 volumes Notably, this collection includes 12 works inscribed by S.J. Perelman Uninscribed volumes: 132 volumes 45 of these bear Ogden Nash's ownership inscription 10 of these bear Frances Leonard Nash's ownership inscription, generally from before her marriage Notably, this collection includes a first edition, first issue of The Great Gatsby with all points present, but lacking the dust jacket. To view the full inventory, please click HERE. All items are in good or better condition, unless otherwise stated. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. Shelved Amazon End-Cap. The present collection offers a window into the literary world of American poet and humorist Ogden Nash (19021971). It is comprised of 239 volumes published between 1886 and 1971, among which are numerous presentation and association copies. All books in the present collection come from the shared personal library of Ogden and Frances Nash. The collection spans poetry, humor, light verse, and literary criticism, and includes a significant number of first and limited editions, often in original bindings or dust jackets. Of particular note are six books inscribed by Nash to his wife, Frances (including five authored by Nash, one of which is in an "Author's Copy" half-leather binding). Included in the collection are 59 works by Nash, three of which feature edits to the text in Nash's hand. Twenty-seven of these Nash publications are Author's copies bound in half-leather. There are an additional 48 volumes bearing inscriptions to Nash from other authors and poets, most notably twelve volumes inscribed by S.J. Perelman. Among the 132 uninscribed volumes included here, 45 bear Ogden Nash's ownership inscription (10 bear the ownership inscription of Frances Nash). The number and range of authorial inscriptions represented in the present collections reflect Nash's wide-ranging literary friendships and professional associations. Notable among these are twelve warmly inscribed titles by humorist S.J. Perelman, whose acerbic wit is on display in a series of affectionate, playful, and sometimes satirical inscriptions to both Nash and his wife, Frances. These volumes also reflect Perelman and Nash's shared experiences in Hollywood and the literary scene of mid-century America. Other highlights include inscriptions from John Betjeman, Christopher Morley, E.C. Bentley, A.P. Herbert, David McCord, William Plumer Fowler, and Holger Lundbergh, among otherseach evidencing Nash's influence and the esteem in which he was held across literary and cultural circles in the U.S. and the U.K. Of particular note are the six books personally inscribed by Ogden Nash to his wife, Frances, often composed in his characteristic rhymed style. These inscriptions reflect a deep relationship of tenderness, humor, and enduring partnership. The collection also includes school prize books awarded to Nash in the 1910s, including works by Matthew Arnold, Robert Burns, and Aeschylus, many bound in gilt-tooled leather and bearing formal prize inscriptions from St. George's School. These early items chart the poet's formative years and offer rare provenance tied to his intellectual development. 1399573. Special Collections.