Moore michael peter (27 Ergebnisse)

paperback. Zustand: Fine.

paperback. Zustand: Very Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 86 pages. 9.69x7.44x0.20 inches. In Stock.

Soft cover. Zustand: Good. 1st Edition. Faded spine, small handling wear on cover.

Hardcover. 8vo. pp xiii, 416, [4]. Colour illustrated dust jacket. Publisher's black buckram lettered in white at spine. Illustrations in black and white.ISBN: 9780300176629 Near fine, only light shelfwear at spine ends. In very good dust jacket, little rubbed at corners.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: VERY GOOD. Zustand des Schutzumschlags: Very Good. 704pp. Sewn binding in cloth, gilt spine lettering. Ex-library; exceedingly clean and sharp with sound binding and no evidence of use. Shipped professionally in a box. 'Jonas Greenfield was one of the foremost epigraphers and biblical scholars of this generation. This volume, dedicated to Professor Greenfield by his students, colleagues, and friends, reflects the broad spectrum of academic interests he pursued: Bible, Qumran, epigraphy, and Semitics.' (Publisher's blurb).…

Paperback. Zustand: Brand New. 360 pages. 8.43x5.39x1.14 inches. In Stock.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

22 cm, Hardcover/Pappeinband. 1. Auflage. 560 Seiten: Illustrationen original verschweißt Sprache: Deutsch Gewicht in Gramm: 800.

Soft cover. Zustand: Fair. No Jacket. ex-library spiral bound paperback, usual library stamps/markings. Published in 1991 by The Sundial Society. Some shelf wear & grubby marks to covers, handling marks to text block/page edges, a very small amount of highlighting but doesn't obscure print, otherwise good, clear text/illustrations, binding intact. Ready for immediate despatch from UK. 36A*. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Dr Moore's enterprising book focuses on an apparent paradox in the politics of Sri Lanka.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - There is a widespread concern that, in some parts of the world, governments are unable to exercise effective authority. When governments fail, more sinister forces thrive: warlords, arms smugglers, narcotics enterprises, kidnap gangs, terrorist networks, armed militias. Why do governments fail This book explores an old idea that has returned to prominence: that authority, effectiveness, accountability and responsiveness is closely related to the ways in which governments are financed. It matters that governments tax their citizens rather than live from oil revenues and foreign aid, and it matters how they tax them. Taxation stimulates demands for representation, and an effective revenue authority is the central pillar of state capacity. Using case studies from Africa, Asia, Eastern Europe and Latin America, this book presents and evaluates these arguments, updates theories derived from European history in the light of conditions in contemporary poorer countries, and draws conclusions for policy-makers. …

Festeinband. Zustand: Sehr gut. 1. Auflage. 560 Seiten : Illustrationen ; 22 cm Sehr guter Zustand 111g ISBN: 9783866482371 Sprache: Deutsch Gewicht in Gramm: 900.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - There is a widespread concern that, in some parts of the world, governments are unable to exercise effective authority. When governments fail, more sinister forces thrive: warlords, arms smugglers, narcotics enterprises, kidnap gangs, terrorist networks, armed militias. Why do governments fail This book explores an old idea that has returned to prominence: that authority, effectiveness, accountability and responsiveness is closely related to the ways in which governments are financed. It matters that governments tax their citizens rather than live from oil revenues and foreign aid, and it matters how they tax them. Taxation stimulates demands for representation, and an effective revenue authority is the central pillar of state capacity. Using case studies from Africa, Asia, Eastern Europe and Latin America, this book presents and evaluates these arguments, updates theories derived from European history in the light of conditions in contemporary poorer countries, and draws conclusions for policy-makers.…

Soft cover. Zustand: Very Good. Scarce limited edition box set consisting of 32 booklets designed by individual artists housed in slipcase. Edition of 250 copies, quite uncommon and lovely set. 32 booklets counted here, although for whatever reason there is a duplicate of one book - unclear whether that is just an issue with this particular copy, or all of them - the duplicate is that of Janine Gordon, unclear which artist is missing from the set. All 32 booklets in excellent condition, hardly any wear at all, perhpas just the teeniest rubbing and scuffing to glossy covers, but all appear scarcely handled. Box has some light scuffing in parts but is generally clean and attractive and very well intact. Though as mentioned it is unclear which artist book is missing from the set, the artists included are John Armleder, Amy Granat, Mai-Thu Perret, Rich Aldrich, John M Armleder, Fia Backström, Sophie Bernhard, Peter Coffin, Philippe Decrauzat, Vidya Gastaldon & Fabrice Stroun, Gabrielle Giattino & Sara Turner, Janine Gordon, Kim Gordon, Amy Granat, Drew Heitzler & Flora Wiegman, Jutta Koether, Alix Lambert, Balthazar Lovay, Brendan Majewski, Christian Marclay, Mass, John Miller, Thurston Moore, Olivier Mosset, Chuck Nanney, Genesis P-Orridge, Mai-Thu Perret, Carissa Rodriguez, Aura Rosenberg, Michael Scott, John Terhorst, Blair Thurman, John Tremblay, Elizabeth Valdez, Joan Wallace.…

OPappband mit OUmschlag. 560 Seiten mit Illustrationen 22 cm Sehr gutes Exemplar (Ovp) Sprache: Deutsch Gewicht in Gramm: 900.

Festeinband. 1. Auflage. 560 S. Original-Eingeschweißt // Meteorologe, Meteorologie , Geschichte 1800 - 1900, Geowissenschaften SL010 9783866482371 *.* Sprache: Deutsch Gewicht in Gramm: 990.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha. …

dj. First Edition. [Humour] FIRST EDITION. Octavo (20 x 13cm), pp.96. Publisher's dark blue cloth, orange titles to spine, photographic dust-jacket with printed price of 13s. 6d. With six double sided black and white photographic plates. Light spotting to edges. Wrapper slightly edge worn, some marking to rear panel, orange text to spine marginally sunned. Near fine.…

Hardcover. Zustand: Fine. Includes dust jacket. Signed. First Edition. copy 147, stated first, signed by 16 contributors, fine in dj and slipcase.

Softcover. Zustand: Near Fine. Magazine. Cover by Michael S. Bell. 12mo. Stapled glossy wrappers somewhat rubbed and with small stain to one page, near fine. The Fluxus issue of this poetry anthology featuring Alison Knowles, Ben Vautier, Robert Watts, Robert Filliou, D.R. Wagner, Endre Tot, Peter Frank, and Ken Friedman. A booklet by Larry Wendt tipped in at the rear wrap. Additional contributions from Michael Crane, Michael Earley, Michael Gibbs, Devi Det Hompson [David E. Thompson], Karl Kempton, Tony May, Stephen Moore, Bern Porter, Kirk Robertson, Zel von Zell, and D.R. Wager.…

First edition. Limited edition. Signed by the author. Publishers original pictorial boards with matching dustwrapper by Michael Smith. Housed in the purple faux leather slipcase. A fine copy, the binding square and firm, the contents are clean throughout and without inscriptions or stamps. Complete with the fine original dustwrapper which is free from fading loss or tears. In the fine structurally sound slipcase. Issued in a limited edition of 200 copies of which this example is numbered 80 and signed by each of the 16 contributors. A revival of 'New Worlds', originally produced as a magazine from 1936 as 'Novae Terrae' and renamed in 1939. During the 1960s and 1970s under the editorship of Michael Moorcock the magazine became famous for its avante garde approach and the development of New Wave science fiction writers. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Signed by Author(s).…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…

Early Draft script for the 1965 British comedy film. Based on the 1889 novel by Robert Louis Stevenson and Lloyd Osbourne. In 1818, the parents of 20 boys establish a tontine, a fund to go to the last surviving boy. It is now 1882 and only 2 elderly brothers are left, Joseph (Ralph Richardson), protected by his nephews (Peter Cook and Dudley Moore) determined to keep him alive, and Masterman (John Mills) in ill health and poverty, protected by his perpetually confused grandson (Michael Caine). Shot on location in Surrey, England. Yellow untitled wrappers with die-cut title window in the British style. Title page present, dated May 21, 1965, with credits for screenwriters Larry Gelbart and Burt Shevelove. 127 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads. …